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Kanye West Yeezy Season 3 - Runway
Features, Music, Our Take, ReviewsMarch 3, 2016<March 11, 2016

Our Take: The Life of Pablo and the Theory of Kanye West

by Connor Small
The Crookes © India Hobson
Features, Music, Our Take, ReviewsMarch 2, 2016<March 11, 2016

Our Take: The Crookes Find Sweet Serendipity with “Lucky Ones”

by Natalie Harmsen
Gramophone © R. Halfpaap
Columns, Essays, Music, The Craft TableFebruary 25, 2016<July 27, 2024

The Craft Table: The Modern Music Industry and the Relationship Between Art and Business

by Taylor Berrett
Screenshot from The Rooks' "Gin and Juice" music video
Columns, Music, Music Videos, Today's SongFebruary 24, 2016<February 25, 2016

Today’s Song: The Rooks’ Soul-Infused Cover of “Gin and Juice”

by Connor Small
OH MY! logo
Columns, Music, Today's SongFebruary 23, 2016<February 23, 2016

Today’s Song: OH MY! Embrace Indulgence on “Alkohole”

by Mitch Mosk
Debut, Music, Our Take, ReviewsFebruary 18, 2016<February 24, 2016

Bringing Warmth Back to Soul: The Retro-Futurism of KING’s “We Are King”

by Jon Hecht
Music, PremieresFebruary 12, 2016<February 12, 2016

Exclusive Premiere: Intense Expression in Cool Dads’ “This is My Dream” [Part 3/5]

by Maggie McHale
Ra Ra Riot © Shervin Lainez
Columns, Music, Today's SongFebruary 11, 2016<February 11, 2016

Today’s Song: Ra Ra Riot is Roaring on “Absolutely”

by Natalie Harmsen
POP ETC © Alex Walsh 7.2
Features, Interviews, Music, ReviewsFebruary 10, 2016<May 4, 2022

Souvenir: A Life Lesson from POP ETC

by Mitch Mosk
Flume © Cybele Malinowski
Columns, Music, Today's SongFebruary 8, 2016<February 8, 2016

Today’s Song: Flume Gathers His Friends for “Smoke & Retribution”

by Connor Small
Sia © Mary Ellen Matthews
Features, Music, ReviewsFebruary 5, 2016<February 18, 2016

Our Take: Identity Crisis or Master of Disguise? Sia Takes the Stage in “This is Acting”

by Ethan Germann
FRANKi
Columns, Music, Today's SongFebruary 4, 2016<February 4, 2016

Today’s Song: The Dramatic Distance of FRANKi’s “Tides”

by Mitch Mosk
Cuzznz - Daz Dillinger & Snoop Dogg 4.9
Music, Our Take, ReviewsFebruary 2, 2016<September 5, 2023

Our Take: “Cuzznz” Daz n Snoop Fail to Dazzle

by Josh Weiner
Debut, Music, Our Take, ReviewsJanuary 29, 2016<February 2, 2016

Our Take: Washer’s Generational Anxiety on “Here Comes Washer”

by Ross Finney
"Hallucinations" by DVSN single art
Columns, Debut, Music, Today's SongJanuary 28, 2016<January 28, 2016

Today’s Song: The Fleeting Immediacy of dvsn’s “Hallucinations”

by Jon Hecht
Posts pagination
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Brand New

  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around”
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’

:: discover something new ::

Recent Posts

  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around” June 4, 2026
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’ June 4, 2026
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release June 4, 2026
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return June 3, 2026
  • “A Beautiful, Terrifying Freedom”: Worthitpurchase Turn Precision into Poetry on “Postcard” June 3, 2026
  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age June 2, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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