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SUMif © 2017
Features, Interviews, MusicNovember 8, 2017<November 8, 2017

Carving Her Place in the World: An Interview with SUMif

by Alex Killian
Owen Ross © 2017
Music, PremieresNovember 8, 2017<November 8, 2017

Premiere: Owen Ross’ “Steps of Your Home” Draws Unique Inspiration and Confident Vulnerability

by Kelly Wynne
STAL © Julien Mignot
Music, Music Videos, PremieresNovember 7, 2017<November 8, 2017

Premiere: The Dynamic Euphoria of STAL’s Anthemic “Fresh Blood”

by Mitch Mosk
Paul Cherry © Diana Bowden
Music, PremieresNovember 7, 2017<November 7, 2017

Premiere: Colors Bleed in Paul Cherry’s Achingly Bittersweet “Like Yesterday”

by Mitch Mosk
Pink Flamingo Rhythm Revue © 2017
Music, PremieresNovember 7, 2017<November 7, 2017

Premiere: Pink Flamingo Rhythm Revue’s Soulful “On a Night Like This”

by Mitch Mosk
Empathy Test © 2017
Debut, Features, Music, PremieresNovember 7, 2017<November 7, 2017

Premiere: On “All It Takes,” Empathy Test Dive into Something Wonderful

by Mitch Mosk
Anna of the North © Jonathan Vivaas Kise
Columns, Music, Today's SongNovember 7, 2017<November 7, 2017

Today’s Song: Anna of the North’s “Lovers” Is Indie Pop with a Chill

by Kelly Wynne
Glass House Point © Amanda Laferriere
Music, Our Take, ReviewsNovember 6, 2017<November 6, 2017

Our Take: Glass House Point’s ‘Midnight Appetite’ EP Re-Imagines a Genre

by Sara Santora
Koda © Jack McKain
Music, PremieresNovember 6, 2017<November 7, 2017

Premiere: The Dark Seduction of Koda’s “Curse”

by Mitch Mosk
Can't Get Enough - Lewis Lane
Features, Interviews, Music, PremieresNovember 6, 2017<November 6, 2017

Premiere: Impulse & Allure in Lewis Lane’s “Can’t Get Enough” (ft Sam O.B.)

by Mitch Mosk
Hoeksema © Sasha Lytvyn
Debut, Features, Music, PremieresNovember 6, 2017<November 6, 2017

Premiere: Hoeksema’s “Wake Ache” Captures the Haunting Pain of Loss

by Mitch Mosk
72 and Sunny – Wylderness
Debut, Music, Music Videos, PremieresNovember 6, 2017<November 6, 2017

Premiere: The Washed-Out Blur of Wylderness’ Debut “72 and Sunny”

by Mitch Mosk
Caspar Leopard © Leopard & Leopard
Columns, Debut, Music, Reviews, Today's SongNovember 6, 2017<November 6, 2017

Today’s Song: Caspar Leopard’s Luminous “Expire Pt. I”

by Mariel Fechik
Leah Capelle © 2017
Music, PremieresNovember 3, 2017<November 3, 2017

Premiere: Overcoming Insecurities Through Leah Capelle’s “Docs”

by Mitch Mosk
Harp Samuels © 2017
Features, Music, Music Videos, PremieresNovember 3, 2017<November 3, 2017

Premiere: Harp Samuels’ “Wanting” and the Fear of Falling in Love

by Mitch Mosk
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Brand New

  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’
  • Joshua Quimby Is Redefining What It Means to Be Country
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld
  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’
  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through

:: discover something new ::

Recent Posts

  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’ April 6, 2026
  • Joshua Quimby Is Redefining What It Means to Be Country April 6, 2026
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld April 6, 2026
  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’ April 6, 2026
  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning April 3, 2026
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem April 3, 2026
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through April 3, 2026
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’ April 3, 2026
  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction April 2, 2026
  • “I Know How to Hurt Myself on You”: MUNA Turn Heartbreak into Kinetic Euphoria on “Dancing on the Wall” April 2, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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