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Bridges and Powerlines © Mara Abols
Features, Music, PremieresSeptember 27, 2016<September 27, 2016

Exclusive Premiere: The Polished Punch of Bridges and Powerlines’ “Even Killers Need A Home”

by Mitch Mosk
Kaleo © Alexandra Valenti
Music, Our Take, ReviewsSeptember 27, 2016<September 27, 2016

Our Take: Kaleo’s A/B, Full of Fire and Ice

by Erika Kooda
The Happy Fits
Debut, Features, Interviews, MusicSeptember 26, 2016<April 28, 2017

An Awfully Apeelin’ Story: Introducing The Happy Fits

by Mitch Mosk
FHB's "Regular" music video
Columns, Debut, Music, Music Videos, Today's SongSeptember 26, 2016<September 23, 2016

Today’s Song: FHB Breaks Down Barriers with “Regular”

by Ethan Germann
Paige Calico © Henry Diltz
Debut, Features, Music, PremieresSeptember 23, 2016<September 23, 2016

Exclusive Premiere: Paige Calico’s Haunting “Crying Diamonds” EP Seeks Clarity in Chaos

by Mitch Mosk
LOLO 2016 7.4
Debut, Music, Our Take, ReviewsSeptember 23, 2016<June 7, 2024

Our Take: LOLO Shines in Debut “In Loving Memory of When I Gave a Sh*t”

by Erin Brown
Modern Me © Addie Briggs
Features, Music, PremieresSeptember 22, 2016<September 22, 2016

Exclusive Premiere: Modern Me’s Electric “Run Away” is an Instant Hit

by Mitch Mosk
Brennan Leeds performs "Thigh Tattoo"
Atwood x LiveSyphon, Columns, Features, Interviews, Music, VideoSeptember 22, 2016<September 22, 2016

Atwood Magazine and LiveSyphon Present: Brennan Leeds’ Love-Drunk “Thigh Tattoo”

by Mitch Mosk
NGOD © Daniel Alexander Harris
Columns, Music, Today's SongSeptember 22, 2016<September 22, 2016

Today’s Song: Self-Awareness and Validation on NGOD’s “Can You Hear Me?”

by Maggie McHale
Biscuits & Gravy
Features, Music, Our Take, PremieresSeptember 21, 2016<September 21, 2016

Exclusive Premiere: Biscuits & Gravy Capture the Magic on “Young Love”

by Mitch Mosk
Screenshot from Loren North's "feel it out" music video
Columns, Debut, Music, Music Videos, Today's SongSeptember 21, 2016<September 20, 2016

Today’s Song: Loren North’s “Feel It Out” Embraces Honest Heartbreak

by Kelly Wynne
KAMAU © Arturo Olmos
Debut, Music, Our Take, ReviewsSeptember 20, 2016<September 20, 2016

Our Take: KAMAU’S Personal and Electrifying Fortune

by Brandon Payano
Forth Wanderers © Grace Rossi-Conaway
Columns, Music, Music Videos, Today's SongSeptember 20, 2016<September 20, 2016

Today’s Song: The Lovesick Adolescence of Forth Wanderers’ “Slop”

by Shayna Chabrow
Komox
Features, Music, PremieresSeptember 19, 2016<September 19, 2016

Exclusive Premiere: Komox’s Irresistibly Heartfelt “Million Ways” Fights for Love

by Mitch Mosk
Inner Wave
Columns, Music, Today's SongSeptember 19, 2016<September 19, 2016

Today’s Song: The Uneasy, Love-Struck Melodies of Inner Wave’s “College Curls”

by Tracy Smith
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Brand New

  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around”
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’

:: discover something new ::

Recent Posts

  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around” June 4, 2026
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’ June 4, 2026
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release June 4, 2026
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return June 3, 2026
  • “A Beautiful, Terrifying Freedom”: Worthitpurchase Turn Precision into Poetry on “Postcard” June 3, 2026
  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age June 2, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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  • New Music Releases
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    • Weekly Roundup
    • Music You Should Know
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