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Columns, Concert Conversations, Concerts, Music, ReviewsDecember 10, 2014<December 10, 2014

Concert Conversations: Iron and Wine at the Adelphi

by Christian
Music, Today's SongDecember 10, 2014<December 10, 2014

Today’s Song: “Late” – Jungle Doctors

by Mitch Mosk
Music, Today's SongDecember 9, 2014<December 11, 2014

Today’s Song: “Whiskey Bar” – Echotape

by Mitch Mosk
Columns, Music, Pop Matters, ReviewsDecember 8, 2014<December 5, 2017

Underneath Swift’s Wildest Dreams

by Kelly McCafferty Dorogy
Hozier at Irving Plaza, 11/5 9.8
Concerts, Music, ReviewsNovember 9, 2014<May 18, 2025

Folking Beautiful: Hozier and James Bay at Irving Plaza, NY

by Mitch Mosk
Music, Pop MattersNovember 9, 2014<September 24, 2015

Hozier Rocks SNL

by Kelly McCafferty Dorogy
Interviews, MusicNovember 6, 2014<November 9, 2014

A Conversation with Kalmia Traver of Rubblebucket

by Charlotte
ArtOctober 30, 2014<January 23, 2023

A Conversation With Adam Vinson

by Julianna Toth
Concerts, Music, ReviewsOctober 29, 2014<October 29, 2014

Panda Bear at The Jefferson

by Molly Golski
Art, Interviews, PhotographyOctober 23, 2014<October 23, 2014

Conversation with Photographer Leanne Surfleet

by Liza
Essays, Fashion, PhotographyOctober 21, 2014<June 21, 2024

Lucia Moretti for Atwood Magazine

by Liza
Music, Our Take, ReviewsOctober 14, 2014<October 14, 2014

Our Take: Dale Earnhardt Jr. Jr.’s New Single “James Dean

by Liza
Columns, Concert Conversations, Music, ReviewsOctober 13, 2014<October 13, 2014

Concert Conversations: Foxygen sticks to the music

by Liza
Art, Features, Interviews, PhotographyOctober 12, 2014<October 12, 2014

A conversation with Rina Dweck

by Cristina
7.8
Music, Our Take, ReviewsOctober 11, 2014<May 18, 2025

Dinner And A Suit is here to ‘Stay’ on new EP

by Mitch Mosk
Posts pagination
1 … 718 719 720 721 722 … 726

Brand New

  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’
  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction
  • “I Know How to Hurt Myself on You”: MUNA Turn Heartbreak into Kinetic Euphoria on “Dancing on the Wall”
  • Editor’s Picks 151: The Temper Trap, Lola Blue, Mount St. Helen, Eliza Edens, Radium Dolls, & Local the Neighbour!

:: discover something new ::

Recent Posts

  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning April 3, 2026
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem April 3, 2026
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through April 3, 2026
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’ April 3, 2026
  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction April 2, 2026
  • “I Know How to Hurt Myself on You”: MUNA Turn Heartbreak into Kinetic Euphoria on “Dancing on the Wall” April 2, 2026
  • Editor’s Picks 151: The Temper Trap, Lola Blue, Mount St. Helen, Eliza Edens, Radium Dolls, & Local the Neighbour! April 1, 2026
  • Today’s Song: Stock Band Return with “Today’s Song,” an Indie Anthem That Checks All the Boxes April 1, 2026
  • “I Just Got My Heart Broken, But I Look F**kin’ Fabulous”: MEEK Breaks Out with “Fabulous,” a Loud, Unapologetic, & Utterly Irresistible Pop Anthem April 1, 2026
  • “I Needed to Make Something Beautiful as Things Fell Apart”: Maria Taylor Finds Renewal in the Ruins on ‘Story’s End’ April 1, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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