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MARIS © 2025
Features, Interviews, MusicMay 27, 2025<May 27, 2025

Yearning, Euphoria, & Queer Joy: A Conversation with MARIS

by Anthony Kozlowski
GRAE '7 Minutes ’Til Heaven' 7.4
Music, Our Take, ReviewsMay 27, 2025<May 27, 2025

Our Take: GRAE’s ‘7 Minutes ‘Til Heaven’ Is a Fearless Pop Odyssey of Power, Pain, & Reinvention

by Danielle Holian
Glass Tiger © 2025
Columns, Music, Today's SongMay 27, 2025<May 27, 2025

Glass Tiger’s “Canada’s Song” Is a Declaration of True Patriot Love

by Aileen Goos
Myles O'Neal © 2025
Interviews, MusicMay 23, 2025<May 23, 2025

A Conversation with Myles O’Neal: A Young Talent Looking to Achieve a Slam Dunk Success as a DJ

by Josh Weiner
Noah Cyrus © Jason Renaud
Columns, Music, Today's SongMay 23, 2025<May 23, 2025

Today’s Song: Noah Cyrus’ “I Saw the Mountains” Is a Whisper to the Wild

by Danielle Holian
Atwood Magazine's 122nd Editor's Picks!
Columns, Editor's Picks, Features, MusicMay 23, 2025<May 23, 2025

Editor’s Picks 122: Medium Build, The Head and the Heart, Hudson Thames, Lola Young, DE’WAYNE, & Jack Garratt!

by Mitch Mosk
Mariel Buckley © Maggie Geis
Interviews, MusicMay 22, 2025<May 22, 2025

Interview: Mariel Buckley on “Vending Machines,” Restlessness, and Writing Through the Uncertainty

by Joe Beer
Labit © Erica Hernandez
Columns, Music, Today's SongMay 22, 2025<May 22, 2025

Today’s Song: Labit’s “MANGOES AND RICE” Is a Heartfelt Love Letter to His Filipino-American Identity

by Rachel Leong
Lucie Glang © Eike Higgen
Music, Music Videos, PremieresMay 22, 2025<May 22, 2025

Premiere: Lucie Glang Finds Peace Beneath the Surface in Her Intimate & Enchanting “Underwater Skies”

by Mitch Mosk
Emmanuelle June © Christopher Kazolides
Essays, Mental Health Awareness Month, MusicMay 21, 2025<May 21, 2025

“Not Everyone Deserves Your Story”: A Manifesto for Emotional Sovereignty by Emmanuelle June

by Guest Writer
Volena © Julia Durr
Debut, Features, Interviews, Music, Track-by-TrackMay 21, 2025<May 21, 2025

“This Became a Lifeline”: Volena’s Witchy, Yearning, & Expansive Debut EP Is a Raw Coming-of-Age Reckoning

by Mitch Mosk
Emily Elbert © Shervin Lainez
Music, Music Videos, PremieresMay 21, 2025<May 21, 2025

“Love sing through me”: The Spiritual, Soul-Stirring Surrender of Emily Elbert’s Smoldering “God Is Change”

by Mitch Mosk
Lostboycrow © Ty Frost & Harrison Donchez
Interviews, Music, Track-by-TrackMay 21, 2025<May 21, 2025

Track-by-Track: From Cool Goths to Childhood Friends, Lostboycrow’s ‘The Sound of God Laughing’ Is an Album of Stories

by Aileen Goos
Charli xcx © Stolen Besos
Music, Reviews, This Just InMay 21, 2025<May 21, 2025

Charli xcx’s “party 4 u”: The Song That Waited to Be Loved Finally Gets Its Spotlight

by Danielle Holian
Jeffers Insley "Honey" © 2025
Columns, Music, Today's SongMay 20, 2025<May 20, 2025

Today’s Song: Jeffers Insley Shines Through the Intimate Raw Soundscapes of “Honey”

by Rachel Leong
Posts pagination
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Brand New

  • “This Is an Ode to Eternity”: Fruit Bats Find Holy Visions in the Wreckage on ‘The Landfill’
  • Roundtable Discussion: A Review of Robyn’s ‘Sexistential’
  • “I Think We All Know a Rosey”: Precious Pepala Made an EP About the Kind of Relationship You Know Is Bad for You
  • “Radical Empathy in This Time Is Its Own Form of Resistance”: Young the Giant on Cultivating Hope, Brotherhood, and Their Life-Affirming ‘Victory Garden’
  • Our Take: Olivia Rodrigo Delivers Heartbreak, Hope, and Healing on ‘you seem pretty sad for a girl so in love’
  • “They Come with a Price”: Melbourne’s Local the Neighbour Confronts the Cost of Chasing a Dream on “Hard,” an Aching Indie Rock Confession
  • “Brace for Impact… Literally”: Mykel’s ‘Hometown Runaway’ EP is the Ultimate Soundtrack of Fearless Reinvention

:: discover something new ::

Recent Posts

  • “This Is an Ode to Eternity”: Fruit Bats Find Holy Visions in the Wreckage on ‘The Landfill’ June 16, 2026
  • Roundtable Discussion: A Review of Robyn’s ‘Sexistential’ June 16, 2026
  • “I Think We All Know a Rosey”: Precious Pepala Made an EP About the Kind of Relationship You Know Is Bad for You June 16, 2026
  • “Radical Empathy in This Time Is Its Own Form of Resistance”: Young the Giant on Cultivating Hope, Brotherhood, and Their Life-Affirming ‘Victory Garden’ June 16, 2026
  • Our Take: Olivia Rodrigo Delivers Heartbreak, Hope, and Healing on ‘you seem pretty sad for a girl so in love’ June 16, 2026
  • “They Come with a Price”: Melbourne’s Local the Neighbour Confronts the Cost of Chasing a Dream on “Hard,” an Aching Indie Rock Confession June 15, 2026
  • “Brace for Impact… Literally”: Mykel’s ‘Hometown Runaway’ EP is the Ultimate Soundtrack of Fearless Reinvention June 15, 2026
  • Our Take: Pleasure Systems Returns More Hopeful Than Ever with Sophomore Album ‘Leave It in the Sand’ June 15, 2026
  • “Realizing God Didn’t Want Me in the Closet”: A Pride Month Essay by Tory Silver June 15, 2026
  • “And I’ve Been Comin’ Back My Whole Damn Life”: Kurt Vile Finds a New Warmth in “Chance to Bleed,” a Mesmerizing Homecoming Ode June 14, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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