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Tossing Tears - Twin Peaks
Columns, Music, Today's SongJuly 6, 2017<July 6, 2017

Today’s Song: Twin Peaks Reach New Heights with “Tossing Tears”

by Alexandra Graber
Hoyle © 2017
Music, PremieresJuly 5, 2017<July 5, 2017

Premiere: Bask in the Warmth of Hoyle’s “New Love”

by Mitch Mosk
Vylet - "Glitter" © 2017
Music, PremieresJuly 5, 2017<July 5, 2017

Premiere: “All That Glitters” Is Not Gold in Vylet’s Latest

by Mitch Mosk
Pony Hunt © Sam Doores
Music, Music Videos, PremieresJuly 5, 2017<July 5, 2017

Video Premiere: Pony Hunt Sinks and Swims in Love on “Over You”

by Mitch Mosk
Sweet Tooth - The Singles album art
Music, PremieresJuly 5, 2017<July 5, 2017

Premiere: The Singles’ “Voodoo” Shares Indie Rock Individuality & Inspiration

by Kelly Wynne
Sunset Lines © 2017
Debut, Music, PremieresJuly 5, 2017<July 5, 2017

Premiere: Sunset Lines Get Dark and Demanding on Debut “Glass”

by Sydney Sweeney
Bardo © 2017
Columns, Music, Today's SongJuly 5, 2017<July 5, 2017

Today’s Song: Bardo’s “Chiang Mai,” Viejo San Juan and the Northern Capital

by Ethan Armbrust
nyck © 2017
Features, Interviews, MusicJuly 3, 2017<July 3, 2017

Sliding Doors: A Conversation with nyck

by Hannah Maire
Looms © Soul Shot Photography
Music, PremieresJuly 3, 2017<July 3, 2017

Premiere: The Bitter Melancholy of Looms’ “Winter Here”

by Mitch Mosk
American Dreamer © Kush Mody
Music, Music Videos, PremieresJuly 3, 2017<July 3, 2017

Video Premiere: The Dramatic Intimacy of American Dreamer’s “Apollo”

by Mitch Mosk
The Future - San Holo
Columns, Music, Today's SongJuly 3, 2017<July 3, 2017

Today’s Song: San Holo Focuses in on “The Future”

by Alex Killian
Savage Grace EP - Grace Savage
Music, PremieresJuly 3, 2017<July 3, 2017

Premiere: Grace Savage Attacks Bigotry on Anthemic “King of the Jungle”

by Mitch Mosk
LCD Soundsystem © LCD Soundsystem
Concert Conversations, Music, ReviewsJune 30, 2017<June 30, 2017

Live: LCD Soundsystem Are the Perfect Band to Play New York Any Day of the Week

by James Crowley
Shells © Shells
Music, PremieresJune 30, 2017<June 30, 2017

Premiere: Shells Learn from Heartache on “New Bones”

by Nicole Almeida
Atwood Magazine's 2017 Albums of the Year, Part 1
Features, Music, News, ReviewsJune 30, 2017<August 3, 2017

Atwood Magazine’s Best Albums of 2017… Part 1

by Atwood Magazine Staff
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Brand New

  • Raye’s ‘THIS MUSIC MAY CONTAIN HOPE.’ Is Cinematic Pop That Dazzles and Delivers
  • Paris Paloma’s “Miyazaki” Is a Love Letter to Human Creation
  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose
  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’
  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song”
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too)
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’

:: discover something new ::

Recent Posts

  • Raye’s ‘THIS MUSIC MAY CONTAIN HOPE.’ Is Cinematic Pop That Dazzles and Delivers April 8, 2026
  • Paris Paloma’s “Miyazaki” Is a Love Letter to Human Creation April 8, 2026
  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose April 7, 2026
  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’ April 7, 2026
  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song” April 7, 2026
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too) April 6, 2026
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’ April 6, 2026
  • Joshua Quimby Is Redefining What It Means to Be Country April 6, 2026
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld April 6, 2026
  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’ April 6, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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