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Columns, Debut, Music, Music You Should KnowDecember 21, 2015<December 21, 2015

Music You Should Know: The Duality of Brittany Howard as “Thunderbitch”

by Ethan Germann
Columns, Music, Today's SongDecember 17, 2015<December 17, 2015

Today’s Song: BRÅVES’ Dark, Haunting, and Beautiful “Dust”

by Mitch Mosk
fieu
Columns, Music, Today's SongDecember 10, 2015<December 10, 2015

Feisty Sprint Towards Empowerment in Fieu’s “RUNNING”

by Hannah Maire
Verite
Features, Interviews, MusicDecember 4, 2015<December 4, 2015

Shifting Into Life: A Conversation with VÉRITÉ

by April Salud
The Royal Concept © Danny Rush 2015
Atwood On Tour, Columns, Concerts, Features, Interviews, MusicDecember 2, 2015<December 2, 2015

Connected to the People: No Barriers with The Royal Concept

by Mitch Mosk
Screenshot from "Top" by HØØNCH
Columns, Debut, Music, Music You Should KnowNovember 25, 2015<November 25, 2015

Music You Should Know: HØØNCH’s “Top” is Meaningful Pop

by Mitch Mosk
IYES
Columns, Music, Reviews, Today's SongNovember 20, 2015<November 20, 2015

“Can’t Feel My Face”: Even Better as a Duet?

by Josh Weiner
Atwood in Focus: New Music, 11/20/2015
NewsNovember 20, 2015<November 20, 2015

Atwood In Focus: November 20th New Music

by Atwood Magazine Staff
Riley Pearce Brave
Columns, Music, Today's SongNovember 19, 2015<November 19, 2015

Today’s Song: The Heartwrenching Tones within Riley Pearce’s “Brave”

by Hannah Maire
Alessia Cara © Meredith Truax
Debut, Music, Our Take, ReviewsNovember 19, 2015<November 19, 2015

Our Take: Alessia Cara Is a Rebellious Wallflower On “Know-It-All”

by Natalie Harmsen
Jamie N Commons
Atwood On Tour, Columns, Debut, Features, Interviews, MusicNovember 18, 2015<December 2, 2015

Redefining Rugged: A Rumble with Jamie N Commons

by Mitch Mosk
Gallant Weight In Gold
Columns, Music, Today's SongNovember 17, 2015<November 17, 2015

Today’s Song: Gallant Defies Gravity with “Weight in Gold”

by Ethan Germann
FIDLAR
Atwood On Tour, Columns, Interviews, MusicNovember 16, 2015<July 21, 2021

Punk, Rock, and Rehab: A Conversation with FIDLAR

by Mitch Mosk
What's Inside: Songs from Waitress - Sara Bareilles 8.7
Music, Our Take, ReviewsNovember 13, 2015<September 5, 2023

What’s Inside? Another Round of Great Fun from Sara Bareilles

by Josh Weiner
Atwood in Focus: New Music, 11/13/2015
NewsNovember 13, 2015<November 14, 2015

Atwood In Focus: November 13th New Music

by Atwood Magazine Staff
Posts pagination
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Brand New

  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia”
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot
  • Atwood Magazine’s Weekly Roundup: May 29, 2026

:: discover something new ::

Recent Posts

  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia” May 31, 2026
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie May 30, 2026
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full May 29, 2026
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything May 29, 2026
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP May 29, 2026
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot May 29, 2026
  • Atwood Magazine’s Weekly Roundup: May 29, 2026 May 29, 2026
  • Finding the Way Back: Hudson Ingram on Nostalgia, Growth, and ‘The Long Way Home’ May 28, 2026
  • “Jazz Isn’t a Museum Piece”: Black Nile Cultivate a Bountiful ‘Indigo Garden’ Full of Fresh Jazzy Delights May 28, 2026
  • “When I Pull Your Body Close, It’s Like Ecstasy”: Wake the Wild Bring Dance-Floor Desire to Life in “Satisfaction,” a Sweat-Kissed Funk Reverie May 28, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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