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Pronoun © Dylan lewis
Features, Interviews, MusicAugust 7, 2017<August 7, 2017

On Tour and Twitter: Catching Up with pronoun

by Kelly Wynne
Andrew Belle © 2017
Columns, Music, Today's SongAugust 7, 2017<August 7, 2017

Today’s Song: Leaps of Faith Abound Throughout Andrew Belle’s “Honey and Milk”

by Kendall Graham
Dan Croll
Music, PodcastAugust 7, 2017<August 7, 2017

Sugar High Podcast: Two Hours with Dan Croll

by Danny Carissimi
FRND © 2017
Debut, Features, Interviews, MusicAugust 4, 2017<September 17, 2022

In Your Dreams and Real: A Conversation with FRND

by Mitch Mosk
Topaz © 2017
Music, PremieresAugust 4, 2017<August 4, 2017

Premiere: The Deep, Pulsing Vibes of Topaz’s “I Can Tell”

by Mitch Mosk
Poppies © Dan Abary
Columns, Debut, Music, Music You Should Know, ReviewsAugust 4, 2017<August 7, 2017

Music You Should Know: Poppies are Sprouting on a Good EP

by Sydney Sweeney
Broken - 4TK The Fourth Kingdom
Music, PremieresAugust 4, 2017<August 4, 2017

Premiere: Dark Pop & Pain in The Fourth Kingdom’s “Broken”

by Mitch Mosk
Patrick James © 2017
Columns, Music, Today's SongAugust 4, 2017<August 4, 2017

Today’s Song: Patrick James’ Soulful & Enduring “Lay It Down”

by Mitch Mosk
Still from "Arcadia" - Tyesha Chaunté
Music, Music Videos, PremieresAugust 4, 2017<August 4, 2017

Premiere: Paradise Found in Tyesha Chaunté’s “Arcadia”

by Lindsay Call
The Maine © 2017
Features, Interviews, MusicAugust 4, 2017<August 4, 2017

In Charge of Their Own Fate: A Conversation with The Maine

by Maggie McHale
How It Has To Be - Looms album art
Features, Music, Premieres, ReviewsAugust 3, 2017<August 3, 2017

Album Premiere: The Dazzling Depth of Looms’ ‘How It Has to Be’

by Mitch Mosk
Broken Back © 2017
Features, Music, Reviews, This Just InAugust 3, 2017<August 3, 2017

This Just In: The “Wait” Is Over for Broken Back’s Intimate New Anthem

by Mitch Mosk
Faded Heart - Børns cover art
Features, Music, Reviews, This Just InAugust 3, 2017<August 3, 2017

This Just In: BØRNS’ Sugary, Galactic New Song “Faded Heart”

by Mariel Fechik
Sydney Lauren © 2017
Debut, Music, Music Videos, PremieresAugust 3, 2017<August 3, 2017

Premiere: Sydney Lauren Sheds the Past in Vulnerable “Haunt Me”

by Mitch Mosk
Waves - Wayfinders
Music, PremieresAugust 3, 2017<August 3, 2017

Premiere: Wayfinders Bask in Euphoric “Waves” on Electro-Pop Anthem

by Mitch Mosk
Posts pagination
1 … 645 646 647 648 649 … 736

Brand New

  • “Your Songs Are Smarter Than You”: Jordan Joy Makes Her Debut with Shimmering Indie Pop Anthem, “Don’t Kill the Vibe”
  • “The Thing About Having Nowhere to Sit, Is You Have to Stand Out”: Kat Cunning Finds Hard-Won Power in “Sore Thumb,” an Open-Hearted Anthem for Queers, Freaks, & Shapeshifters
  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia”
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP

:: discover something new ::

Recent Posts

  • “Your Songs Are Smarter Than You”: Jordan Joy Makes Her Debut with Shimmering Indie Pop Anthem, “Don’t Kill the Vibe” June 1, 2026
  • “The Thing About Having Nowhere to Sit, Is You Have to Stand Out”: Kat Cunning Finds Hard-Won Power in “Sore Thumb,” an Open-Hearted Anthem for Queers, Freaks, & Shapeshifters June 1, 2026
  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia” May 31, 2026
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie May 30, 2026
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full May 29, 2026
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything May 29, 2026
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP May 29, 2026
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot May 29, 2026
  • Atwood Magazine’s Weekly Roundup: May 29, 2026 May 29, 2026
  • Finding the Way Back: Hudson Ingram on Nostalgia, Growth, and ‘The Long Way Home’ May 28, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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