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Airpark © Melissa Madison Fuller
Features, Music, PremieresApril 25, 2018<April 25, 2018

Premiere: Airpark’s “Yours Till I Die” Is the Perfect Love Song

by Mitch Mosk
The Academic © Sam Hiscox
Debut, Features, Interviews, MusicApril 25, 2018<April 25, 2018

Interview with The Academic: Tales of Touring, Songwriting & Connection

by Lindsay Call
Jared Minnix © 2018
Music, PremieresApril 25, 2018<April 25, 2018

Premiere: Distress Colors Jared Minnix’s Heartwrenching “Too Tired”

by Mitch Mosk
Without You I'm Just a Body - Skylar Fri
Music, PremieresApril 25, 2018<April 25, 2018

Premiere: Skylar Fri’s Lonely Hearts Anthem “Without You I’m Just a Body”

by Mitch Mosk
The Calling - Sevdaliza © Yann Weber 6.7
Features, Music, Our Take, ReviewsApril 25, 2018<December 15, 2020

Our Take: Sevdaliza Beckons Us Toward Inner Peace with ‘The Calling’

by Ilana Kalish
Ashes of a Day Gone By - Oliver the Crow
Music, Music Videos, PremieresApril 24, 2018<April 25, 2018

Video Premiere: Oliver the Crow Fight MAGA with “Ashes of a Day Gone By”

by Mitch Mosk
Awards - Porlolo © Jamie Gershen
Music, PremieresApril 24, 2018<April 24, 2018

Premiere: Porlolo Fans the Fire in Fight Song “Awards”

by Mitch Mosk
Some Professional Help © 2018
Music, PremieresApril 24, 2018<April 24, 2018

Premiere: Communication is Key to Some Professional Help’s “In My Place”

by Mitch Mosk
Baerd © Michelle Coco
Music, PremieresApril 24, 2018<April 24, 2018

Premiere: Baerd’s Vivid “Crete,” a Mythic Alt-Folk Adventure

by Mitch Mosk
Jeff Rosenstock, live 2018
Concerts, Music, ReviewsApril 23, 2018<April 23, 2018

Live: Jeff Rosenstock Brings the Magic Moments on 4/20

by James Crowley
Harrison Lipton © 2018
Debut, Music, PremieresApril 23, 2018<April 23, 2018

Premiere: Harrison Lipton Basks in “Clouds” of Euphoria & Sorrow

by Mitch Mosk
Atwood Magazine's Weekly Roundup 04-20-2018
Columns, Features, Music, Playlists, Weekly RoundupApril 20, 2018<April 20, 2018

Atwood Magazine’s Weekly Roundup: April 20, 2018

by Atwood Magazine Staff
Lord Huron © Pamela Littky
Features, Music, Our Take, ReviewsApril 20, 2018<April 20, 2018

Our Take: Lord Huron’s Mystic ‘Vide Noir’ Dwells in Darkness & Cosmic Dreams

by Mitch Mosk
Post Animal © Emily Quirk
Debut, Features, Interviews, MusicApril 20, 2018<June 1, 2018

Interview with Post Animal: Castles, Ghosts, and the Joy of the Moment

by Mariel Fechik
Underwater Boys © Jodie Canwell
Columns, Music, Today's SongApril 20, 2018<April 20, 2018

Today’s Song: Underwater Boys Juggle Love, Pain, and Expectations in “Apricot”

by Nicole Almeida
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Brand New

  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose
  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’
  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song”
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too)
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’
  • Joshua Quimby Is Redefining What It Means to Be Country
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld

:: discover something new ::

Recent Posts

  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose April 7, 2026
  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’ April 7, 2026
  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song” April 7, 2026
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too) April 6, 2026
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’ April 6, 2026
  • Joshua Quimby Is Redefining What It Means to Be Country April 6, 2026
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld April 6, 2026
  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’ April 6, 2026
  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning April 3, 2026
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem April 3, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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