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Leapling © Anna Sian
Music, Our Take, ReviewsJuly 5, 2016<July 5, 2016

Our Take: Leapling’s “Suspended Animation” Is Infectious Power-Pop with a Serious Side

by Ross Finney
Stoop Kids
Columns, Music, Today's SongJuly 1, 2016<July 1, 2016

Today’s Song: Stoop Kids Feed the Addiction with “Quit You”

by Ethan Germann
Bad Suns © Elliot Lee Hazel
Music, Our Take, ReviewsJuly 1, 2016<July 20, 2016

Our Take: Bad Suns Reappear with “Disappear Here”

by Mitch Mosk
Features, Interviews, MusicJune 30, 2016<June 30, 2016

One Foot in Front of the Other: A Conversation with MOTHXR

by Maggie McHale
The Avalanches Colours 2016
Columns, Music, Today's SongJune 30, 2016<June 28, 2016

Today’s Song: The Avalanches are Seeing “Colours”

by Regan Wojick
The Big Gone © Kate Adams
Features, Music, PremieresJune 29, 2016<June 29, 2016

Exclusive Premiere: “Retread Backwards,” The Big Gone’s Emphatic Warning to Cheaters

by Mitch Mosk
Lake Street Dive © Danny Clinch
Columns, Music, Today's SongJune 29, 2016<June 29, 2016

Today’s Song: Lake Street Dive’s “Side Pony” Preaches Self Love and Positivity

by Erika Kooda
Pinegrove's "Aphasia"
Columns, Music, Today's SongJune 28, 2016<June 28, 2016

Today’s Song: “Aphasia,” Pinegrove’s Ode to the Unexplainable

by Connor Bush
JUICE
Atwood x LiveSyphon, Columns, Features, Music, VideoJune 27, 2016<June 29, 2016

Atwood Magazine and LiveSyphon Present: Juice, Boston’s Sweetest Offering

by Maggie McHale
Phoria
Columns, Music, Today's SongJune 27, 2016<June 27, 2016

Today’s Song: Phoria Seeks Out Your Senses with “Loss”

by Kaitlyn Zorilla
BAILEN
Columns, Music, Today's SongJune 24, 2016<June 24, 2016

Today’s Song: BAILEN’s “Something Tells Me” Discovers Love Through Diffidence

by Maggie McHale
Features, Music, PremieresJune 23, 2016<July 2, 2016

Exclusive Premiere: The Fontaines Figure Out Love in “ii.”

by Maggie McHale
Amara (formerly known as Viola Ellis)
Debut, Features, Music, Music Videos, PremieresJune 23, 2016<June 24, 2016

Exclusive Premiere: Amara Passionately Introduces Herself with “Only One”

by Maggie McHale
A Silent Film
Atwood On Tour, Columns, Concerts, Features, Interviews, MusicJune 23, 2016<June 22, 2016

A Flag in the Sand: A Silent Film’s Loud Awakening

by Mitch Mosk
Haux, aka Woodson Black
Columns, Music, Today's SongJune 22, 2016<June 22, 2016

Today’s Song: “Seaside,” Haux’s Cathartic Moment of Truth

by Mitch Mosk
Posts pagination
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Brand New

  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around”
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’

:: discover something new ::

Recent Posts

  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around” June 4, 2026
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’ June 4, 2026
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release June 4, 2026
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return June 3, 2026
  • “A Beautiful, Terrifying Freedom”: Worthitpurchase Turn Precision into Poetry on “Postcard” June 3, 2026
  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age June 2, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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  • New Music Releases
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    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
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