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Ghost Hounds © 2024
Black History Month, Essays, MusicFebruary 19, 2025<February 19, 2025

“Learning from Legends”: An Essay by SAVNT for Black History Month

by Guest Writer
Mumford & Sons' Marcus Mumford, Ben Lovett, and Ted Dwane © 2025
Columns, Music, Today's SongFebruary 19, 2025<February 19, 2025

“Light me up, I’m wasted in the dark”: Mumford & Sons Embrace Their Restless Hearts in “Rushmere,” a Folk Rock Fever Dream

by Mitch Mosk
James Bay at OVO Arena Wembley © Jake Haseldine, February 2025
Concerts, Music, ReviewsFebruary 18, 2025<February 18, 2025

Live Review: James Bay Electrifies a Sold Out Crowd at London’s OVO Arena Wembley

by Rachel Leong
Selena Gomez and benny blanco © Peatra Collins
Columns, Music, Today's SongFebruary 18, 2025<February 17, 2025

Today’s Song: Selena Gomez & Benny Blanco Get Candid in “Scared of Loving You,” a Love Song With No Fear

by Danielle Holian
Flyte © Madison Rensing
Columns, Music, Today's SongFebruary 16, 2025<February 16, 2025

Today’s Song: Flyte’s “I’m Not There” Is an Intimate Reckoning With Trauma & Self-Acceptance

by Noa Jamir
Paul McCartney illustration © Aidan Moyer
Concerts, Music, ReviewsFebruary 16, 2025<February 16, 2025

The Love You Make: Inside Paul McCartney’s Valentine’s Show at Bowery Ballroom

by Aidan Moyer
Our Favorite Love Songs of All Time | Valentine's Day 2025
Features, Music, PlaylistsFebruary 14, 2025<February 14, 2025

All You Need Is Love (Songs): Our 2025 Valentine’s Day Soundtrack!

by Atwood Magazine Staff
Bartees Strange © Elizabeth De La Piedra
Features, Interviews, MusicFebruary 14, 2025<February 14, 2025

“Super Dark Times”: Bartees Strange on Turning Fear into Fuel in ‘Horror,’ a Record of Musical & Emotional Deconstruction

by Mitch Mosk
Alessia Cara 'Love & Hyperbole' © Alex Loucas
Features, Interviews, MusicFebruary 14, 2025<February 14, 2025

Interview: Alessia Cara on ‘Love & Hyperbole,’ Feeling Big Feelings, and Learning to Choose Joy

by Mitch Mosk
Short n’ Sweet (Deluxe) - Sabrina Carpenter
Columns, Music, Today's SongFebruary 14, 2025<February 14, 2025

Today’s Song: The Lovestruck Empowerment of Sabrina Carpenter’s “Busy Woman”

by Annaliese Baker
Atwood Magazine's 110th Editor's Picks
Columns, Editor's Picks, Features, MusicFebruary 13, 2025<February 13, 2025

Editor’s Picks 110: James Bay, The Aces, Bren Joy, Stevie Bill, Julien Baker & TORRES, & Gabriel Jacoby!

by Mitch Mosk
Rose Gray 'Louder, Please!' © Yana Van Nuffel
Debut, Features, Interviews, MusicFebruary 13, 2025<February 13, 2025

Interview: Rose Gray, the Party People’s Princess

by Brian Denney
Magic Bronson © Cameron Maier
Music, Reviews, Track-by-TrackFebruary 13, 2025<February 13, 2025

Track-by-Track: Magic Bronson Offer a Motivating Antidote With ‘Good Dogs’

by Joe Beer
Nico
Columns, Music, Nostalgia TracksFebruary 13, 2025<February 13, 2025

Nostalgia Tracks: Finding Consolation in Nico’s “These Days”

by McKenna Lucas
Luke Tyler Shelton © 2025
Artist to Watch, Columns, Music, Today's SongFebruary 13, 2025<February 13, 2025

Today’s Song: Luke Tyler Shelton’s Sun-Soaked “Love on My Mind” Shines With Vintage Warmth & Timeless Sound

by Mitch Mosk
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Brand New

  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia”
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot
  • Atwood Magazine’s Weekly Roundup: May 29, 2026

:: discover something new ::

Recent Posts

  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia” May 31, 2026
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie May 30, 2026
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full May 29, 2026
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything May 29, 2026
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP May 29, 2026
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot May 29, 2026
  • Atwood Magazine’s Weekly Roundup: May 29, 2026 May 29, 2026
  • Finding the Way Back: Hudson Ingram on Nostalgia, Growth, and ‘The Long Way Home’ May 28, 2026
  • “Jazz Isn’t a Museum Piece”: Black Nile Cultivate a Bountiful ‘Indigo Garden’ Full of Fresh Jazzy Delights May 28, 2026
  • “When I Pull Your Body Close, It’s Like Ecstasy”: Wake the Wild Bring Dance-Floor Desire to Life in “Satisfaction,” a Sweat-Kissed Funk Reverie May 28, 2026
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