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Camila Cabello © 2018
Debut, Features, Music, Our Take, ReviewsJanuary 17, 2018<January 17, 2018

Camila Cabello’s Raw, Vulnerable & Provocative Debut ‘Camila’: A Track-by-Track Review

by Kevin Young
War Stories - Unwoman
Features, Music, PremieresJanuary 17, 2018<January 17, 2018

Album Premiere: Unwoman Wages ‘War Stories’ with Feminine Fury

by Mitch Mosk
Stuck with Me - The Neighbourhood
Columns, Music, Today's SongJanuary 17, 2018<January 17, 2018

Today’s Song: The Neighbourhood Stay Solemn with “Stuck with Me”

by Natalie Harmsen
The Fleeting Ends © 2018
Debut, Music, PremieresJanuary 16, 2018<January 17, 2018

Premiere: The Fleeting Ends Unleash “20 Something” with Youthful Passion & Nostalgic Fury

by Mitch Mosk
Damen Easton © 2018
Music, PremieresJanuary 16, 2018<January 16, 2018

Premiere: Damen Easton Debuts “Other Side of the Glass” with Love & Isolation

by Mitch Mosk
SLØTFACE © Jonathan Vivaas Kise
Columns, Concert Conversations, Concerts, Music, ReviewsJanuary 16, 2018<January 16, 2018

LIVE: “Scandinavian Enthusiasm” & More — Sløtface at The Echo, LA

by Lindsay Call
POST- Jeff Rosenstock art
Features, Music, ReviewsJanuary 16, 2018<January 16, 2018

Review: Jeff Rosenstock Returns to Straightforward Punk Roots on POST-

by James Crowley
Somebody Special - Nina Nesbitt art
Music, This Just InJanuary 16, 2018<January 16, 2018

This Just In: Nina Nesbitt Reminds Us Why She’s “Somebody Special”

by Baylee Less
Jeff Rosenstock 2017 live in NYC
Columns, Concert Conversations, Music, ReviewsJanuary 12, 2018<January 12, 2018

LIVE: Jeff Rosenstock Brings the Dread and Love of Worry to Brooklyn

by James Crowley
Atwood Magazine's Weekly Roundup 1-12-2018
Columns, Features, Music, Weekly RoundupJanuary 12, 2018<January 12, 2018

Atwood Magazine’s Weekly Roundup: January 12, 2018

by Atwood Magazine Staff
Blue Madonna - BØRNS art
Music, Our Take, ReviewsJanuary 12, 2018<January 12, 2018

Our Take: BØRNS Soars on Dreamy ‘Blue Madonna’

by Mitch Mosk
When I Was Young EP - MØ
Music, Our Take, ReviewsJanuary 12, 2018<January 12, 2018

Our Take: Dissecting MØ’s Heart-Tugging EP ‘When I Was Young’

by Ethan Germann
Watts' Weekend Picks 2018-01-12
Columns, Music, Playlists, Watts' Weekend PicksJanuary 12, 2018<January 24, 2018

Watts’ Weekend Picks: Anderson East, Boogie & More for Your Lifestyle

by Watts
Turn - The Wombats
Columns, Music, Today's SongJanuary 12, 2018<January 12, 2018

Today’s Song: “Turn” Perfectly Captures The Wombats’ Witty Lyricism

by Matthew Tordoff
New York - St Vincent
Columns, Music, Today's SongJanuary 11, 2018<January 11, 2018

Today’s Song: Intimacy and Frustration in St. Vincent’s “New York”

by James Crowley
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Brand New

  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”
  • Atwood Magazine’s 2025 Albums of the Year
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’

:: discover something new ::

Recent Posts

  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’ December 17, 2025
  • “It’s Like the Kind of Dream Where You Just Wanna Scream”: Drauve Channel Raw Emotion into Heavy, Shimmering Shoegaze on ‘Timeline’ December 17, 2025
  • Today’s Song: The Barons Channel the Strength of Authentic Human Interaction in “Way Out” December 17, 2025
  • “We Have Fun, and That’s It”: Underbrook Are on the Way Up With ‘Was Happiness Too Boring for You?’ December 16, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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