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Phoenix © Emma Le Doyen
Features, Music, Reviews, This Just InApril 28, 2017<July 13, 2017

This Just In: Phoenix Dive Deep on Dreamy New Song “J-Boy”

by Mitch Mosk
Vox Eagle © 2017
Music, PremieresApril 27, 2017<April 27, 2017

Premiere: Feel the Summertime in Vox Eagle’s “Come Over”

by Kelly Wynne
"Feelings" - Dana still
Debut, Music, Music Videos, PremieresApril 27, 2017<April 27, 2017

Premiere: The Honesty and Intimacy of Dana’s Debut “Feelings”

by Mitch Mosk
Vök © Sigga Ella
Debut, Features, Interviews, MusicApril 27, 2017<April 28, 2017

Figuring It Out: Vök Discuss Music, Growth and Learning in Iceland

by Erin Brown
Left Lane Cruiser © Joel Faurote
Music, PremieresApril 27, 2017<April 27, 2017

Premiere: Left Lane Cruiser’s “Still Rollin'” Is One for the Road

by Mitch Mosk
Blood on the Tracks - Bob Dylan
Music, Time MachineApril 27, 2017<April 27, 2017

Time Machine: On Bob Dylan’s “Shelter from the Storm”

by Erika Kooda
PHANGS teeth
Music, Reviews, This Just InApril 27, 2017<January 27, 2023

Review: It’s “Always Been U,” PHANGS, and We Know It, Too

by Maggie McHale
Things I've Never Said - Frances
Debut, Features, Interviews, Music, ReviewsApril 26, 2017<April 26, 2017

The Soul of a Songwriter: A Conversation with Frances

by Mitch Mosk
Nick Moran © Elli Lauren
Music, PremieresApril 26, 2017<April 26, 2017

Premiere: Chaos & Comfort Color Nick Moran’s Soulful “Easier Time”

by Mitch Mosk
Blaenavon © Scott Witt
Debut, Features, Music, ReviewsApril 26, 2017<June 29, 2017

Review: Blaenavon Play with Light & Darkness on Debut Album ‘That’s Your Lot’

by Nicole Almeida
Tableaux - Light Entertainment
Debut, Music, PremieresApril 25, 2017<April 28, 2017

Premiere: The Intoxicating Allure of Light Entertainment’s Debut “Tableaux”

by Mitch Mosk
Fallow Land © Heather Nash
Debut, Music, PremieresApril 25, 2017<April 25, 2017

Premiere: The Authentic Struggle of Fallow Land’s “Faux”

by Mitch Mosk
Madnap © 2017
Debut, Interviews, MusicApril 25, 2017<April 25, 2017

Changing with the “SEASONS”: A Conversation with Madnap

by Alex Killian
Novo Amor © Rhodri Brooks
Columns, Features, Music, Music Videos, Reviews, Today's SongApril 25, 2017<April 27, 2017

Review: The Heartache & Beauty of Novo Amor’s Intimate “Carry You”

by Mitch Mosk
Edmondson © Catlin Miller
Debut, Music, PremieresApril 24, 2017<April 24, 2017

Premiere: The Movement and Memory of Edmondson’s “Turnings”

by Kaitlyn Zorilla
Posts pagination
1 … 658 659 660 661 662 … 726

Brand New

  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’
  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction
  • “I Know How to Hurt Myself on You”: MUNA Turn Heartbreak into Kinetic Euphoria on “Dancing on the Wall”
  • Editor’s Picks 151: The Temper Trap, Lola Blue, Mount St. Helen, Eliza Edens, Radium Dolls, & Local the Neighbour!

:: discover something new ::

Recent Posts

  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning April 3, 2026
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem April 3, 2026
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through April 3, 2026
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’ April 3, 2026
  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction April 2, 2026
  • “I Know How to Hurt Myself on You”: MUNA Turn Heartbreak into Kinetic Euphoria on “Dancing on the Wall” April 2, 2026
  • Editor’s Picks 151: The Temper Trap, Lola Blue, Mount St. Helen, Eliza Edens, Radium Dolls, & Local the Neighbour! April 1, 2026
  • Today’s Song: Stock Band Return with “Today’s Song,” an Indie Anthem That Checks All the Boxes April 1, 2026
  • “I Just Got My Heart Broken, But I Look F**kin’ Fabulous”: MEEK Breaks Out with “Fabulous,” a Loud, Unapologetic, & Utterly Irresistible Pop Anthem April 1, 2026
  • “I Needed to Make Something Beautiful as Things Fell Apart”: Maria Taylor Finds Renewal in the Ruins on ‘Story’s End’ April 1, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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