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Frank Turner at Irving Plaza, © Mitch Mosk 2015
Features, Interviews, MusicJune 7, 2016<July 31, 2018

Music Is the End: A Conversation with Frank Turner

by Mitch Mosk
Niki & The Dove consists of Malin Dahlström and Gustaf Karlöf
Columns, Music, Today's SongJune 7, 2016<June 6, 2016

Today’s Song: Niki & The Dove’s “So Much It Hurts” Brings Back the Good Times We Never Had

by Julia Naman
Ethos - Levitation Room
Columns, Music, Today's SongJune 6, 2016<June 6, 2016

Today’s Song: Levitation Room Addresses Societal Pitfalls with “Strangers of Our Time”

by Erin Brown
Mimes of Wine
Features, Music, Music Videos, PremieresJune 3, 2016<June 3, 2016

Exclusive Premiere: Mimes of Wine’s Beautifully Mysterious “Birds of a Feather” and its Out-of-Focus Focus

by Mitch Mosk
These Wild Plains © Lisa Czech
Features, Festival, Interviews, MusicJune 3, 2016<June 3, 2016

Rugged and Plainsy or Wildly Plain? A Conversation with These Wild Plains

by Mitch Mosk
"Heartbreak Hi" - Avec Sans
Columns, Music, Today's SongJune 2, 2016<June 2, 2016

Today’s Song: Avec Sans Connects in “Heartbreak Hi”

by Lindsay Call
"Delilah" (The Odyssey – Chapter 8) - Florence and the Machine
Features, Music, Music Videos, ReviewsJune 2, 2016<June 2, 2016

Florence + The Machine Captivates with the Frailty and Beauty of Human Existence in “The Odyssey”

by Erin Brown
Scuzz Ortegé
Columns, Debut, Music, Today's SongJune 1, 2016<June 1, 2016

Today’s Song: Scuzz Ortegé Steps Up to Fight on Debut “Bodies”

by Mitch Mosk
Car Seat Headrest
Music, Our Take, ReviewsJune 1, 2016<June 1, 2016

Our Take: Car Seat Headrest’s ‘Teens of Denial’ is Anthemic Indie Rock at Its Best

by Ross Finney
Ariana Grande Dangerous Woman review 8.3
Music, Our Take, ReviewsMay 31, 2016<September 5, 2023

Our Take: Ariana Grande Pulls Off a Hat Trick with ‘Dangerous Woman’

by Josh Weiner
Earthquake Weather - Onsen
Debut, Features, Music, PremieresMay 31, 2016<May 12, 2020

Exclusive Premiere: Onsen’s “What Fortunes” at the Crossroads of Breakup

by Mitch Mosk
Boston Calling May 2016
Features, Festival, Music, News, PreviewsMay 27, 2016<December 10, 2024

(Y)Our Guide to Boston Calling Music Festival, May 2016

by Mitch Mosk
Sam Wills
Columns, Music, Today's SongMay 27, 2016<May 27, 2016

Today’s Song: Sam Wills’ Soulfully Cathartic Slow-Burn, “Light On Me”

by Brandon Payano
TUSKANY, a band from Belfast
Columns, Music, Today's SongMay 26, 2016<May 27, 2016

Today’s Song: Tuskany’s “Shapes” Shakes Up Indie Pop

by Lindsay Call
Dreamland - Wild Belle
Features, Music, Our Take, ReviewsMay 25, 2016<May 25, 2016

Our Take: Wild Belle’s “Dreamland” Shows the Importance of Good Genes

by Julia Naman
Posts pagination
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Brand New

  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around”
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’

:: discover something new ::

Recent Posts

  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around” June 4, 2026
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’ June 4, 2026
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release June 4, 2026
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return June 3, 2026
  • “A Beautiful, Terrifying Freedom”: Worthitpurchase Turn Precision into Poetry on “Postcard” June 3, 2026
  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age June 2, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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  • New Music Releases
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    • Music You Should Know
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