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Editorials, PhotographyJune 21, 2014<June 19, 2014

Veronika Gilková Editorial

by Liza
Wolf Alice
MusicJune 20, 2014<June 18, 2014

Heavenly Howls: Listen To Wolf Alice’s New EP

by Abigail
UncategorizedJune 19, 2014<April 16, 2020

Letter from the Editor

by Liza
Music, ReviewsJune 18, 2014<June 18, 2014

Our take: A Review of Alt-J’s New Single “Hunger of the Pine”

by Liza
ArtJune 17, 2014<June 19, 2014

the gallerist: a look at Tara Donovan

by Liza
Art, EventsJune 17, 2014<June 18, 2014

The Bushwick Collective: 3rd Annual Block Party

by Liza
Features, From The Zine, Interviews, MusicMay 26, 2014<June 18, 2014

Overcoming adversity: a conversation with Antoine from Girls in Hawaii

by Nitesh
Features, From The Zine, Interviews, MusicMay 26, 2014<June 18, 2014

Telling stories with music: a conversation with Zee Avi

by Nitesh
MusicMay 24, 2014<June 18, 2014

A Goddess Rising From the Sea: Listen to BANKS New Single “Drowning”

by Nitesh
A Solitary Moment by Alexandra Votsis
Editorials, PhotographyMay 17, 2014<June 18, 2014

A Solitary Moment by Alexandra Votsis

by Liza
MusicMay 16, 2014<June 18, 2014

Review: “Deckchairs On The Moon” // Bipolar Sunshine

by Liza
Art, Features, InterviewsMay 16, 2014<June 18, 2014

Bridging robotics and emotion: a conversation with Erin Gee

by Nitesh
Editorials, Fashion, PhotographyMay 15, 2014<May 18, 2014

“We are the Young” by Camille Richez

by Liza
Music, Music Videos, VideoMay 14, 2014<June 18, 2014

Watch Agnes Obel’s New Music Video: “Dorian”

by Nitesh
MusicMay 13, 2014<June 18, 2014

Listen to Brother North’s New Single

by Nitesh
Posts pagination
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Brand New

  • Editor’s Picks 140: Hudson Freeman, Ski Team, Girl Scout, Vienna Vienna, Queen Quail, & Telescreens!
  • Atwood Magazine’s Top Artist Discoveries of 2025
  • “It’d Be So Tragic to Give My Life to Static”: LA’s Dutch Interior Pay Homage to Music’s Beauty & Power on the Soul-Stirring “Play the Song”
  • “I’m Just Too Soft”: Deadbeat Girl Reclaims Vulnerability as Power on a Volcanic Indie Rock Confession
  • “I’m Just Trying to Get My Head Right”: FIDLAR’s Max Kuehn Finds Forward Motion on “Slide” & Sophomore LP ‘All for Nothing’
  • Tales from the Garden: Seven Lions Is Making and Breaking the Formula
  • Atwood Magazine’s Best Concerts of 2025!

:: discover something new ::

Recent Posts

  • Editor’s Picks 140: Hudson Freeman, Ski Team, Girl Scout, Vienna Vienna, Queen Quail, & Telescreens! December 15, 2025
  • Atwood Magazine’s Top Artist Discoveries of 2025 December 15, 2025
  • “It’d Be So Tragic to Give My Life to Static”: LA’s Dutch Interior Pay Homage to Music’s Beauty & Power on the Soul-Stirring “Play the Song” December 15, 2025
  • “I’m Just Too Soft”: Deadbeat Girl Reclaims Vulnerability as Power on a Volcanic Indie Rock Confession December 14, 2025
  • “I’m Just Trying to Get My Head Right”: FIDLAR’s Max Kuehn Finds Forward Motion on “Slide” & Sophomore LP ‘All for Nothing’ December 13, 2025
  • Tales from the Garden: Seven Lions Is Making and Breaking the Formula December 12, 2025
  • Atwood Magazine’s Best Concerts of 2025! December 12, 2025
  • Interview: Clover County on the ‘Finer Things,’ Romanticising Life, and Rediscovering Her Whimsy December 12, 2025
  • “Rev It, Brake It, Love Ya, Mean It”: Savannah Conley Cuts Loose on “Love You Mean It,” a Fun, Feverish Indie Rock Rebirth December 12, 2025
  • “I Haven’t Heard That Sound Yet”: Copenhagen’s Barbro Premieres “What Men Do,” a Softly Smoldering Indie Folk Reckoning of Unlearning & Quiet Resistance December 11, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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