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The Exits © Alejandro Corpus
Features, Interviews, MusicNovember 19, 2018<November 19, 2018

Feature: The Exits Usher Music Lovers into the High-Energy World of Rock n’ Roll

by Sara Santora
Laura Jane Grace © 2018
Columns, Music, Today's SongNovember 19, 2018<November 19, 2018

Today’s Song: In-Flight Breakups with Laura Jane Grace in “The Airplane Song”

by James Crowley
Christine and the Queens © Nicole Almeida
Concerts, Music, ReviewsNovember 19, 2018<November 19, 2018

Christine and the Queens Redefines the Live Music Experience at Philadelphia’s Union Transfer

by Nicole Almeida
ASL 2 Cabin - Age.Sex.Location
Music, ReviewsNovember 16, 2018<November 16, 2018

EP Review: Age.Sex.Location Immerse & Enthrall with ‘ASL 2 Cabin’

by Mitch Mosk
Julia Jacklin © Nick McKinlay
Columns, Music, Today's SongNovember 16, 2018<November 19, 2018

Today’s Song: A Journey Through Life’s Banalities On Julia Jacklin’s “Body”

by Adrian Vargas
Songs That Saved My Life - Dan Campbell & Ace Enders
Columns, Music, Today's SongNovember 15, 2018<March 2, 2025

Today’s Song: Dan Campbell and Ace Enders Make “Broom People” a Love Song

by James Crowley
Hailey Knox © Shervin Lainez
Features, Interviews, Music, PremieresNovember 15, 2018<February 12, 2019

Feature: The Beautiful Vulnerability of Hailey Knox’s “Hardwired”

by Mitch Mosk
On to Better Things - Adé Hakim
Music, ReviewsNovember 15, 2018<August 5, 2021

Review: Adé Hakim’s ‘On to Better Things’ Pushes Hip-Hop’s Sound into the Unknown

by Atwood Magazine Staff
Sharaya Summer © 2018
Debut, Music, Premieres, ReviewsNovember 14, 2018<February 20, 2019

EP Premiere: Sharaya Summers’ Rich, Raw, and Dreamy Debut ‘Bend Before We Break’

by Mitch Mosk
The Western Den © Jordan Rich
Music, PremieresNovember 14, 2018<November 14, 2018

Premiere: The Western Den’s Haunting “Hem” Contemplates Place and Purpose

by Mitch Mosk
Windows Down & Dying - TONKS
Debut, Interviews, Music, PremieresNovember 13, 2018<November 13, 2018

Album Premiere: TONKS Unveils His Stirringly Vulnerable Debut ‘Windows Down & Dying’

by Mitch Mosk
Black Honey © Harriet Brown
Debut, Music, Reviews, Track-by-TrackNovember 12, 2018<November 12, 2018

Living in a Movie: A Track-by-Track Review of Black Honey’s Debut Album

by Lindsay Call
Deanna Petcoff © 2018
Features, Interviews, Music, This Just InNovember 9, 2018<October 16, 2024

This Just In: Deanna Petcoff Dives Into Her Energizing, Dynamic “Stress”

by Mitch Mosk
Psychic Rites' Mike Siemens © Kentaro Murai
Essays, Features, Interviews, MusicNovember 9, 2018<November 9, 2018

What It Means to Hate Your Work: Connecting Psychic Rites, Kafka, and Cobain

by Atwood Magazine Staff
The Wombats © Phil Smithies
Features, Interviews, MusicNovember 9, 2018<July 12, 2022

Interview: How The Wombats Stayed True to Themselves, Four Studio Albums Later

by Abby Jones
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Brand New

  • “It Wasn’t a Typical Sad Song”: Sasha Joy Found a New Kind of Clarity on “Got You Something”
  • “Life Is Much More Colorful”: Heddy Edwards Summons the Divine on ‘The Other Side of Hell Is a Heaven So Delicate’
  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around”
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit

:: discover something new ::

Recent Posts

  • “It Wasn’t a Typical Sad Song”: Sasha Joy Found a New Kind of Clarity on “Got You Something” June 5, 2026
  • “Life Is Much More Colorful”: Heddy Edwards Summons the Divine on ‘The Other Side of Hell Is a Heaven So Delicate’ June 5, 2026
  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around” June 4, 2026
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’ June 4, 2026
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release June 4, 2026
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return June 3, 2026
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