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Dreamers Launch EP
Music, ReviewsJuly 13, 2018<July 13, 2018

Review: Genre-Bending DREAMERS Take Off with ‘LAUNCH’ EP

by Kelly Wynne
Unknown Mortal Orchestra © Neil Krug
Columns, Music, Today's SongJuly 13, 2018<July 16, 2018

Today’s Song: The Honey-Glazed Ode of Unknown Mortal Orchestra’s “Hunnybee”

by James Meadows
Caroline Kole © 2018
Music, PremieresJuly 13, 2018<July 13, 2018

Premiere: Caroline Kole Asks “What If” with Electro-Pop Brilliance and Bravado

by Mitch Mosk
The Belle Sounds © Barbara Frigiere
Music, Music Videos, PremieresJuly 13, 2018<July 13, 2018

Premiere: The Belle Sounds’ Provocative “Like a Villain” Gets Intimate with Anxiety

by Mitch Mosk
HANNIE © 2018
Debut, Features, Interviews, MusicJuly 13, 2018<July 13, 2018

Feature: Get Hyped on HANNIE’s Euphoric “Low Key”

by Atwood Magazine Staff
Parrot Dream © 2018
Music, PremieresJuly 12, 2018<July 12, 2018

Premiere: Lush Wonder in Parrot Dream’s “Light Goes (In Mines)”

by Mitch Mosk
Features, Interviews, MusicJuly 12, 2018<July 12, 2018

Transparent Feeling in True Form: A Conversation with Spirit Haus

by Maggie McHale
Magic Bronson © Emery Becker
Music, PremieresJuly 12, 2018<July 12, 2018

First Play: Magic Bronson Keep it Going with “Knock It Off”

by Mitch Mosk
Mirror Gazing - The Fur Coats
Features, Music, PremieresJuly 12, 2018<July 12, 2018

EP Premiere: The Fur Coats’ Lush ‘Mirror Gazing EP’ Strips Life to the Core

by Mitch Mosk
Vacation Forever © 2018
Music, PremieresJuly 12, 2018<July 12, 2018

EP Premiere: The Dreamy, Euphoric Hypnosis of Vacation Forever’s Debut ‘EP 1’

by Mitch Mosk
Ages and Ages © Ebru Yildiz
Music, Music Videos, PremieresJuly 12, 2018<July 12, 2018

Premiere: Co-ed Naked Activism in Ages and Ages’ “Needle and Thread”

by Ilana Kalish
Dorothy Martin © 2018
Features, Interviews, MusicJuly 12, 2018<October 18, 2018

Freedom, Adrenaline, and Inspiration: An Interview with Dorothy

by Mitch Mosk
Features, Interviews, MusicJuly 11, 2018<July 11, 2018

DREAMERS Tell It Like It Is on “SCREWS” & Share a Specially-Curated Summer Playlist

by Maggie McHale
HARIZ © 2018
Music, PremieresJuly 11, 2018<July 11, 2018

Premiere: A Vulnerable Tug-of-War in HARIZ’s Heartbreaking “Think of Me”

by Luke Pettican
UHURU © Rebecca Ferguson
Music, PremieresJuly 11, 2018<July 10, 2018

Premiere: The Anthemic Glitz & Emotional Glam of UHURU’s “Riddle”

by Mitch Mosk
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Brand New

  • “It Wasn’t a Typical Sad Song”: Sasha Joy Found a New Kind of Clarity on “Got You Something”
  • “Life Is Much More Colorful”: Heddy Edwards Summons the Divine on ‘The Other Side of Hell Is a Heaven So Delicate’
  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around”
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit

:: discover something new ::

Recent Posts

  • “It Wasn’t a Typical Sad Song”: Sasha Joy Found a New Kind of Clarity on “Got You Something” June 5, 2026
  • “Life Is Much More Colorful”: Heddy Edwards Summons the Divine on ‘The Other Side of Hell Is a Heaven So Delicate’ June 5, 2026
  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around” June 4, 2026
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’ June 4, 2026
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release June 4, 2026
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return June 3, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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