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Evolve - Imagine Dragons album art
Features, Music, Reviews, RoundtableJune 27, 2017<June 29, 2024

Roundtable Discussion: A Review of Imagine Dragons’ ‘Evolve’

by Atwood Magazine Staff
Atwood Magazine Summer 2017 playlist
Music, PlaylistsJune 27, 2017<June 27, 2017

Playlist: Sounds of Summer 2017

by Atwood Magazine Staff
Caitlin Eadie © 2017
Music, PremieresJune 27, 2017<June 27, 2017

Premiere: The Intimate Howl of Caitlin Eadie’s Anthemic “Wolf Cry”

by Mitch Mosk
Do You Ever - Cardboard Foxes artwork
Music, PremieresJune 27, 2017<June 27, 2017

Premiere: Cardboard Foxes Capture Summer’s Kiss on “Do You Ever?” (feat. Kenyo)

by Mitch Mosk
Beach Fossils © 2017
Music, Our Take, ReviewsJune 27, 2017<June 27, 2017

Our Take: Beach Fossils Are Revitalized in ‘Somersault’

by Shayna Chabrow
Swans 2014 press photo
Columns, Music, Today's SongJune 27, 2017<June 27, 2017

Today’s Song: Swans’ “Oxygen” Injects Adrenaline into Your Ear Drums

by Lucas Koprowski
Dakota Blue - "Aw Man" still
Music, Music Videos, PremieresJune 26, 2017<June 26, 2017

Premiere: Escape into Another World with Dakota Blue’s “Aw Man”

by Mitch Mosk
Devereaux © 2017
Music, PremieresJune 26, 2017<June 26, 2017

Premiere: Do You Remember “Kapowski,” Devereaux?

by Maggie McHale
Time, Color - The Big Drops
Debut, Music, PremieresJune 23, 2017<June 23, 2017

Album Premiere: The Big Drops’ Debut ‘Time, Color’ Offers Adventure & Respite

by Mitch Mosk
DREAMERS © 2017
Music, PodcastJune 23, 2017<June 23, 2017

Sugar High Podcast: Two Hours with DREAMERS

by Danny Carissimi
S.T.T. - Beta Days album art
Debut, Features, Music, Premieres, ReviewsJune 23, 2017<June 29, 2017

Album Premiere: Beta Days Capture Real Life on Debut ‘S.T.T.’

by Mitch Mosk
Subluxe - Healy
Debut, Music, Our Take, ReviewsJune 23, 2017<June 23, 2017

Our Take: Healy’s ‘Subluxe’ Glows with Nostalgia and Introspection

by Baylee Less
Lorde © Universal Music New Zealand
Features, Music, ReviewsJune 23, 2017<July 3, 2017

Lorde’s ‘Melodrama’: A Track-By-Track Review

by Atwood Magazine Staff
Big Thief © Shervin Lainez
Columns, Music, Today's SongJune 23, 2017<June 23, 2017

Today’s Song: Big Thief’s Haunting and Bittersweet “Mary”

by Mariel Fechik
FIJI "Boy Oh Boy" still
Music, Music Videos, PremieresJune 16, 2017<June 16, 2017

Premiere: “Boy Oh Boy,” FIJI’s Dark Modern Fairytale

by Mitch Mosk
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Brand New

  • Raye’s ‘THIS MUSIC MAY CONTAIN HOPE.’ Is Cinematic Pop That Dazzles and Delivers
  • Paris Paloma’s “Miyazaki” Is a Love Letter to Human Creation
  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose
  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’
  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song”
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too)
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’

:: discover something new ::

Recent Posts

  • Raye’s ‘THIS MUSIC MAY CONTAIN HOPE.’ Is Cinematic Pop That Dazzles and Delivers April 8, 2026
  • Paris Paloma’s “Miyazaki” Is a Love Letter to Human Creation April 8, 2026
  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose April 7, 2026
  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’ April 7, 2026
  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song” April 7, 2026
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too) April 6, 2026
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’ April 6, 2026
  • Joshua Quimby Is Redefining What It Means to Be Country April 6, 2026
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld April 6, 2026
  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’ April 6, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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