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Beechwood © Nika De Carlo
Music, PremieresJune 5, 2018<June 6, 2018

Premiere: Beechwood Shine Bright in Buoyant Love Song “Amy”

by Mitch Mosk
Howlin' - Naomi Wild © 2018
Features, Interviews, MusicJune 5, 2018<June 5, 2018

Howlin’ for Higher Ground: A Conversation with Naomi Wild

by Alex Killian
Roanoke © Robbie Larsen
Music, Music Videos, PremieresJune 5, 2018<June 5, 2018

Premiere: Roanoke’s Intimate “Silent Films” Captures Love’s Fragility

by Mitch Mosk
Maggie Rogers © Olivia Bee
Columns, Music, Today's SongJune 5, 2018<June 5, 2018

Today’s Song: A Gorgeous Tale of Growth with Maggie Rogers’ “Fallingwater”

by Adrian Vargas
To Be Young - Tenderfoot
Debut, Music, Our Take, ReviewsJune 4, 2018<June 4, 2018

Our Take: Tenderfoot Debut ‘To Be Young’ with Heartfelt Warmth and Nostalgic Reverie

by Mitch Mosk
Flowertruck © Christie Crawford
Debut, Music, Our Take, ReviewsJune 4, 2018<June 4, 2018

Our Take: Flowertruck’s Debut ‘Mostly Sunny’ Provides a Charming Summer Anthem

by Adrian Vargas
The 1975 © 2018
Features, Music, ReviewsJune 4, 2018<June 19, 2018

Feature: Our Writers Review The 1975’s “Give Yourself a Try”

by Atwood Magazine Staff
Satellite Mode © Shervin Lainez
Music, Music Videos, PremieresJune 1, 2018<June 4, 2018

Premiere: Innocence Lost in Satellite Mode’s Resilient “Gave It All”

by Mitch Mosk
From the Light - The Sea The Sea album art
Features, Music, Our Take, ReviewsJune 1, 2018<June 12, 2018

Our Take: The Sea The Sea Rise ‘From the Light’ in Dazzling Sophomore Album

by Mitch Mosk
Freedom Fry © Michelle Shiers
Debut, Features, Interviews, Music, ReviewsJune 1, 2018<June 12, 2018

Past, Present, Future, and Classics: A Conversation with Freedom Fry

by Nicole Almeida
Lev Snowe © Adam Willis Kelly
Features, Music, PremieresJune 1, 2018<June 1, 2018

EP Premiere: Lev Snowe’s ‘Faded Blue’ Creates a Gorgeous Synth-Laced Dreamscape

by Adrian Vargas
Omni © Sebastian Weiss
Features, Interviews, MusicJune 1, 2018<June 1, 2018

Musical Wit and a Lack of Digital Tact: A Conversation with Omni

by Alexandra Graber
Bitchin Summer - Mark Fredson
Debut, Music, PremieresMay 31, 2018<May 31, 2018

Premiere: Soaking Up the Sun with Mark Fredson’s Solo Debut “Bitchin Summer”

by Mitch Mosk
Georgia Meek and Katie Mac © 2018
Debut, Music, PremieresMay 31, 2018<March 12, 2026

Premiere: Sexual Exploration & Indulgence in Georgia Meek’s “SWIM” ft. katie MAC

by Mitch Mosk
Loveday © 2018
Music, PremieresMay 31, 2018<May 31, 2018

Premiere: “To You,” Loveday’s Intimate Rainy Day Love Letter

by Mitch Mosk
Posts pagination
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Brand New

  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose
  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’
  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song”
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too)
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’
  • Joshua Quimby Is Redefining What It Means to Be Country
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld

:: discover something new ::

Recent Posts

  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose April 7, 2026
  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’ April 7, 2026
  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song” April 7, 2026
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too) April 6, 2026
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’ April 6, 2026
  • Joshua Quimby Is Redefining What It Means to Be Country April 6, 2026
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld April 6, 2026
  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’ April 6, 2026
  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning April 3, 2026
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem April 3, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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