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Elliot Moss © Drew Reynolds
Columns, Music, Today's SongMay 31, 2017<May 31, 2017

Today’s Song: Floating in a Closed Loop of Elliot Moss’ “Boomerang” / “My Statue Sinking”

by Mariel Fechik
Fritz Montana © 2017
Music, PremieresMay 30, 2017<May 30, 2017

Premiere: Fritz Montana’s Raw “Blood on My Lip” Captures Human Imperfection

by Mitch Mosk
Bedroom EP - Mabel
Debut, Music, Our Take, ReviewsMay 30, 2017<May 30, 2017

Our Take: Mabel’s ‘Bedroom’ EP is an Even-Paced Introduction to R&B’s Brightest Newcomer

by Sydney Sweeney
Neighbourhoods Pt.2 - FAIRCHILD still
Music, Music Videos, PremieresMay 30, 2017<May 30, 2017

Premiere: The Dark Vibes & Chilling Lies of FAIRCHILD’s “Neighbourhoods Pt.2”

by Mitch Mosk
Russ © Columbia Records
Columns, Music, Today's SongMay 30, 2017<May 30, 2017

Today’s Song: In an Age of Oversaturated Hip-Hop, Russ Finds his Own Lane on “Ride Slow”

by Watts
James Vincent McMorrow © AllPoints
Music, Our Take, ReviewsMay 26, 2017<May 26, 2017

James Vincent McMorrow’s True Care: A Track-by-Track Review

by Atwood Magazine Staff
Boston Calling 2017
Features, Festival, Music, News, PreviewsMay 26, 2017<June 1, 2017

(Y)Our Guide to Boston Calling Music Festival, May 2017

by Mitch Mosk
Adaline © 2017
Music, Music Videos, PremieresMay 26, 2017<May 26, 2017

Video Premiere: Adaline’s Achingly Raw “How Could We Know”

by Mitch Mosk
Frozen Falls
Debut, Music, PremieresMay 26, 2017<May 25, 2017

Premiere: Frozen Falls Debut with Dark Passion on “Frozen Arrows”

by Mitch Mosk
Bones, Hold Me Up - Tyler Sjöström
Music, PremieresMay 26, 2017<August 19, 2019

EP Premiere: The Spirit & Passion of Tyler Sjöström’s ‘Bones, Hold Me Up’

by Mitch Mosk
Find Yourself - Great Good Fine Ok & Before You Exit
Features, Music, Reviews, This Just InMay 26, 2017<May 26, 2017

This Just In: The Passionate Plea of “Find Yourself” by Great Good Fine Ok & Before You Exit

by Mitch Mosk
vivienne chi © 2017
Debut, Features, Music, PremieresMay 26, 2017<May 24, 2017

Premiere: Vivienne Chi Debuts “Vivienne” with Pain, Passion, and Fury

by Mitch Mosk
Mallrat © 2017
Music, PodcastMay 25, 2017<May 25, 2017

Sugar High Podcast: An Hour with Australian Prodigy Mallrat

by Danny Carissimi
13 Reasons Why © Netflix
Editorials, MusicMay 25, 2017<June 1, 2017

Editorial: Songs That Should Have Made the ’13 Reasons Why’ Soundtrack

by Kevin Young
Rocket - (Sandy) Alex G
Our Take, ReviewsMay 25, 2017<May 25, 2017

Our Take: (Sandy) Alex G Is Restless and Uninhibited in ‘Rocket’

by Shayna Chabrow
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Brand New

  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”
  • Atwood Magazine’s 2025 Albums of the Year
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’

:: discover something new ::

Recent Posts

  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’ December 17, 2025
  • “It’s Like the Kind of Dream Where You Just Wanna Scream”: Drauve Channel Raw Emotion into Heavy, Shimmering Shoegaze on ‘Timeline’ December 17, 2025
  • Today’s Song: The Barons Channel the Strength of Authentic Human Interaction in “Way Out” December 17, 2025
  • “We Have Fun, and That’s It”: Underbrook Are on the Way Up With ‘Was Happiness Too Boring for You?’ December 16, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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