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Atwood Magazine's 114th Editor's Picks!
Columns, Editor's Picks, Features, MusicMarch 14, 2025<March 18, 2025

Editor’s Picks 114: Attention Bird Utopia, Your Smith, Bo Staloch, Matilda Mann, Courting, & ESKA!

by Mitch Mosk
Mali Hâf © 2025
Essays, Music, Women's History MonthMarch 14, 2025<March 14, 2025

“H.W.F.M – A Song for Women in Wales & Everywhere”: An Essay by Mali Hâf for Women’s History Month

by Guest Writer
Soda Blonde © 2025
Columns, Interviews, Music, Today's SongMarch 14, 2025<March 25, 2025

“I Just Wanted to Be Wanted”: Soda Blonde’s “People Pleaser” Is a Bold Reckoning with Love, Validation & Self-Worth

by Mitch Mosk
tryin to be born - Emile Mosseri
Features, Interviews, Music, Track-by-TrackMarch 13, 2025<March 13, 2025

“We hit this magical frequency”: Emile Mosseri Breaks Down His Sophomore Album ‘tryin to be born’

by Mitch Mosk
The Veils © Katya Brook
Features, Interviews, Music, Track-by-TrackMarch 13, 2025<March 13, 2025

Track-by-Track: The Veils Take Us on a Poetic Journey Through Love & Death in ‘Asphodels’

by Joe Beer
Jessica Vaughn © Sterling Taylor
Essays, Music, Women's History MonthMarch 13, 2025<March 13, 2025

“MASA: Make America Shameful Again – Why the Music Industry Needs Its Own Reckoning”: An Essay by Jessica Vaughn for Women’s History Month

by Guest Writer
Horsegirl © Ruby Faye
Music, ReviewsMarch 13, 2025<March 13, 2025

Review: Horsegirl Sing for You on “Phonetics On and On”

by Juls Patterson
Arcy Drive © 2025
Columns, Music, Today's SongMarch 13, 2025<March 13, 2025

“What a day for a daydream”: Arcy Drive’s Sun-Soaked Folk Rock Reverie, “Oak Tree (Daydream)”

by Mitch Mosk
emmersonHALL © Cole Yearwood
Columns, Music, Today's SongMarch 12, 2025<March 12, 2025

“I bleed so you’re winning”: emmersonHALL’s “Air” Is a Heavy, Cathartic, and Aching Exhale

by Mitch Mosk
Taylor Bickett © Libby Danforth
Essays, Music, Women's History MonthMarch 12, 2025<March 12, 2025

“The Crime of Being a Woman”: An Essay by Taylor Bickett for Women’s History Month

by Guest Writer
Clara Mann © Ella Margolin
Debut, Features, Interviews, MusicMarch 12, 2025<March 12, 2025

Interview: Clara Mann Finds Hope in the Spaces Between on Shimmering Debut Album ‘Rift’

by Rachel Leong
Masayoshi Takanaka © Noah Moyer
Concerts, Music, ReviewsMarch 12, 2025<March 12, 2025

“I’ve been waiting for this day for a long time”: Masayoshi Takanaka Plays First U.S. Show in 40 Years

by Max Kalnitz
Post Sex Nachos © Annaliese Baker
Concerts, Interviews, MusicMarch 12, 2025<March 12, 2025

Interview: Post Sex Nachos Are Having More Fun Than You

by Annaliese Baker
Atwood Magazine's Weekly Roundup | March 11, 2025
Columns, Features, Music, Weekly RoundupMarch 11, 2025<March 12, 2025

Atwood Magazine’s Weekly Roundup: March 11, 2025

by Atwood Magazine Staff
Madame Reaper © Shawn Ruddy
Essays, Music, Women's History MonthMarch 11, 2025<March 11, 2025

“Not Your Mother’s Women’s History Month”: An Essay by Madame Reaper

by Guest Writer
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Brand New

  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction
  • “I Know How to Hurt Myself on You”: MUNA Turn Heartbreak into Kinetic Euphoria on “Dancing on the Wall”
  • Editor’s Picks 151: The Temper Trap, Lola Blue, Mount St. Helen, Eliza Edens, Radium Dolls, & Local the Neighbour!
  • Today’s Song: Stock Band Return with “Today’s Song,” an Indie Anthem That Checks All the Boxes
  • “I Just Got My Heart Broken, But I Look F**kin’ Fabulous”: MEEK Breaks Out with “Fabulous,” a Loud, Unapologetic, & Utterly Irresistible Pop Anthem
  • “I Needed to Make Something Beautiful as Things Fell Apart”: Maria Taylor Finds Renewal in the Ruins on ‘Story’s End’
  • Premiere: Oliver Pinder Shatters Halos in “Such an Angel,” a Catchy, All-Consuming Indie Rock Anthem of Broken Trust & Disillusionment

:: discover something new ::

Recent Posts

  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction April 2, 2026
  • “I Know How to Hurt Myself on You”: MUNA Turn Heartbreak into Kinetic Euphoria on “Dancing on the Wall” April 2, 2026
  • Editor’s Picks 151: The Temper Trap, Lola Blue, Mount St. Helen, Eliza Edens, Radium Dolls, & Local the Neighbour! April 1, 2026
  • Today’s Song: Stock Band Return with “Today’s Song,” an Indie Anthem That Checks All the Boxes April 1, 2026
  • “I Just Got My Heart Broken, But I Look F**kin’ Fabulous”: MEEK Breaks Out with “Fabulous,” a Loud, Unapologetic, & Utterly Irresistible Pop Anthem April 1, 2026
  • “I Needed to Make Something Beautiful as Things Fell Apart”: Maria Taylor Finds Renewal in the Ruins on ‘Story’s End’ April 1, 2026
  • Premiere: Oliver Pinder Shatters Halos in “Such an Angel,” a Catchy, All-Consuming Indie Rock Anthem of Broken Trust & Disillusionment March 31, 2026
  • “F**k That, Trust That”: Babes in Canyon Chase Freedom on “Echo,” an Intoxicating Indie Pop Mantra March 31, 2026
  • “Don’t look down, baby, don’t let go”: Fantastic Cat Turn Stubborn Hope into a Roaring Folk Rock Rallying Cry March 31, 2026
  • “Don’t Wanna Be My Enemy”: Eliza Edens Finds Freedom in Life’s Darker Impulses on “Leash,” a Bold and Breezy Indie Rock Song March 30, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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