• Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services
Atwood Magazine - For the Love of Music For the Love of Music
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
Woosah - Josephina
Debut, Music, Music Videos, PremieresOctober 26, 2017<October 26, 2017

Premiere: The Love & Liquored-Up Seduction of Josephina’s Debut “Woosah”

by Mitch Mosk
I, Alexander © Elena Montemurro
Debut, Music, PremieresOctober 26, 2017<October 26, 2017

Premiere: Intimacy & Intensity Color I, Alexander’s Debut “Divide”

by Mitch Mosk
Benta © 2017
Music, PremieresOctober 26, 2017<October 26, 2017

Premiere: BENTA Embraces Life’s Beauty on Pulsing “Everybody’s Somebody”

by Mitch Mosk
Slothrust © Ebru Yildriz
Columns, Music, Nostalgia TracksOctober 26, 2017<October 26, 2017

Nostalgia Tracks: The Resurrection of Grunge, Slothrust and the Hollowness of the Human Condition

by Danny Dyer
hunter & wolfe © aymann ismail
Music, PremieresOctober 26, 2017<October 26, 2017

Premiere: hunter & wolfe’s Poignant and Heartbreaking “Dear Annie”

by Mitch Mosk
Jericho - ONR © Omar Al-Zidjali
Debut, Features, Music, Music Videos, PremieresOctober 26, 2017<November 6, 2017

Video Premiere: The Restless Fury of Onr.’s Epic Debut “Jericho”

by Mitch Mosk
So Lonely - Mosquitos still
Music, Music Videos, PremieresOctober 25, 2017<November 1, 2017

Premiere: Connecting to Disconnect in Mosquitos’ Tender “So Lonely”

by Mitch Mosk
Billie Eilish live © Nicole Almeidaa
Concerts, Music, ReviewsOctober 25, 2017<October 25, 2017

LIVE: Billie Eilish is a Stunning Force at Philadelphia’s World Café Live

by Nicole Almeida
Mattiel © Jason Travis
Debut, Music, Music Videos, PremieresOctober 25, 2017<October 25, 2017

Video Premiere: Sounds and Colors Burst on Mattiel’s “Count Your Blessings”

by Mitch Mosk
Clay Ravens © Chad Gilmour
Debut, Music, PremieresOctober 25, 2017<October 25, 2017

EP Premiere: Clay Ravens’ ‘All In’ Captures Canada’s Beauty & Grit

by Mitch Mosk
Missio - "Can I Exist"
Columns, Music, Music Videos, Reviews, Today's SongOctober 25, 2017<October 25, 2017

Today’s Song: The Gritty, Dark Truth of Missio’s “Can I Exist” Video

by Urooj Ali Rizvi
Major Love © 2017
Debut, Music, PremieresOctober 25, 2017<October 25, 2017

Premiere: Major Love’s Bright Ode to Restoration “Tear It Down”

by Kendall Graham
JDITA still - Marie Haddad
Music, Music Videos, PremieresOctober 24, 2017<October 24, 2017

Video Premiere: Marie Haddad’s “Jdita” Blends Heritage with Wonder

by Mitch Mosk
LNT - Sophie Fay
Debut, Music, PremieresOctober 24, 2017<October 24, 2017

Premiere: Sophie Fay Embraces Her Darkness on Debut “LNT”

by Mitch Mosk
Chomper © 2017
Music, PremieresOctober 24, 2017<October 24, 2017

Premiere: The Fever Rush of Chomper’s “Wipe It Down”

by Mitch Mosk
Posts pagination
1 … 625 626 627 628 629 … 727

Brand New

  • Joshua Quimby Is Redefining What It Means to Be Country
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld
  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’
  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’

:: discover something new ::

Recent Posts

  • Joshua Quimby Is Redefining What It Means to Be Country April 6, 2026
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld April 6, 2026
  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’ April 6, 2026
  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning April 3, 2026
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem April 3, 2026
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through April 3, 2026
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’ April 3, 2026
  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction April 2, 2026
  • “I Know How to Hurt Myself on You”: MUNA Turn Heartbreak into Kinetic Euphoria on “Dancing on the Wall” April 2, 2026
  • Editor’s Picks 151: The Temper Trap, Lola Blue, Mount St. Helen, Eliza Edens, Radium Dolls, & Local the Neighbour! April 1, 2026
ABOUT US
PITCHING US
Privacy policy
GET INVOLVED!

Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
Back to top
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
  • Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services