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sivu © 2017
Columns, Music, Today's SongJuly 12, 2017<July 12, 2017

Today’s Song: “Sweet Sweet Silent” Illuminates Sivu’s Battle with Ménière’s Disease

by Carmen Chan
Flora © David Wiewel
Music, Music Videos, PremieresJuly 11, 2017<March 2, 2025

Premiere: Risk and Reward in Murder Murder’s “I’ve Always Been a Gambler”

by Mitch Mosk
Shakey Graves And The Horse He Rode In On
Music, ReviewsJuly 11, 2017<July 11, 2017

Pre-Release Renovation: Shakey Graves Impresses with Full Collection of Past EPs

by Kelly Wynne
RÉN with the Mane © Lauren Desberg
Music, PremieresJuly 11, 2017<July 11, 2017

Premiere: Rén with the Mane’s Seductive “Hypnotize”

by Mitch Mosk
Relaxer - alt-J
Features, Music, Our Take, ReviewsJuly 11, 2017<July 11, 2017

alt-J’s Relaxer: A Track-by-Track Review

by Mariel Fechik
Yuk Foo - Wolf Alice
Columns, Music, Today's SongJuly 11, 2017<July 27, 2017

Today’s Song: Wolf Alice Are Back with Biting, Acidic Rage in “Yuk Foo”

by Sophie Hack
The Franklin Electric © 2017
Features, Interviews, MusicJuly 10, 2017<July 10, 2017

Blue Ceilings and Greener Pastures: A Conversation with The Franklin Electric

by Shannon Ruzgys
The Real Cool © 2017
Debut, Music, ReviewsJuly 10, 2017<July 10, 2017

Review: The Real Cool Get Real on Debut ‘WAYBACK!’ EP

by Sara Santora
The Alien - Manchester Orchestra
Columns, Music, Today's SongJuly 10, 2017<July 7, 2017

Today’s Song: Manchester Orchestra Create Cinematic Magic with “The Alien”

by Sara Santora
Where's Your Light? - Tara Terra
Features, Music, Our Take, ReviewsJuly 7, 2017<July 7, 2017

Our Take: Tara Terra Embrace Loss, Love, and Letting Go on ‘Where’s Your Light?’

by Mitch Mosk
Fear EP - Olly Chamberlain
Music, PremieresJuly 7, 2017<July 7, 2017

EP Premiere: Olly Chamberlain’s Polished & Personal ‘Fear’

by Mitch Mosk
Wolf Alice © Laura Allard Fleischl
Columns, Music, Reviews, Today's SongJuly 7, 2017<July 11, 2017

Today’s Song: “Don’t Delete the Kisses” is Wolf Alice’s Bubbly, Synth-Filled Paradise

by Nicole Almeida
Don't You Worry, Honey - Sir Sly
Features, Music, Our Take, ReviewsJuly 7, 2017<July 9, 2018

Our Take: Sir Sly Turn Pain into Beauty on ‘Don’t You Worry, Honey’

by Mitch Mosk
Carrie Lane © Anna Lee
Music, Music Videos, PremieresJuly 7, 2017<July 7, 2017

Premiere: Carrie Lane’s Live “Florida Keys” Speaks Summer Gothic with a Twist

by Matilda Berke
Praying - Kesha
Features, Music, Reviews, This Just InJuly 7, 2017<July 7, 2017

This Just In: Kesha Finds Peace in “Praying”

by Alex Killian
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Brand New

  • “It Wasn’t a Typical Sad Song”: Sasha Joy Found a New Kind of Clarity on “Got You Something”
  • “Life Is Much More Colorful”: Heddy Edwards Summons the Divine on ‘The Other Side of Hell Is a Heaven So Delicate’
  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around”
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit

:: discover something new ::

Recent Posts

  • “It Wasn’t a Typical Sad Song”: Sasha Joy Found a New Kind of Clarity on “Got You Something” June 5, 2026
  • “Life Is Much More Colorful”: Heddy Edwards Summons the Divine on ‘The Other Side of Hell Is a Heaven So Delicate’ June 5, 2026
  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around” June 4, 2026
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’ June 4, 2026
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release June 4, 2026
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return June 3, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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