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The Crookes © India Hobson
Features, Music, Our Take, ReviewsMarch 2, 2016<March 11, 2016

Our Take: The Crookes Find Sweet Serendipity with “Lucky Ones”

by Natalie Harmsen
Gramophone © R. Halfpaap
Columns, Essays, Music, The Craft TableFebruary 25, 2016<July 27, 2024

The Craft Table: The Modern Music Industry and the Relationship Between Art and Business

by Taylor Berrett
Screenshot from The Rooks' "Gin and Juice" music video
Columns, Music, Music Videos, Today's SongFebruary 24, 2016<February 25, 2016

Today’s Song: The Rooks’ Soul-Infused Cover of “Gin and Juice”

by Connor Small
OH MY! logo
Columns, Music, Today's SongFebruary 23, 2016<February 23, 2016

Today’s Song: OH MY! Embrace Indulgence on “Alkohole”

by Mitch Mosk
Debut, Music, Our Take, ReviewsFebruary 18, 2016<February 24, 2016

Bringing Warmth Back to Soul: The Retro-Futurism of KING’s “We Are King”

by Jon Hecht
Music, PremieresFebruary 12, 2016<February 12, 2016

Exclusive Premiere: Intense Expression in Cool Dads’ “This is My Dream” [Part 3/5]

by Maggie McHale
Ra Ra Riot © Shervin Lainez
Columns, Music, Today's SongFebruary 11, 2016<February 11, 2016

Today’s Song: Ra Ra Riot is Roaring on “Absolutely”

by Natalie Harmsen
POP ETC © Alex Walsh 7.2
Features, Interviews, Music, ReviewsFebruary 10, 2016<May 4, 2022

Souvenir: A Life Lesson from POP ETC

by Mitch Mosk
Flume © Cybele Malinowski
Columns, Music, Today's SongFebruary 8, 2016<February 8, 2016

Today’s Song: Flume Gathers His Friends for “Smoke & Retribution”

by Connor Small
Sia © Mary Ellen Matthews
Features, Music, ReviewsFebruary 5, 2016<February 18, 2016

Our Take: Identity Crisis or Master of Disguise? Sia Takes the Stage in “This is Acting”

by Ethan Germann
FRANKi
Columns, Music, Today's SongFebruary 4, 2016<February 4, 2016

Today’s Song: The Dramatic Distance of FRANKi’s “Tides”

by Mitch Mosk
Cuzznz - Daz Dillinger & Snoop Dogg 4.9
Music, Our Take, ReviewsFebruary 2, 2016<September 5, 2023

Our Take: “Cuzznz” Daz n Snoop Fail to Dazzle

by Josh Weiner
Debut, Music, Our Take, ReviewsJanuary 29, 2016<February 2, 2016

Our Take: Washer’s Generational Anxiety on “Here Comes Washer”

by Ross Finney
"Hallucinations" by DVSN single art
Columns, Debut, Music, Today's SongJanuary 28, 2016<January 28, 2016

Today’s Song: The Fleeting Immediacy of dvsn’s “Hallucinations”

by Jon Hecht
Kaleo
Columns, Music, Today's SongJanuary 27, 2016<January 27, 2016

Today’s Song: The Tender Tranquility of Kaleo’s “All the Pretty Girls”

by Josh Weiner
Posts pagination
1 … 711 712 713 714 715 … 736

Brand New

  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia”
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot
  • Atwood Magazine’s Weekly Roundup: May 29, 2026

:: discover something new ::

Recent Posts

  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia” May 31, 2026
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie May 30, 2026
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full May 29, 2026
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything May 29, 2026
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP May 29, 2026
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot May 29, 2026
  • Atwood Magazine’s Weekly Roundup: May 29, 2026 May 29, 2026
  • Finding the Way Back: Hudson Ingram on Nostalgia, Growth, and ‘The Long Way Home’ May 28, 2026
  • “Jazz Isn’t a Museum Piece”: Black Nile Cultivate a Bountiful ‘Indigo Garden’ Full of Fresh Jazzy Delights May 28, 2026
  • “When I Pull Your Body Close, It’s Like Ecstasy”: Wake the Wild Bring Dance-Floor Desire to Life in “Satisfaction,” a Sweat-Kissed Funk Reverie May 28, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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