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Tinx © Emma Viola Lilja
Music, PremieresAugust 29, 2018<August 29, 2018

Premiere: Tinx’s Sultry & Aching “Gimme” Is Pure Pop Seduction

by Mitch Mosk
Con Davison © Rob Hull
Music, PremieresAugust 29, 2018<August 28, 2018

Premiere: Con Davison’s Invigorating “Talk” Is a Breath of Fresh Air

by Mitch Mosk
Upstairs Open © 2018
Debut, Music, PremieresAugust 29, 2018<September 13, 2018

Premiere: The Tragic Cry of Upstairs Open’s Feelgood “Silence”

by Mitch Mosk
Tuck Frump - Victory Kid
Music, Music Videos, PremieresAugust 29, 2018<August 28, 2018

Premiere: Victory Kid Channel Blink-182 on Their Political Anthem “Tuck Frump”

by James Crowley
Calvin Arsenia © Andrea Larson
Music, PremieresAugust 29, 2018<August 29, 2018

Premiere: Calvin Arsenia’s Aching & Vulnerable “Headlights”

by Mitch Mosk
ELOÏSE © Charlotte Caleb
Music, PremieresAugust 28, 2018<August 28, 2018

Premiere: Indulge in ELOÏSE’s Dark & Seductive Fantasy, “Drop Dead Gorgeous”

by Mitch Mosk
Flo Chase © 2018
Music, PremieresAugust 28, 2018<August 28, 2018

Premiere: Flo Chase’s “Kiss You Goodbye” & the Inevitable Ending of Divinely Intervened Love

by Jesse Herb
my first love mends my final days - mathew lee cothran
Columns, Music, Today's SongAugust 28, 2018<August 28, 2018

Today’s Song: How We Use a Name in Mathew Lee Cothran’s “Naomi Y”

by Aaron Scobie
Daise © 2018
Music, PremieresAugust 27, 2018<August 27, 2018

Premiere: The Ambient Ache of Daise’s “Sights of Blue”

by Mitch Mosk
Sweetener - Ariana Grande
Features, Music, Reviews, RoundtableAugust 27, 2018<June 29, 2024

Roundtable Discussion: A Review of Ariana Grande’s ‘Sweetener’

by Atwood Magazine Staff
LANSKI © Jake Courtois
Music, PremieresAugust 27, 2018<August 27, 2018

Premiere: The Intimate Weight of LANSKI’s Sweet & Somber “Vows”

by Mitch Mosk
Jack River © Ash Schumann
Columns, Music, Today's SongAugust 27, 2018<August 27, 2018

Today’s Song: Jack River Experiments with Emotional Boundaries “In Infinity”

by Natalie Harmsen
Foxhole © Loren Gifford
Features, Interviews, Music, PremieresAugust 27, 2018<August 27, 2018

Premiere: Foxhole Return to Bring Humanity to Post-Rock on “After the Walk”

by James Crowley
Timothy Heller © Nas Nixx
Debut, Features, Interviews, Music, ReviewsAugust 24, 2018<September 13, 2018

Interview: Timothy Heller Dives into Her Impassioned New Anthem “See Ya!”

by Mitch Mosk
Nightly © Louis Browne
Features, Interviews, MusicAugust 24, 2018<August 24, 2018

Call Out Their Name: A Conversation with Nightly

by Nicole Almeida
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Brand New

  • Raye’s ‘THIS MUSIC MAY CONTAIN HOPE.’ Is Cinematic Pop That Dazzles and Delivers
  • Paris Paloma’s “Miyazaki” Is a Love Letter to Human Creation
  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose
  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’
  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song”
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too)
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’

:: discover something new ::

Recent Posts

  • Raye’s ‘THIS MUSIC MAY CONTAIN HOPE.’ Is Cinematic Pop That Dazzles and Delivers April 8, 2026
  • Paris Paloma’s “Miyazaki” Is a Love Letter to Human Creation April 8, 2026
  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose April 7, 2026
  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’ April 7, 2026
  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song” April 7, 2026
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too) April 6, 2026
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’ April 6, 2026
  • Joshua Quimby Is Redefining What It Means to Be Country April 6, 2026
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld April 6, 2026
  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’ April 6, 2026
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