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Music, ReviewsAugust 26, 2014<August 26, 2014

Review: The Bug’s “Angels & Devils”

by Luke
Features, Interviews, MusicAugust 25, 2014<August 25, 2014

A conversation with Asgeir

by Alexis
Music, Music Videos, ReviewsAugust 20, 2014<August 20, 2014

Sunbeam Sound Machine’s “Cosmic Love Affair”

by Alexis
Interviews, VideoAugust 19, 2014<August 19, 2014

A Conversation with Kate Duhamel of Fountain 3 Films

by Cynthia Liu
Concerts, Features, Hidden Gems, Music, VideoAugust 17, 2014<August 17, 2014

Watch: Tori Amos Covers Creep By Radiohead

by Nitesh
Columns, Concert Conversations, MusicAugust 15, 2014<August 15, 2014

Concert Conversations: The Canaries Play the Islington, London

by Christian
Eliott Alexander Issue 8 Cover
Art, Contributor Interview, From The Zine, Interviews, PhotographyAugust 14, 2014<August 14, 2014

A Conversation With Elliott Alexander

by Abigail
Music, ReviewsAugust 13, 2014<August 13, 2014

Digital Distortion Moves to the Pacific With Raveonettes’ New Album Pe’ahi

by Charlotte
MusicAugust 13, 2014<August 13, 2014

Listen: Josef Salvat’s new single “Shoot and Run”

by Liza
Art, Essays, FeaturesAugust 12, 2014<August 12, 2014

Maite Pons Editorial: “The Labyrinth”

by Nitesh
Art, Features, Interviews, PhotographyAugust 11, 2014<August 11, 2014

A conversation with Anna Ladd

by Alexis
Music, Our Take, ReviewsAugust 10, 2014<August 15, 2014

Our Take: A Review of Ben Howard’s New Single “End of the Affair”

by Nitesh
Columns, Hidden Gems, MusicAugust 9, 2014<August 9, 2014

Hidden Gems: “Blue Spotted Tail” – Fleet Foxes

by Nitesh
Music, Our Take, ReviewsAugust 8, 2014<August 8, 2014

Our Take: Black Honey’s new demo “Teenager”

by Liza
Art, From The Zine, Preview, VideoAugust 7, 2014<August 9, 2014

Watch: Anna Ladd’s “Posted”

by Liza
Posts pagination
1 … 720 721 722 723 724 … 726

Brand New

  • “I Needed to Make Something Beautiful as Things Fell Apart”: Maria Taylor Finds Renewal in the Ruins on ‘Story’s End’
  • Premiere: Oliver Pinder Shatters Halos in “Such an Angel,” a Catchy, All-Consuming Indie Rock Anthem of Broken Trust & Disillusionment
  • “F**k That, Trust That”: Babes in Canyon Chase Freedom on “Echo,” an Intoxicating Indie Pop Mantra
  • “Don’t look down, baby, don’t let go”: Fantastic Cat Turn Stubborn Hope into a Roaring Folk Rock Rallying Cry
  • “Don’t Wanna Be My Enemy”: Eliza Edens Finds Freedom in Life’s Darker Impulses on “Leash,” a Bold and Breezy Indie Rock Song
  • Meet Smag På Dig Selv, a Danish Trio Modernizing Jazz to EDM Lovers’ Delight
  • “I Hope People Feel Something When They Listen to It”: Odhrán Murphy Shows a More Reflective and Dreamy Side on ‘Roots & Reverie’

:: discover something new ::

Recent Posts

  • “I Needed to Make Something Beautiful as Things Fell Apart”: Maria Taylor Finds Renewal in the Ruins on ‘Story’s End’ April 1, 2026
  • Premiere: Oliver Pinder Shatters Halos in “Such an Angel,” a Catchy, All-Consuming Indie Rock Anthem of Broken Trust & Disillusionment March 31, 2026
  • “F**k That, Trust That”: Babes in Canyon Chase Freedom on “Echo,” an Intoxicating Indie Pop Mantra March 31, 2026
  • “Don’t look down, baby, don’t let go”: Fantastic Cat Turn Stubborn Hope into a Roaring Folk Rock Rallying Cry March 31, 2026
  • “Don’t Wanna Be My Enemy”: Eliza Edens Finds Freedom in Life’s Darker Impulses on “Leash,” a Bold and Breezy Indie Rock Song March 30, 2026
  • Meet Smag På Dig Selv, a Danish Trio Modernizing Jazz to EDM Lovers’ Delight March 30, 2026
  • “I Hope People Feel Something When They Listen to It”: Odhrán Murphy Shows a More Reflective and Dreamy Side on ‘Roots & Reverie’ March 30, 2026
  • Today’s Song: The Liberating Torment of Annalisa’s “Canzone Estiva” March 30, 2026
  • Today’s Song: Metalcore Band Holder Push Past the Pain on “Inconsolable” March 28, 2026
  • Atwood Magazine’s Weekly Roundup: March 27, 2026 March 27, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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