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Homaze © Kassia Phoy
Music, PremieresDecember 4, 2017<December 11, 2017

Premiere: The Hypnotic Seduction of Homaze’s “Knew About Me”

by Mitch Mosk
Take Me - Brasko
Columns, Debut, Music, Today's SongDecember 4, 2017<December 4, 2017

Today’s Song: Brasko Embraces Intimacy & Pop in Modern Hit “Take Me”

by Baylee Less
"Consciousness" - R E L © Jillian Dudley
Music, Music Videos, PremieresDecember 1, 2017<December 5, 2017

Premiere: “Consciousness” Colors R E L’s Intimate Self-Awakening

by Mitch Mosk
Tove Lo © Emma Holley
Features, Music, ReviewsDecember 1, 2017<December 11, 2017

Feature: Tove Lo Is the Pop Star We’ve Been Clamoring For

by Nicole Almeida
The Wombats © 2017
Columns, Music, Today's SongDecember 1, 2017<December 1, 2017

Today’s Song: The Wombats Make a Triumphant Return with “Lemon to a Knife Fight”

by Natalie Harmsen
Today's A New Day - Common Kings, MayDay
Features, Music, PremieresNovember 30, 2017<December 1, 2017

Premiere: The Irresistible Warmth of Common Kings’ “Today’s A New Day” (ft. ¡Mayday!)

by Mitch Mosk
Lil Xan
Columns, Music, Today's SongNovember 30, 2017<November 30, 2017

Today’s Song: Lil Xan’s “Betrayed” Is a Cautionary Ode to Hip-Hop’s Benzo-Binging Culture

by Danny Dyer
Jeremy Bass © Skyler Smith
Music, PremieresNovember 30, 2017<November 30, 2017

Premiere: Jeremy Bass Finds Inner Strength in “Trees for the Forest”

by Mitch Mosk
Moviestar © 2017
Music, PreviewsNovember 30, 2017<November 30, 2017

Premiere: Moviestar Live Up to Their Name in “Chosen Ones”

by Lindsay Call
Cavalry © 2017
Debut, Music, PremieresNovember 30, 2017<November 30, 2017

Premiere: Savoring the Fiery Glow of Cavalry’s “Cabin”

by Mitch Mosk
Like You Love Me - Mo Brandis
Debut, Music, Music Videos, PremieresNovember 30, 2017<November 30, 2017

Premiere: Mannequin Infatuation in Mo Brandis’ Vibrant “Like You Love Me”

by Mitch Mosk
Document © Alex Stotland
Debut, Features, Music, PremieresNovember 30, 2017<November 30, 2017

Album Premiere: Document Debut ‘The Void Repeats’ with Comforting Discomfort

by Mitch Mosk
Buku Love - Rubycon © 2017
Music, Music Videos, PremieresNovember 29, 2017<November 29, 2017

Premiere: Clouds & Rainbows Color Rubycon’s Dazzling “Buku Love”

by Mitch Mosk
Live & Circle © 2017
Features, Music, Premieres, ReviewsNovember 29, 2017<November 29, 2017

EP Premiere: Line & Circle’s ‘Vicious Folly’ Balances Raw Energy with Restless Emotion

by Mitch Mosk
Cassandra Violet © Polly Barrowman
Music, PremieresNovember 29, 2017<November 29, 2017

Premiere: The Catchy Critique of Cassandra Violet’s “Pretty”

by Mitch Mosk
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Brand New

  • “Deep Falling Towards Myself Again”: Melbourne Duo Wishlist Drift, Pulse, & Unravel on the Hypnotic “I’m Sorry,” a Weightless Emotional Spiral
  • “It Wasn’t a Typical Sad Song”: Sasha Joy Found a New Kind of Clarity on “Got You Something”
  • “Life Is Much More Colorful”: Heddy Edwards Summons the Divine on ‘The Other Side of Hell Is a Heaven So Delicate’
  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around”
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!

:: discover something new ::

Recent Posts

  • “Deep Falling Towards Myself Again”: Melbourne Duo Wishlist Drift, Pulse, & Unravel on the Hypnotic “I’m Sorry,” a Weightless Emotional Spiral June 6, 2026
  • “It Wasn’t a Typical Sad Song”: Sasha Joy Found a New Kind of Clarity on “Got You Something” June 5, 2026
  • “Life Is Much More Colorful”: Heddy Edwards Summons the Divine on ‘The Other Side of Hell Is a Heaven So Delicate’ June 5, 2026
  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around” June 4, 2026
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’ June 4, 2026
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release June 4, 2026
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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