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Tranquility Base Hotel & Casino - Arctic Monkeys 2018
Features, Music, Reviews, RoundtableMay 17, 2018<March 2, 2025

Roundtable Discussion: A Review of Arctic Monkeys’ ‘Tranquility Base Hotel & Casino’

by Atwood Magazine Staff
CLARA-NOVA © Amber Canterbury
Music, PremieresMay 17, 2018<May 17, 2018

Premiere: CLARA-NOVA’s New Love Song is Unabashedly “Electric”

by Mitch Mosk
Little Monarch © Ashley Osborn
Music, PremieresMay 17, 2018<May 17, 2018

Premiere: Little Monarch’s Dazzling “Full Release” Basks in Euphoric Glory

by Mitch Mosk
Aubrey Haddard © Ally Schmaling
Debut, Music, PremieresMay 17, 2018<May 17, 2018

Premiere: Aubrey Haddard’s Watery, Moody “Seaweed & Sand”

by Mariel Fechik
Lil Peep © 2018
Columns, Music, Today's SongMay 17, 2018<May 16, 2018

Today’s Song: Lil Peep’s Posthumous “4 Gold Chains” is the Swansong of an Artist Who Cared

by James Crowley
Maps - Handsome Ghost
Music, PremieresMay 17, 2018<May 17, 2018

Premiere: Handsome Ghost Cover Yeah Yeah Yeahs’ “Maps” with Dreamy Grace

by Mitch Mosk
Lost in Thought - Flaws
Debut, Features, Music, PremieresMay 17, 2018<May 17, 2018

EP Premiere: Get ‘Lost in Thought’ with Flaws’ Dreamy Debut

by Mitch Mosk
Ziggy Alberts © Zach Sanders @stuckonarockphoto
Music, PremieresMay 16, 2018<May 29, 2018

Premiere: Ziggy Alberts’ “Love Me Now” Aches with Passion & Pain

by Mitch Mosk
The Traditionist © 2018
Music, PremieresMay 16, 2018<May 16, 2018

Premiere: Swept Up in The Traditionist’s Metaphorically Sound “MidRiver”

by Kelly McCafferty Dorogy
BJ the Chicago Kid © J3
Features, Interviews, MusicMay 16, 2018<May 31, 2018

Moving Forward & Never Looking Back: A Conversation with BJ The Chicago Kid

by Adrian Vargas
Occlusions © 2018
Music, PremieresMay 16, 2018<May 16, 2018

Premiere: Occlusions Enchant and Indulge in “Become” & “Too Much”

by Mitch Mosk
Ward © 2018
Music, PremieresMay 16, 2018<May 15, 2018

Premiere: The Solemn Surrender of Ward’s “Soothe the Soul”

by Mitch Mosk
Nina Nesbitt © Wolf James // Sun Will Come Up
Features, Interviews, Music, ReviewsMay 15, 2018<June 12, 2018

Interview: Nina Nesbitt Dives into “The Sun Will Come Up, The Seasons Will Change”

by Mitch Mosk
Welshly Arms © Peter Larson
Features, Interviews, MusicMay 15, 2018<May 15, 2018

Interview: Welshly Arms Go “Down to the River” with Epic Glory

by Mitch Mosk
Family and Friends © Chelsea Kornse
Music, PremieresMay 15, 2018<May 15, 2018

Premiere: Family And Friends Come of Age in Fiery “PRSM”

by Mitch Mosk
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Brand New

  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose
  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’
  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song”
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too)
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’
  • Joshua Quimby Is Redefining What It Means to Be Country
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld

:: discover something new ::

Recent Posts

  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose April 7, 2026
  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’ April 7, 2026
  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song” April 7, 2026
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too) April 6, 2026
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’ April 6, 2026
  • Joshua Quimby Is Redefining What It Means to Be Country April 6, 2026
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld April 6, 2026
  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’ April 6, 2026
  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning April 3, 2026
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem April 3, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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