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Reviews, Today's Song, VideoJanuary 23, 2015<October 15, 2015

TODAY’S SONG: “ Who We Were With” – Paradise Fears

by Mitch Mosk
Music, Today's SongJanuary 22, 2015<January 22, 2015

Today’s Song: “Leaf Off / The Cave” by José González

by Liza
Concert Conversations, Concerts, Music, Our Take, ReviewsJanuary 21, 2015<January 21, 2015

Concert Conversations: Sylvan Esso at The Jefferson

by Liza
The Airborne Toxic Event
Concerts, Music, News, PreviewsJanuary 20, 2015<January 21, 2015

The Airborne Toxic Event announce 4th album “Dope Machines”

by Mitch Mosk
The Eeries
Debut, Music, Our Take, ReviewsJanuary 15, 2015<January 15, 2015

LA “Cool Kids” The Eeries Challenge the Mainstream with Debut EP

by Mitch Mosk
Columns, Music, Today's SongJanuary 14, 2015<February 13, 2017

Conversation with Artist Jon-Phillip Sheridan

by Liza
Debut, Music, Our Take, ReviewsJanuary 10, 2015<January 10, 2015

Today’s Song: Experience by Kacy Hill

by Liza
Conversation with John Waller
Art, Features, Interviews, PhotographyJanuary 9, 2015<January 9, 2015

Conversation with John Waller

by Liza
Catfish and the Bottlemen
Music, Reviews, Today's SongJanuary 4, 2015<January 8, 2019

Today’s Song: “Homesick” – Catfish and the Bottlemen

by Mitch Mosk
Cardboard Kids promo
Music, Today's SongJanuary 2, 2015<January 3, 2015

Today’s Song: “Honey” – Cardboard Kids

by Mitch Mosk
MusicJanuary 1, 2015<January 1, 2015

Editor’s Picks: Liza’s Top Albums of 2014

by Liza
Sir Sly (photo: Eliot Lee Hazel)
MusicDecember 31, 2014<May 18, 2025

Editor’s Picks: Mitch’s Top Albums of 2014

by Mitch Mosk
Music, Today's SongDecember 30, 2014<December 30, 2014

Today’s Song: “Gong” – Favela

by Liza
Fashion, Features, InterviewsDecember 27, 2014<October 9, 2023

A Conversation with Fashion Designer Alan Taylor

by Liza
Essays, Fashion, PhotographyDecember 23, 2014<December 26, 2014

“The Lost Poem” // Jesús Villanueva for Atwood Magazine

by Liza
Posts pagination
1 … 717 718 719 720 721 … 727

Brand New

  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song”
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too)
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’
  • Joshua Quimby Is Redefining What It Means to Be Country
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld
  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’
  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning

:: discover something new ::

Recent Posts

  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song” April 7, 2026
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too) April 6, 2026
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’ April 6, 2026
  • Joshua Quimby Is Redefining What It Means to Be Country April 6, 2026
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld April 6, 2026
  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’ April 6, 2026
  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning April 3, 2026
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem April 3, 2026
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through April 3, 2026
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’ April 3, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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