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Boston Calling 2014 poster
Concerts, Features, Music, News, ReviewsSeptember 16, 2014<September 17, 2014

Ring! Ring! Boston Calling Heralds the Coming of Fall

by Mitch Mosk
Sir Sly © Eliot Lee Hazel 9.4
Debut, Features, Music, Our Take, ReviewsSeptember 14, 2014<May 18, 2025

Sir Sly’s ‘You Haunt Me’ Sends Shivers Down the Spine

by Mitch Mosk
The Eeries
Debut, Music, Our Take, ReviewsSeptember 12, 2014<September 13, 2014

The Eeries Hail Weekend Hangouts in Debut Single “Cool Kid”

by Mitch Mosk
Art, ColumnsSeptember 12, 2014<December 7, 2022

Past in Present: Instagram and the Picturesque

by Kate Butler
Columns, Hidden Gems, MusicSeptember 11, 2014<September 8, 2014

Accepting Change with Conor Oberst’s Hidden Gem, “Fast Friends”

by Alexis
Music, Our Take, ReviewsSeptember 10, 2014<September 11, 2014

Our Take: dd elle’s New Single “Tell Me”

by Liza
7.8
Features, Music, Our Take, ReviewsSeptember 9, 2014<May 18, 2025

Our Take: ‘Ritual in Repeat’ Is Tennis’ Winning Set

by Mitch Mosk
Debut, Music, Our Take, ReviewsSeptember 9, 2014<September 8, 2015

Our Take: ‘Dream Your Life Away’ with Vance Joy

by Mitch Mosk
Ayler Young at Bowery Electric - photo: pancakesandwhiskey.com
Columns, Concert Conversations, Concerts, MusicSeptember 8, 2014<September 8, 2014

Concert Conversations: Ayler Young Plays the Bowery Electric, NYC

by Mitch Mosk
Events, Features, Music, News, PreviewsSeptember 3, 2014<May 18, 2025

Festival Preview: Boston Calling Music Festival, Fall 2014

by Mitch Mosk
Debut, Music, Our Take, ReviewsSeptember 2, 2014<September 2, 2014

Our Take: Secret Someones Find Themselves On “I Won’t Follow” Debut EP

by Mitch Mosk
Art, Features, InterviewsSeptember 1, 2014<February 23, 2025

A conversation with Jamie Morgan

by Lara LoBrutto
Features, Interviews, MusicAugust 27, 2014<August 26, 2014

A Conversation with Johnny Lewis

by Cristina
Music, ReviewsAugust 26, 2014<August 26, 2014

Review: The Bug’s “Angels & Devils”

by Luke
Features, Interviews, MusicAugust 25, 2014<August 25, 2014

A conversation with Asgeir

by Alexis
Posts pagination
1 … 704 705 706 707 708 … 711

Brand New

  • “We Have Fun, and That’s It”: Underbrook Are on the Way Up With ‘Was Happiness Too Boring for You?’
  • “Sorrow’s Just Worn Out Joy”: Oakland Newcomers mildred Linger in the Fog Between Memory & Change on “Trailer Hitch”
  • Editor’s Picks 140: Hudson Freeman, Ski Team, Girl Scout, Vienna Vienna, Queen Quail, & Telescreens!
  • Atwood Magazine’s Top Artist Discoveries of 2025
  • “It’d Be So Tragic to Give My Life to Static”: LA’s Dutch Interior Pay Homage to Music’s Beauty & Power on the Soul-Stirring “Play the Song”
  • “I’m Just Too Soft”: Deadbeat Girl Reclaims Vulnerability as Power on a Volcanic Indie Rock Confession
  • “I’m Just Trying to Get My Head Right”: FIDLAR’s Max Kuehn Finds Forward Motion on “Slide” & Sophomore LP ‘All for Nothing’

:: discover something new ::

Recent Posts

  • “We Have Fun, and That’s It”: Underbrook Are on the Way Up With ‘Was Happiness Too Boring for You?’ December 16, 2025
  • “Sorrow’s Just Worn Out Joy”: Oakland Newcomers mildred Linger in the Fog Between Memory & Change on “Trailer Hitch” December 16, 2025
  • Editor’s Picks 140: Hudson Freeman, Ski Team, Girl Scout, Vienna Vienna, Queen Quail, & Telescreens! December 15, 2025
  • Atwood Magazine’s Top Artist Discoveries of 2025 December 15, 2025
  • “It’d Be So Tragic to Give My Life to Static”: LA’s Dutch Interior Pay Homage to Music’s Beauty & Power on the Soul-Stirring “Play the Song” December 15, 2025
  • “I’m Just Too Soft”: Deadbeat Girl Reclaims Vulnerability as Power on a Volcanic Indie Rock Confession December 14, 2025
  • “I’m Just Trying to Get My Head Right”: FIDLAR’s Max Kuehn Finds Forward Motion on “Slide” & Sophomore LP ‘All for Nothing’ December 13, 2025
  • Tales from the Garden: Seven Lions Is Making and Breaking the Formula December 12, 2025
  • Atwood Magazine’s Best Concerts of 2025! December 12, 2025
  • Interview: Clover County on the ‘Finer Things,’ Romanticising Life, and Rediscovering Her Whimsy December 12, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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