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Jesse Macht © Gregory Beylerian
Music, PremieresMarch 19, 2018<March 19, 2018

Premiere: Take a Breath with Race the Tide’s Cathartic “Dayenu”

by Mitch Mosk
Pale Houses © 2018
Music, PremieresMarch 19, 2018<March 30, 2018

The Warm Weight of Pale Houses’ Intimate Confessional, “Who Will I Be for You?”

by Mitch Mosk
Screaming Females © Grace Winter
Features, Interviews, MusicMarch 19, 2018<March 19, 2018

Finding Community All At Once: A Conversation with Screaming Females

by James Crowley
Atwood Magazine's Weekly Roundup 03-16-2018
Columns, Features, Music, Weekly RoundupMarch 16, 2018<March 16, 2018

Atwood Magazine’s Weekly Roundup: March 16, 2018

by Atwood Magazine Staff
The 1 Class © 2018
Music, PremieresMarch 16, 2018<March 16, 2018

Premiere: Deception and Denial in The 1 Class’ “If You Were Honest”

by Mitch Mosk
Hey Baby © Bin Blow
Columns, Debut, Music, Reviews, Today's SongMarch 16, 2018<March 16, 2018

Review: Hey Baby! Embrace the Buzz in Punk Anthem “Kids”

by Mitch Mosk
Catalina © 2018
Music, PremieresMarch 16, 2018<March 16, 2018

Premiere: Lost in the Ethereal Waves of Catalina’s “Ceremony”

by Mitch Mosk
Everything You Need - The Yellow Traffic Light © Mario Toyoshima
Debut, Music, Music Videos, PremieresMarch 16, 2018<October 1, 2018

Premiere: The Yellow Traffic Light Challenge “Everything You’ll Need” with Dark Disillusion

by Mitch Mosk
Riley Moore © 2018
Music, PremieresMarch 16, 2018<March 16, 2018

Premiere: “Wandering Man,” Riley Moore’s Americana Ode to the Nomad

by Mitch Mosk
Watts' Weekend Picks 2018-03-16
Columns, Music, Playlists, Watts' Weekend PicksMarch 16, 2018<March 23, 2018

Watts’ Weekend Picks: John Newman, MNEK & More for Your Weekend Lifestyle

by Watts
Bright City Lights - Rebecca Haviland
Music, Music Videos, PremieresMarch 15, 2018<March 16, 2018

Video Premiere: Rebecca Haviland Finds Her Voice in “Bright City Lights”

by Mitch Mosk
Mica Tenenbaum of Magdalena Bay © Nicole Almeida
Debut, Features, Interviews, MusicMarch 15, 2018<December 21, 2024

Talking Retro Pop and Vintage Film: A Conversation with Magdalena Bay

by James Meadows
LJ Gomez © Mari Hernandez
Music, PremieresMarch 15, 2018<March 15, 2018

Premiere: A Familiar Ache in LJ Gomez’s Poignant “Replay”

by Mitch Mosk
The Violet Kind © 2018
Music, PremieresMarch 15, 2018<March 15, 2018

Premiere: The Violet Kind Stand Up & Speak Out in “Good Behaviour”

by Lindsay Call
Columns, Music, Today's SongMarch 15, 2018<March 15, 2018

Today’s Song: Revisiting Your Summer Love with Twin Shadow’s “Saturdays”

by Adrian Vargas
Posts pagination
1 … 580 581 582 583 584 … 711

Brand New

  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”
  • Atwood Magazine’s 2025 Albums of the Year
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’
  • “It’s Like the Kind of Dream Where You Just Wanna Scream”: Drauve Channel Raw Emotion into Heavy, Shimmering Shoegaze on ‘Timeline’

:: discover something new ::

Recent Posts

  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’ December 17, 2025
  • “It’s Like the Kind of Dream Where You Just Wanna Scream”: Drauve Channel Raw Emotion into Heavy, Shimmering Shoegaze on ‘Timeline’ December 17, 2025
  • Today’s Song: The Barons Channel the Strength of Authentic Human Interaction in “Way Out” December 17, 2025
  • “We Have Fun, and That’s It”: Underbrook Are on the Way Up With ‘Was Happiness Too Boring for You?’ December 16, 2025
  • “Sorrow’s Just Worn Out Joy”: Oakland Newcomers mildred Linger in the Fog Between Memory & Change on “Trailer Hitch” December 16, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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