Debut, Interviews, Music, Today's SongFebruary 9, 2026<February 9, 2026 “Time Can Really Run Away”: Louis Oliver Debuts with a Sweeping Piano Ballad Full of Heart, Soul, and Presence by Mitch Mosk
Columns, Music, Today's SongFebruary 8, 2026<February 8, 2026 “As the Lights Smeared”: Rolling Blackouts Coastal Fever Chase the Afterglow on “Sunburned in London” by Ashley Littlefield
Columns, Music, Today's SongFebruary 7, 2026<February 7, 2026 “In the silence between the notes”: Charlotte de Witte Hypnotizes Dark Dancefloors with “The Realm” by Ashley Littlefield
Columns, Editor's Picks, Features, MusicFebruary 6, 2026<February 18, 2026 Editor’s Picks 146: Cherry Bomb, Chet Faker, Claire Rosinkranz, The 4411, Donovan Woods, & Bad Tiger! by Mitch Mosk
Essays, MusicFebruary 6, 2026<February 6, 2026 “Autotelic: Holding On, Letting Go, and Making a Record in Public”: An Essay by LAPêCHE by Guest Writer
Music, ReviewsFebruary 6, 2026<February 6, 2026 When Home Still Hurts: Sydney Ross Mitchell’s ‘Cynthia’ is an EP About Leaving – and Being Seen by Nicolle Knapová
Debut, Interviews, Music, Today's SongFebruary 6, 2026<February 6, 2026 “I Will Be Your Safe Ground”: Katie Tupper Unleashes Her Smoky, Smoldering, Saskatchewan Soul by Mitch Mosk
Features, Interviews, Music, Track-by-TrackFebruary 5, 2026<February 11, 2026 “Raw, Unapologetic, & Hopeful”: Whitney Fenimore Reclaims Her Faith, Self, & Peace on ‘State of Being,’ an Indie Folk Debut From Her Inner World by Mitch Mosk
Features, Interviews, Music, Track-by-TrackFebruary 5, 2026<February 5, 2026 Norwich Alt-Country Standouts Brown Horse Turned ‘All the Right Weaknesses’ into Their Greatest Strength by Mitch Mosk
Interviews, Music, Today's SongFebruary 5, 2026<February 5, 2026 “I’m Better Now That You’re in My Life”: Yumi Zouma Find Love in the Everyday on “Phoebe’s Song,” an Indie Rock Daydream by Mitch Mosk
Columns, Features, Music, Weekly RoundupFebruary 4, 2026<February 4, 2026 Atwood Magazine’s Weekly Roundup: February 4, 2026 by Atwood Magazine Staff
Artist to Watch, Debut, Interviews, MusicFebruary 4, 2026<February 4, 2026 “Pure Sporadic Emotion”: Ali Genevich’s untitled freak Debuts With Raw Intimacy and Unfiltered Self-Reckoning by Mitch Mosk
Features, MusicFebruary 4, 2026<March 9, 2026 “Peaceful Death is Our Goal”: Music Therapy and Emotional Catharsis with Hospice Therapist Yuzuko DeGrottole by Bella Bromberg
Interviews, MusicFebruary 4, 2026<February 4, 2026 Meet Anne-Marie Keane: Sailing Across the World and Ever True to Her Musical Craft by Josh Weiner
Columns, Music, Today's SongFebruary 4, 2026<February 4, 2026 Melanie Martinez’s “POSSESSION” Is a Candy-Coated Descent into HADES by Danielle Holian
For the Love of Music
For the Love of Music
