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Skylar Grey © Tyler Shields
Features, Interviews, MusicNovember 2, 2015<November 3, 2015

Doing It Her Way: How to Succeed in Music ft. Skylar Grey

by Mitch Mosk
Art, Features, InterviewsNovember 2, 2015<November 2, 2015

Conversation with Florentine Pahl: Art as Reality

by Liza
The Slow Show © Percy Dean
Debut, Features, Interviews, Music, Our Take, ReviewsOctober 30, 2015<October 30, 2015

The Raw Humanity of The Slow Show’s “White Water”

by Mitch Mosk
Atwood in Focus: New Music, 10/30/2015
NewsOctober 30, 2015<October 30, 2015

Atwood In Focus: October 30th New Music

by Atwood Magazine Staff
Alex G © Jeff Allen
Music, Our Take, ReviewsOctober 29, 2015<October 29, 2015

Our Take: With Beach Music, Alex G is a DIY Powerhouse

by Ross Finney
Big Grams 7.3
Debut, Music, Our Take, ReviewsOctober 28, 2015<September 5, 2023

Hip-Hop, Electronica Collide in Cool Style on “Big Grams”

by Josh Weiner
The Weeknd
Columns, Music, Music You Should Know, ReviewsOctober 27, 2015<October 27, 2015

Music You Should Know: The Duality of The Weeknd’s “Beauty Behind The Madness”

by Mikaelah Villacruz
Columns, Music, Today's SongOctober 26, 2015<October 26, 2015

Today’s Song: The Modern Timelessness of GEMS’ “w/o u”

by Mitch Mosk
Atwood in Focus: New Music, 10/23/2015
NewsOctober 23, 2015<October 23, 2015

Atwood In Focus: October 23rd New Music

by Atwood Magazine Staff
Lake Street Dive @ House Of Blues, LA 10/14/2015
Concerts, Music, Our Take, ReviewsOctober 23, 2015<October 23, 2015

Live: Lake Street Dive Make Old New Again at the House of Blues, New Orleans

by Ethan Germann
AudioDamn! from L to R: Daniel "Mudi" Mudrack, Oliver "Oli" Wimmer, Ali Grumeth
Debut, Features, Interviews, MusicOctober 22, 2015<October 22, 2015

Face(Time)ing the Music: A Chat with AudioDamn!

by Maggie McHale
Ski Lodge
Columns, Music, Today's SongOctober 22, 2015<October 21, 2015

Today’s Song: Ski Lodge Embraces Grandiose Nostalgia on “God Will Never Come For Us”

by Grant Rindner
Zella Day © Alexandra Valenti
Columns, Music, Today's SongOctober 21, 2015<October 21, 2015

Today’s Song: Join in on the Obsession with Zella Day’s “Hypnotic”

by Ethan Germann
The Blue Stones
Music, Our Take, ReviewsOctober 20, 2015<October 20, 2015

Our Take: The Gravitational Flux of The Blue Stones’ “Black Holes”

by Mitch Mosk
Greg Holden © Myriam Santos
Features, Interviews, MusicOctober 20, 2015<October 20, 2015

Integrity and Intimacy: A Glass with Greg Holden

by Mitch Mosk
Posts pagination
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Brand New

  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around”
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’

:: discover something new ::

Recent Posts

  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around” June 4, 2026
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’ June 4, 2026
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release June 4, 2026
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return June 3, 2026
  • “A Beautiful, Terrifying Freedom”: Worthitpurchase Turn Precision into Poetry on “Postcard” June 3, 2026
  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age June 2, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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