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D.A.N © 2018
Music, Music Videos, PremieresJuly 26, 2018<July 26, 2018

Premiere: The Empowering Vulnerability of D.A.N’s “Think About Me”

by Mitch Mosk
Beta Radio © 2018
Music, Music Videos, PremieresJuly 26, 2018<February 20, 2019

Premiere: Lost & Longing for Home in Beta Radio’s “Tongue Tied”

by Mitch Mosk
MissYou © 2018
Music, PremieresJuly 26, 2018<July 26, 2018

Premiere: MissYou Chronicle Blame and Shortcomings in “Child 44”

by James Crowley
Coyle Girelli © 2018
Music, PremieresJuly 25, 2018<September 20, 2018

Premiere: Coyle Girelli’s Aching, Lovelorn “Never Thought I’d See You Again”

by Mitch Mosk
Fake It - Morgan St. Jean
Music, PremieresJuly 25, 2018<July 25, 2018

Premiere: Morgan St. Jean Makes Her Mark with “Fake It”

by Luke Pettican
"Love It If We Made It" - The 1975 © Dirty Hit
Columns, Features, Music, Reviews, Today's SongJuly 25, 2018<October 15, 2018

Reeling in The 1975’s Impassioned Protest “Love It If We Made It”

by Mitch Mosk
Black Grapefruit © 2018
Debut, Music, PremieresJuly 24, 2018<July 24, 2018

Premiere: The Warm Wash of Black Grapefruit’s Bittersweet “End”

by Mitch Mosk
Tanukichan © Jacob Romero
Debut, Features, Interviews, MusicJuly 24, 2018<October 13, 2021

Reflections on Sundays and Life Itself: A Conversation with Tanukichan

by Nicole Almeida
Boy Bjorn © Kate Holl
Debut, Music, Music Videos, PremieresJuly 24, 2018<July 24, 2018

Premiere: Ambience & Isolation in Boy Bjorn’s Intimate “Alone at the Severance”

by Mitch Mosk
Naaz © 2018
Columns, Debut, Music, Music You Should KnowJuly 23, 2018<July 23, 2018

Music You Should Know: Naaz’s Stunningly Sensational Debut EP ‘Bits of Naaz’

by Luke Pettican
New York - JONES EP
Music, Our Take, ReviewsJuly 20, 2018<July 20, 2018

Our Take: JONES Strips It Back on ‘New York’ EP

by Natalie Harmsen
Mumford & Sons © 2016
Columns, Music, Music You Should KnowJuly 19, 2018<July 18, 2018

Music You Should Know: The Joy of Mumford & Sons’ “Johannesburg”

by Sara Santora
GOLDN © Nikko La Mere
Music, PremieresJuly 19, 2018<July 19, 2018

Premiere: GOLDN Sets a Heartbreaking Scene in “Break It”

by James Crowley
Bear Grass © 2018
Music, PremieresJuly 19, 2018<July 27, 2018

Premiere: Bear Grass Create a Sense of Security & Distrust in “Snake in the Grass”

by James Crowley
El Ten Eleven © Mark Owens
Music, PremieresJuly 19, 2018<July 27, 2018

Premiere: Embark on a Meditative Voyage with El Ten Eleven’s “We Don’t Have a Sail But We Have a Rudder”

by Adrian Vargas
Posts pagination
1 … 580 581 582 583 584 … 737

Brand New

  • “It Wasn’t a Typical Sad Song”: Sasha Joy Found a New Kind of Clarity on “Got You Something”
  • “Life Is Much More Colorful”: Heddy Edwards Summons the Divine on ‘The Other Side of Hell Is a Heaven So Delicate’
  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around”
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit

:: discover something new ::

Recent Posts

  • “It Wasn’t a Typical Sad Song”: Sasha Joy Found a New Kind of Clarity on “Got You Something” June 5, 2026
  • “Life Is Much More Colorful”: Heddy Edwards Summons the Divine on ‘The Other Side of Hell Is a Heaven So Delicate’ June 5, 2026
  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around” June 4, 2026
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’ June 4, 2026
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release June 4, 2026
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return June 3, 2026
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