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Novo Amor © Rhodri Brooks
Columns, Features, Music, Music Videos, Reviews, Today's SongApril 25, 2017<April 27, 2017

Review: The Heartache & Beauty of Novo Amor’s Intimate “Carry You”

by Mitch Mosk
Edmondson © Catlin Miller
Debut, Music, PremieresApril 24, 2017<April 24, 2017

Premiere: The Movement and Memory of Edmondson’s “Turnings”

by Kaitlyn Zorilla
bedbugs © Samantha Prasopthum
Music, PremieresApril 24, 2017<April 24, 2017

Premiere: Joy & Wonder Make bedbugs’ “Not Complaining” a Perfect Testament to Modern Love

by Lindsay Call
Electric Guest © Nick Walker
Music, Our Take, ReviewsApril 24, 2017<April 24, 2017

Our Take: The Many Faces of “Plural” by Electric Guest

by Maggie McHale
The New Pornographers © Jennifer Jimenez
Concerts, Music, ReviewsApril 21, 2017<April 21, 2017

LIVE: The New Pornographers Dazzle in Return to Chicago

by Erika Kooda
Hoyle © Herb Gonzalez
Music, Music Videos, PremieresApril 21, 2017<April 21, 2017

Video Premiere: The Pain & Passionate Plea of Hoyle’s Anthemic “Revival”

by Mitch Mosk
TENTS © Josh Brine
Music, PremieresApril 21, 2017<April 21, 2017

Premiere: TENTS Make Art of Dichotomies in “Back Yards”

by Nicole Almeida
Joywave © David O'Donohue
Music, Reviews, This Just InApril 21, 2017<April 21, 2017

This Just In: Joywave’s “Content” is a Creepy, Double-Edged Sword

by Sydney Sweeney
Everything Turned to Color © Taylor Ballantyne
Debut, Music, PremieresApril 20, 2017<April 20, 2017

Premiere: Everything Turned to Color’s Heartfelt “Once Upon a Lifetime”

by Mitch Mosk
Maggie Rogers © Brooke Svitak @bsvis
Concert Conversations, Concerts, Music, ReviewsApril 20, 2017<April 20, 2017

LIVE: Maggie Rogers Lights Up the Music Hall of Williamsburg

by Carmen Chan
Vylet © 2017
Debut, Music, PremieresApril 20, 2017<April 20, 2017

Premiere: The Dreamy Intimacy of Vylet’s Lovestruck “Lightning”

by Mitch Mosk
broken - lovely.the.band single art
Columns, Debut, Music, Today's SongApril 20, 2017<August 12, 2019

True Connection & Perfect Imperfection in lovely.the.band’s Debut “broken”

by Mitch Mosk
Nevermind - Nirvana
Music, Time MachineApril 20, 2017<November 3, 2022

Time Machine: Smells Like Revolution – Nirvana in the ’90s

by Erika Kooda
Stay Inside © 2017
Debut, Music, PremieresApril 19, 2017<April 19, 2017

Premiere: Stay Inside’s “Blockbussa” Evokes the Isolation of Culture Clash

by Mitch Mosk
MAZES - bookstore
Music, PremieresApril 18, 2017<April 18, 2017

Premiere: Mazes Set Off on Adventure in “West Coast Revolution”

by Mitch Mosk
Posts pagination
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Brand New

  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands”
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1!
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”

:: discover something new ::

Recent Posts

  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands” December 20, 2025
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’ December 19, 2025
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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