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The Longshot © 2018
Debut, Music, ReviewsApril 20, 2018<April 20, 2018

Review: The Longshot is Forward-Facing Nostalgia for Billie Joe Armstrong

by James Crowley
Lovecoast © Berkley Vopnfjord
Debut, Features, Music, PremieresApril 20, 2018<April 20, 2018

Album Premiere: Take ‘The Trip’ with Lovecoast and Bask in a Soulful Heat

by Josh Weiner
Gabriella Vixen © 2018
Music, PremieresApril 19, 2018<April 19, 2018

Premiere: Finding Strength in Gabriella Vixen’s Aching & Assertive “Maybe”

by Mitch Mosk
Sunflower Bean © Andy DeLuca
Features, Interviews, MusicApril 19, 2018<April 19, 2018

Interview with Sunflower Bean: On the Human Experience and Reacting to Energy

by Alexandra Graber
Rainbows - Kirsten Collins
Music, PremieresApril 19, 2018<April 19, 2018

Premiere: Kirsten Collins’ Dazzling “Rainbows” Basks in Hazy Pop Reverie

by Mitch Mosk
McAllister © Chris Hardy
Music, PremieresApril 19, 2018<April 26, 2018

Premiere: McAllister’s Intimate “Confidence in Sadness” Lights a Spark in the Dark

by Mitch Mosk
IAMX © Gretchen Lanham
Columns, Music, Today's SongApril 19, 2018<April 19, 2018

Today’s Song: Layers of Feeling and Introspection in IAMX’s “Alive in New Light”

by Urooj Ali Rizvi
Restless Modern © Hannah Allchurch
Music, PremieresApril 18, 2018<April 18, 2018

Premiere: Restless Modern’s Soul-Stirring “Doubt” Aches with Dreams & Fears

by Mitch Mosk
When My Heart Felt Volcanic - The Aces
Debut, Features, Music, ReviewsApril 18, 2018<April 18, 2018

The Aces’ When My Heart Felt Volcanic: An Explosive Track-by-Track Review

by Baylee Less
Shana Halligan © 2018
Music, PremieresApril 18, 2018<April 18, 2018

Premiere: The Sultry Sorrow of Shana Halligan’s Seductive “Hurricane”

by Mitch Mosk
Nobody Has to Know - Onra
Music, Our Take, ReviewsApril 18, 2018<May 17, 2018

Our Take: Embarking on Forbidden Late-Night Escapades with Onra’s ‘Nobody Has to Know’

by Adrian Vargas
Wesley Jensen © Bailey Dale
Music, PremieresApril 18, 2018<April 18, 2018

Premiere: A Jubilant Cacophony in Wesley Jensen & The Penny Arcade’s “Everything”

by Mitch Mosk
The Glorious © Holly Hawkins
Music, PremieresApril 17, 2018<April 15, 2024

Premiere: The Glorious Embrace the Moment in “Last Game of the Season”

by Mitch Mosk
Danny Godwin © Steven Schultz
Music, PremieresApril 17, 2018<April 17, 2018

Premiere: Heartache & Yearning in Godwin’s Love Song, “Side”

by Mitch Mosk
Hobo Johnson & The LoveMakers
Essays, MusicApril 17, 2018<April 17, 2018

The Art of Manic Poetry: Hobo Johnson & The LoveMakers

by James Meadows
Posts pagination
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Brand New

  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose
  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’
  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song”
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too)
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’
  • Joshua Quimby Is Redefining What It Means to Be Country
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld

:: discover something new ::

Recent Posts

  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose April 7, 2026
  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’ April 7, 2026
  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song” April 7, 2026
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too) April 6, 2026
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’ April 6, 2026
  • Joshua Quimby Is Redefining What It Means to Be Country April 6, 2026
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld April 6, 2026
  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’ April 6, 2026
  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning April 3, 2026
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem April 3, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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