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Amira B © 2017
Debut, Music, PremieresMay 16, 2017<May 16, 2017

Premiere: Amira B Finds Her Voice on “I Am Defined”

by Mitch Mosk
Columns, Music, Today's SongMay 16, 2017<May 16, 2017

Today’s Song: Loud, (Almost) Live & Loving It – Estrons’ “Strobe Lights”

by Lindsay Call
Ward White © Heidi Adams
Music, PremieresMay 15, 2017<May 15, 2017

Premiere: The Poignant Identity Struggle of Ward White’s Majestic “Spurs”

by Mitch Mosk
Cherée © Bolade Banjo
Debut, Interviews, MusicMay 15, 2017<May 16, 2017

A Star on the Rise: A Conversation with Cherée

by Nicole Almeida
The Planters © 2017
Debut, Music, PremieresMay 15, 2017<May 15, 2017

Premiere: The Urgency & Passion of The Planters’ “There’s No Time”

by Mitch Mosk
Smith & Thell © 2016
Debut, Features, Interviews, Music, Our Take, ReviewsMay 12, 2017<May 12, 2017

Feature: The Energy and Emotion of Smith & Thell’s Debut ‘Soulprints’

by Mitch Mosk
Vevo dscvr: live (Dagny, Phoebe Ryan, The Big Moon)
Concerts, Music, ReviewsMay 12, 2017<February 16, 2023

Live: Vevo’s dscvr with The Big Moon, Dagny & Phoebe Ryan at Knitting Factory Brooklyn

by Kevin Young
Jo Marches © Gees Voorhees
Music, Music Videos, PremieresMay 12, 2017<May 12, 2017

Premiere: Enter the Moody, Psychedelic World of Jo Marches with “Silver & Gold”

by Sydney Sweeney
Oli Hannaford - "Locker"
Music, Music Videos, PremieresMay 12, 2017<May 12, 2017

Premiere: Oli Hannaford Goes Deeper in “Locker” Live Session

by Maggie McHale
The Band Camino © 2017
Music, Reviews, This Just InMay 12, 2017<May 12, 2017

This Just In: The Band CAMINO’s “My Thoughts on You” is Dreamy, Forlorn Pop at its Best

by Sydney Sweeney
Gold into Dust - Nadia Kazmi album art
Features, Music, PremieresMay 11, 2017<March 2, 2025

Album Premiere: Nadia Kazmi’s ‘Gold Into Dust’ Embraces Raw Reflection and New Dreams

by Mitch Mosk
Tomten © Brady Harvey
Music, PremieresMay 11, 2017<May 11, 2017

Premiere: The Ill-Fated Love of Tomten’s “Limbo’s Daughter”

by Mitch Mosk
King Cardinal © Scott McCormick
Music, PremieresMay 11, 2017<May 11, 2017

Premiere: King Cardinal Embrace the Moment on Warm “Seventeen”

by Mitch Mosk
Until We Both Get Bored - Zander Hawley
Debut, Features, Interviews, Music, ReviewsMay 11, 2017<May 11, 2017

Review: Zander Hawley Captures the Pain, Intimacy & Beauty of Heartbreak

by Mitch Mosk
The Junction © Justin Broadbent
Music, PremieresMay 11, 2017<May 11, 2017

Premiere: The Junction Take Control of Life on “Changes”

by Mitch Mosk
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Brand New

  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”
  • Atwood Magazine’s 2025 Albums of the Year
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’

:: discover something new ::

Recent Posts

  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’ December 17, 2025
  • “It’s Like the Kind of Dream Where You Just Wanna Scream”: Drauve Channel Raw Emotion into Heavy, Shimmering Shoegaze on ‘Timeline’ December 17, 2025
  • Today’s Song: The Barons Channel the Strength of Authentic Human Interaction in “Way Out” December 17, 2025
  • “We Have Fun, and That’s It”: Underbrook Are on the Way Up With ‘Was Happiness Too Boring for You?’ December 16, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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  • New Music Releases
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