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Filiah © Marie Schrentewein
Music, PremieresApril 10, 2025<April 11, 2025

Premiere: Filiah’s Enchanting “On & On” Is a Cathartic, Liberating Exhale of Shame, Healing, & Self-Acceptance

by Mitch Mosk
Jonas Brothers © Anthony Mandler
Columns, Music, Today's SongApril 10, 2025<April 10, 2025

The Jonas Brothers’ Uplifting Anthem “Love Me to Heaven” Takes Fans on a Journey to New Heights

by Danielle Holian
Lucette © Sebestian Buzzalino
Features, Interviews, Music, Track-by-TrackApril 9, 2025<April 9, 2025

Feature: Lucette Lets Her Bruises, Boldness, and “Big Messy Feelings” Breathe on ‘Nice Girl From the Suburbs’

by Mitch Mosk
Sarah and the Sundays © Miles Ellisor
Concerts, Music, ReviewsApril 9, 2025<April 9, 2025

Live Review: Austin’s Sarah and the Sundays Bring Their Sunshine to NYC

by Jamie Kahn
Michigander © Erick Frost
Debut, Features, Interviews, MusicApril 9, 2025<April 9, 2025

“Welcome to the Broadcast”: Michigander’s Jason Singer on Change, Letting Go, and Crafting a Timeless Debut Album

by Kelly McCafferty Dorogy
Dosey © 2025
Interviews, MusicApril 9, 2025<April 9, 2025

“This is year 12 of me putting out music and year 1 of it starting to work”: Dosey Collects His Flowers from ‘maybe i’m just terrified’

by Grace Holtzclaw
Strange Froots and Hua Li 化力
Concerts, Music, ReviewsApril 9, 2025<April 9, 2025

Live Review: Strange Froots and Hua Li 化力 Bring Big Magic to Small Moments at Taverne Tour

by Oliver Crook
Tennis © Blossom Liu, Daniel Gray
Columns, Music, Today's SongApril 9, 2025<April 9, 2025

“Sleep the World to Forget It”: Tennis Are Spellbound by the “Weight of Desire” in a Song of Longing, Surrender & Sweet Disillusion

by Marc Maleri
Somebody's Child © Jim Fuller
Features, Interviews, Music, Track-by-TrackApril 8, 2025<April 8, 2025

“Rave, Rock, Rebel”: Somebody’s Child Reckons with Time’s Changes on Boldly Defiant Sophomore LP ‘When Youth Fades Away’

by Mitch Mosk
IDER © Sami Weller
Features, Interviews, MusicApril 8, 2025<April 8, 2025

“It’s all a bit of a farce at the end of the day”: IDER Turn Imposter Syndrome into an Aesthetic with ‘Late to the World’

by Brian Denney
Ashlee Merritt © 2025
Essays, Music, Women's History MonthApril 8, 2025<April 8, 2025

“Be Ready, Be Patient, and Let It All Unfold”: An Essay by Ashlee Merritt for Women’s History Month

by Guest Writer
ÅNGEL 004 © Eden Chinn
Concerts, Music, ReviewsApril 8, 2025<April 8, 2025

Escaping the Organized Chaos of SXSW and Embracing the DIY Spirit of Satellite Ranch

by Ciaran Short
CocoRosie: (L) Sierra Casady, (R) Bianca Casady © Daria Miasoedova
Features, Interviews, MusicApril 8, 2025<October 7, 2025

“It’s All Just in the Idea of Owning It”: CocoRosie Embrace Boldness Through Their Genre-Bending Eighth Album, ‘Little Death Wishes’

by Kayleigh Schweiker
Matty Reynolds © Matt Lewis
Columns, Music, Today's SongApril 8, 2025<April 8, 2025

Today’s Song: Matty Reynolds Proves That Distance Makes the Heart Grow Fonder in “Timbuktu”

by Miranda Urbanczyk
mary in the junkyard © Herbie Bone
Columns, Music, Today's SongApril 7, 2025<April 7, 2025

mary in the junkyard’s Hauntingly Raw “bear walk” Reckons with Love, Loss, & Longing

by Mitch Mosk
Posts pagination
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Brand New

  • ‘WASTED POTENTIAL’: Skylar Grey on Her Nostalgic “Bubble Grunge” Album and Living the “Most Realized Version” of Her Life
  • “A Coming-of-Age Anthem in Corporate Drag”: Nymphlord Blooms Through the Messy Magic of Becoming on “Garden” & Debut Album ‘Shedding Velvet’
  • “This Is an Ode to Eternity”: Fruit Bats Find Holy Visions in the Wreckage on ‘The Landfill’
  • Roundtable Discussion: A Review of Robyn’s ‘Sexistential’
  • “I Think We All Know a Rosey”: Precious Pepala Made an EP About the Kind of Relationship You Know Is Bad for You
  • “Radical Empathy in This Time Is Its Own Form of Resistance”: Young the Giant on Cultivating Hope, Brotherhood, and Their Life-Affirming ‘Victory Garden’
  • Our Take: Olivia Rodrigo Delivers Heartbreak, Hope, and Healing on ‘you seem pretty sad for a girl so in love’

:: discover something new ::

Recent Posts

  • ‘WASTED POTENTIAL’: Skylar Grey on Her Nostalgic “Bubble Grunge” Album and Living the “Most Realized Version” of Her Life June 17, 2026
  • “A Coming-of-Age Anthem in Corporate Drag”: Nymphlord Blooms Through the Messy Magic of Becoming on “Garden” & Debut Album ‘Shedding Velvet’ June 17, 2026
  • “This Is an Ode to Eternity”: Fruit Bats Find Holy Visions in the Wreckage on ‘The Landfill’ June 16, 2026
  • Roundtable Discussion: A Review of Robyn’s ‘Sexistential’ June 16, 2026
  • “I Think We All Know a Rosey”: Precious Pepala Made an EP About the Kind of Relationship You Know Is Bad for You June 16, 2026
  • “Radical Empathy in This Time Is Its Own Form of Resistance”: Young the Giant on Cultivating Hope, Brotherhood, and Their Life-Affirming ‘Victory Garden’ June 16, 2026
  • Our Take: Olivia Rodrigo Delivers Heartbreak, Hope, and Healing on ‘you seem pretty sad for a girl so in love’ June 16, 2026
  • “They Come with a Price”: Melbourne’s Local the Neighbour Confronts the Cost of Chasing a Dream on “Hard,” an Aching Indie Rock Confession June 15, 2026
  • “Brace for Impact… Literally”: Mykel’s ‘Hometown Runaway’ EP is the Ultimate Soundtrack of Fearless Reinvention June 15, 2026
  • Our Take: Pleasure Systems Returns More Hopeful Than Ever with Sophomore Album ‘Leave It in the Sand’ June 15, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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