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Interviews, Music, PremieresSeptember 27, 2017<September 27, 2017

Premiere: Bruiser Queen Is Feeling “Sugar High” On Life

by Baylee Less
Music, Today's SongSeptember 25, 2017<September 25, 2017

Today’s Song: Challenging Concepts of Love, Ambiguity and Gender Performance On Duckwrth’s “Boy”

by Brandon Payano
Music, Today's SongSeptember 22, 2017<September 22, 2017

Today’s Song: Sink into the “WATR” with REGN

by Alex Killian
Debut, Interviews, MusicSeptember 22, 2017<November 27, 2017

New Beginnings and Falling into Pieces: A Conversation with Cape Francis

by Kelly Wynne
Music, Music Videos, PremieresSeptember 21, 2017<September 22, 2017

Premiere: Todd Kessler Brings All of Autumn’s Melancholy on “The Letter”

by James Crowley
Features, Interviews, MusicSeptember 21, 2017<September 25, 2017

All Things Must Pass: A Conversation with Dan Croll

by Maggie McHale
Columns, Music, Music Videos, ViewfinderSeptember 21, 2017<May 16, 2023

Viewfinder: Revolution and Witches – Imagining Alternate Worlds through Stop Motion Animation

by Carmen Chan
Music, Music You Should KnowSeptember 20, 2017<September 20, 2017

Music You Should Know: Easing Out of Summer with Twin Peaks

by Olivia Perry
Music, Our Take, ReviewsSeptember 20, 2017<September 21, 2017

Our Take: You Don’t Know Jorja Smith Until You Know ‘Project 11’

by Sydney Sweeney
Interviews, MusicSeptember 19, 2017<September 19, 2017

Unconscious Stream-of-Consciousness: A Conversation with Lina Tullgren

by James Crowley
The National © Graham MacIndoe
Features, Music, ReviewsSeptember 19, 2017<January 3, 2018

On Vulnerability and Musical Warmth: Introducing The National’s ‘Sleep Well Beast’

by Atwood Magazine Staff
flatsound © 2015
Music, Music You Should Know, ReviewsSeptember 19, 2017<September 19, 2017

Music You Should Know: On Music & Mental Health in flatsound’s Latest Album

by Urooj Ali Rizvi
Music, Today's SongSeptember 19, 2017<September 19, 2017

Today’s Song: Daz Rinko Talks About That “Black Boy Joy”

by Baylee Less
Sløtface © Victoria Stevens
Debut, Features, Interviews, Music, ReviewsSeptember 18, 2017<September 18, 2017

On Teen Sleuths, Breakups with Body Image, & Freaking Out: A Conversation with Sløtface

by Lindsay Call
QTY © Danny North
Columns, Features, Music, This Just In, Today's SongSeptember 18, 2017<October 5, 2017

This Just In: The Confessional Brilliance of QTY’s “Michael”

by Nicole Almeida
Posts pagination
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Brand New

  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’
  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’
  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction
  • “I Know How to Hurt Myself on You”: MUNA Turn Heartbreak into Kinetic Euphoria on “Dancing on the Wall”

:: discover something new ::

Recent Posts

  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’ April 6, 2026
  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning April 3, 2026
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem April 3, 2026
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through April 3, 2026
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’ April 3, 2026
  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction April 2, 2026
  • “I Know How to Hurt Myself on You”: MUNA Turn Heartbreak into Kinetic Euphoria on “Dancing on the Wall” April 2, 2026
  • Editor’s Picks 151: The Temper Trap, Lola Blue, Mount St. Helen, Eliza Edens, Radium Dolls, & Local the Neighbour! April 1, 2026
  • Today’s Song: Stock Band Return with “Today’s Song,” an Indie Anthem That Checks All the Boxes April 1, 2026
  • “I Just Got My Heart Broken, But I Look F**kin’ Fabulous”: MEEK Breaks Out with “Fabulous,” a Loud, Unapologetic, & Utterly Irresistible Pop Anthem April 1, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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  • New Music Releases
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    • Our Take
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    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
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