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"Talk Too Much" single art - COIN
Columns, Music, Today's SongMay 11, 2016<November 11, 2016

Today’s Song: COIN’s “Talk Too Much” Captures Summer Spirit

by Mitch Mosk
ISLAND band UK © Sequoia Ziff
Columns, Music, Today's SongMay 10, 2016<May 10, 2016

Today’s Song: ISLAND’s “Spotless Mind” Asks What If?

by Hailey McAdams
Violet Van Soest 2016
Debut, Features, Interviews, Music, PremieresMay 9, 2016<May 9, 2016

Exclusive Premiere: “Violet” – Van Soest’s Personal Call-to-Action

by Mitch Mosk
Screenshot from Radiohead's "Daydreaming" music video
Features, Music, Music Videos, Our Take, Reviews, This Just InMay 6, 2016<March 7, 2017

Our Take: Radiohead’s “Daydreaming” Twists the Ordinary into Extraordinary

by Mitch Mosk
Charles de Crema
Columns, Music, Today's SongMay 5, 2016<May 5, 2016

Ripped from the Diary: Charles De Crema’s “I Know You Love Me, But Do You Think Of Me, Romantically”

by Maggie McHale
Chasing Waves - Vista Kicks
Debut, Features, Music, Our Take, ReviewsMay 5, 2016<May 13, 2016

Our Take: The Controlled Chaos of Vista Kicks

by Mitch Mosk
Screenshot from Young the Giant's "Amerika" visualizer
Columns, Music, Today's SongMay 4, 2016<May 8, 2016

Today’s Song: Young the Giant Relax and Ignite on “Amerika”

by Natalie Harmsen
MOON is Chelsea Davis (vocals/bass) and Dan Silver (guitar/synth).
Debut, Features, Music, Premieres, ReviewsMay 3, 2016<May 3, 2016

Exclusive Premiere: The Energy and Urgency of MOON’s “I Got A Fever”

by Mitch Mosk
Lemonade promo - Beyonce
Essays, Features, Music, ReviewsMay 2, 2016<August 15, 2022

Review: Lemonade and the Unstoppable Force That Is Beyoncé

by Jon Hecht
Cruel Youth press photo
Columns, Music, Today's SongMay 2, 2016<May 2, 2016

Today’s Song: Cruel Youth Finds Redemption In “Diamond Days”

by Ethan Germann
Screenshot from Anteros' "Breakfast"
Features, Interviews, Music, Music VideosApril 29, 2016<May 7, 2016

Sweet, Savory, and Deceptive: A “Breakfast” Interview with Anteros

by Mitch Mosk
Gallant Ology banner
Debut, Music, Our Take, ReviewsApril 28, 2016<April 28, 2016

Our Take: Gallant’s Debut Album “Ology” is Worth the Weight

by Julia Naman
Lushlife + CSLSX @ Baby's All Right, BK 4/13/2016
Columns, Concert Conversations, Concerts, MusicApril 27, 2016<May 19, 2016

Concert Conversations: Not-A-Rap-Concert Rap Concert

by Jon Hecht
Hein Cooper © Yani Clarke
Debut, Music, Our Take, ReviewsApril 27, 2016<April 27, 2016

Our Take: Hein Cooper’s Blissful Balladry on “The Art of Escape”

by Natalie Harmsen
Ezra Furman
Columns, Music, Today's SongApril 26, 2016<April 26, 2016

Today’s Song: Ezra Furman Lives Life on the “Wobbly” Path

by Erin Brown
Posts pagination
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Brand New

  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around”
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’

:: discover something new ::

Recent Posts

  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around” June 4, 2026
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’ June 4, 2026
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release June 4, 2026
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return June 3, 2026
  • “A Beautiful, Terrifying Freedom”: Worthitpurchase Turn Precision into Poetry on “Postcard” June 3, 2026
  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age June 2, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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