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Annabel Allum © Rob Blackham
Interviews, MusicApril 18, 2017<April 18, 2017

Creating, Rebelling, & Just ‘Doing Everything’: A Conversation with Annabel Allum

by Lindsay Call
Tyler Sjöström © Megan Cody
Music, PremieresApril 18, 2017<April 18, 2017

Premiere: Tyler Sjöström Unleashes His Emotion Through “Holding On”

by Renae Weaver
Columns, Music, Today's SongApril 18, 2017<April 17, 2017

Today’s Song: Idealism and Purpose in ALOK’s “Hear Me Now”

by Maggie McHale
Dabble © 2017
Debut, Music, PremieresApril 17, 2017<April 17, 2017

Album Premiere: The Colorful Dreaminess of Dabble’s Debut ‘Touch’

by Mitch Mosk
Skye Steele - "Back in the Valley"
Music, Music Videos, PremieresApril 17, 2017<April 17, 2017

Video Premiere: Skye Steele’s Hometown Homage “Back in the Valley”

by Mitch Mosk
Father John Misty © Guy Lowndes
Features, Music, ReviewsApril 17, 2017<January 25, 2018

Understanding the Importance of Father John Misty’s ‘Pure Comedy’

by Mitch Mosk
DAMN. - Kendrick Lamar
Columns, Reviews, This Just In, Today's SongApril 17, 2017<April 18, 2017

Review: “FEAR.” is a Contemplative Standout on Kendrick Lamar’s DAMN.

by Sydney Sweeney
Manifest - Brett Gleason
Music, Our Take, ReviewsApril 14, 2017<April 14, 2017

Our Take: Brett Gleason Creates a Comfortable Album with ‘Manifest’

by James Crowley
Tree Machines (L-R): Douglas Wooldridge, Patrick Aubry © Kasia Nawrocka
Features, Music, PremieresApril 14, 2017<April 14, 2017

Premiere: Tree Machines’ Heavy “Weights and Stones” Captures Raw Pain of Perseverance

by Mitch Mosk
Los in Los Angeles © 2017
Music, PremieresApril 14, 2017<April 14, 2017

Premiere: Hope & Wanderlust on Lost in Los Angeles’ New Single “Follow Me Home”

by Mitch Mosk
Chastity Belt © Conner Lyons
Columns, Music, Music Videos, Today's SongApril 14, 2017<April 14, 2017

Today’s Song: On “Different Now,” Chastity Belt Echo Their Signature Melancholy

by Sydney Sweeney
True Cinnamon - Bod
Features, Music, PremieresApril 13, 2017<April 20, 2017

EP Premiere: Exploring the Playful & Powerful Energies of Bod’s ‘True Cinnamon’

by Mitch Mosk
Don't Take the Money - Bleachers © Michael Bailey-Gates
Columns, Music, Today's SongApril 13, 2017<March 2, 2025

Today’s Song: Bleachers’ “Don’t Take the Money,” a Fight-for-What-You-Love Anthem

by Kelly McCafferty Dorogy
Gold Child © Aysia Marotta
Music, PremieresApril 13, 2017<April 13, 2017

Premiere: Gold Child’s Heartfelt Reminiscence of “Me and You”

by Alex Killian
Maiah Manser - "Second Skin" still
Music, Music Videos, PremieresApril 12, 2017<April 12, 2017

Video Premiere: Rebirth and Burning Roses on Maiah Manser’s “Second Skin”

by Mitch Mosk
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Brand New

  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands”
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1!
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”

:: discover something new ::

Recent Posts

  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands” December 20, 2025
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’ December 19, 2025
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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