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Amber Run © 2017
Music, Our Take, ReviewsMarch 24, 2017<April 5, 2017

Our Take: Amber Run Beautifully Embrace Uncertainty with ‘For a Moment, I Was Lost’

by Shannon Ruzgys
The Harmed Brothers x Mcdougall
Music, PremieresMarch 24, 2017<March 24, 2017

Premiere: McDougall & The Harmed Brothers’ Collaboration is Humble, Heartfelt, and Fun

by Mitch Mosk
Flower © Erika Krupansky
Columns, Music, Today's SongMarch 24, 2017<March 24, 2017

Today’s Song: Flower’s “Hysteria” Mocks the Digital Age

by Connor Bush
The Dead Sailor Girls © Jay Blakesburg
Music, PremieresMarch 23, 2017<March 23, 2017

Premiere: Get Down (with the Deep Blue Sea) in The Dead Sailor Girls’ “Dance of the Broken Heart”

by Lindsay Call
Ben Abraham © WILK
Features, Interviews, MusicMarch 23, 2017<March 23, 2017

Transforming Experience into Sound: A Conversation with Ben Abraham

by Hannah Maire
Out of the Game - Rufus Wainwright
Columns, Music, Time MachineMarch 23, 2017<March 23, 2017

Time Machine: Feeling “Out of the Game” with Rufus Wainwright

by Erika Kooda
SXSW 2017 x Atwood Magazine
Festival, MusicMarch 23, 2017<March 24, 2017

Atwood @ SXSW Day 6 ft. Active Bird Community, Aquilo, Big Jesus, The National Parks, and Lawrence

by Erika Kooda
Radclyffe Hall © 2017
Music, PremieresMarch 22, 2017<March 22, 2017

Premiere: Escape into Radclyffe Hall’s Seductive “Run Run Run”

by Mitch Mosk
Axel Mansoor © 2017
Features, Interviews, MusicMarch 22, 2017<March 22, 2017

No Time Wasted: A Conversation with Axel Mansoor

by Kelly Wynne
SXSW 2017 x Atwood Magazine
Festival, MusicMarch 22, 2017<March 22, 2017

Atwood @ SXSW: Day 5 ft. Lizzo, Chicano Batman, Spoon, Big Phony, Magnolia, and Sara Watkins

by Erika Kooda
Call Me - Imelda May
Columns, Music, Today's SongMarch 21, 2017<March 21, 2017

Today’s Song: Imelda May’s “Call Me” and Heartache’s Heavy Wait

by Mitch Mosk
Faze Wave © 2017
Music, PremieresMarch 21, 2017<March 21, 2017

Premiere: Faze Wave Catch a Spark on “Chemistry”

by Mitch Mosk
Features, Interviews, MusicMarch 21, 2017<March 22, 2017

Here for a Good Time: A Conversation with Knox Hamilton

by Maggie McHale
SXSW 2017 x Atwood Magazine
Festival, MusicMarch 21, 2017<March 22, 2017

Atwood @ SXSW: Day 4 ft. The New Pornographers, Danny Malone, and Quinn XCII

by Erika Kooda
Matt Hires © Jesse Spencer
Features, Music, Music Videos, PremieresMarch 20, 2017<March 20, 2017

Video Premiere: Matt Hires’ “Don’t Let Your Heart Grow Cold,” a Passionate Ode to the Past

by Mitch Mosk
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Brand New

  • “It Wasn’t a Typical Sad Song”: Sasha Joy Found a New Kind of Clarity on “Got You Something”
  • “Life Is Much More Colorful”: Heddy Edwards Summons the Divine on ‘The Other Side of Hell Is a Heaven So Delicate’
  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around”
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit

:: discover something new ::

Recent Posts

  • “It Wasn’t a Typical Sad Song”: Sasha Joy Found a New Kind of Clarity on “Got You Something” June 5, 2026
  • “Life Is Much More Colorful”: Heddy Edwards Summons the Divine on ‘The Other Side of Hell Is a Heaven So Delicate’ June 5, 2026
  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around” June 4, 2026
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’ June 4, 2026
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release June 4, 2026
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return June 3, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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