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Le Rug
Music, Premieres, ReviewsOctober 19, 2015<October 19, 2015

Exclusive Premiere: Le Rug Drop a Pop “Bomb”

by Ross Finney
Music, Today's SongOctober 16, 2015<October 16, 2015

Today’s Song: Beirut Lightens Up With “Gibraltar”

by Ali
Atwood in Focus: New Music, 10/16/2015
NewsOctober 16, 2015<November 2, 2015

Atwood In Focus: October 16th New Music

by Atwood Magazine Staff
Xprime
Columns, Music, Today's SongOctober 15, 2015<October 15, 2015

Today’s Song: The Push and Pull of Xprime’s “All to Myself”

by Storie Serres
KStewart
Columns, Music, Today's SongOctober 14, 2015<October 14, 2015

Today’s Song: Learn to Take Control with KStewart’s “Ain’t Nobody”

by April Salud
Ought © Victoria Davis
Music, Our Take, ReviewsOctober 13, 2015<October 13, 2015

Our Take: Ought Revel in Ambiguity on “Sun Coming Down”

by Ross Finney
The Rare Occasions (from left to right): Luke Imbusch, Peter Stone, Brian McLaughlin, and Jeremy Cohen // credit: Jonas Meyer
Music, Premieres, ReviewsOctober 12, 2015<October 13, 2015

Exclusive Premiere: Chaotic Bliss on The Rare Occasions’ “An Actuary Retires”

by Mitch Mosk
Atwood in Focus: New Music, 10/9/2015
NewsOctober 9, 2015<October 9, 2015

Atwood In Focus :: October 9th New Music

by Atwood Magazine Staff
"Love Me" - The 1975
Features, Music, Reviews, This Just InOctober 8, 2015<March 7, 2017

The 1975 Get Funky with “Love Me”

by Mitch Mosk
Big Grams
Columns, Debut, Music, Today's SongOctober 8, 2015<October 8, 2015

Today’s Song: An Unlikely Marriage on Big Grams’ “Fell In The Sun”

by Maria Jackson
Features, Interviews, MusicOctober 7, 2015<October 7, 2015

Healing and Transcendence: A Conversation with decker.

by Maggie McHale
Wavves' Stephen 'Stevie' Pope (left) and Nathan Williams (right) // credit: Alexandra Gavillet
Columns, Music, Today's SongOctober 6, 2015<October 6, 2015

Today’s Song: Effervescent Angst on Wavves’ “My Head Hurts”

by Ross Finney
The Struts
Debut, Features, Interviews, MusicOctober 5, 2015<February 1, 2023

Success Smells Like… A Conversation With The Struts

by Mitch Mosk
Music, Our Take, ReviewsOctober 5, 2015<October 5, 2015

Our Take: CHVRCHES Go Gold with “Every Open Eye”

by April Salud
The Japanese House (Amber Bain)
Columns, Music, Music You Should KnowOctober 2, 2015<October 19, 2015

Intensity, Eminence and Mystique: The Japanese House Lays a Sound Foundation

by Maggie McHale
Posts pagination
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Brand New

  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia”
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot
  • Atwood Magazine’s Weekly Roundup: May 29, 2026

:: discover something new ::

Recent Posts

  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia” May 31, 2026
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie May 30, 2026
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full May 29, 2026
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything May 29, 2026
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP May 29, 2026
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot May 29, 2026
  • Atwood Magazine’s Weekly Roundup: May 29, 2026 May 29, 2026
  • Finding the Way Back: Hudson Ingram on Nostalgia, Growth, and ‘The Long Way Home’ May 28, 2026
  • “Jazz Isn’t a Museum Piece”: Black Nile Cultivate a Bountiful ‘Indigo Garden’ Full of Fresh Jazzy Delights May 28, 2026
  • “When I Pull Your Body Close, It’s Like Ecstasy”: Wake the Wild Bring Dance-Floor Desire to Life in “Satisfaction,” a Sweat-Kissed Funk Reverie May 28, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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