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Sophie May ‘Stars and Teeth’ © Sam Hiscox
Debut, Features, Interviews, MusicApril 20, 2026<April 20, 2026

Big Feelings, Small Rooms: Sophie May on Making Her Soul-Stirring Debut Album, ‘Stars and Teeth’

by Nicolle Knapová
Luke Beling © Shannon Nicole
Columns, Music, Today's SongApril 19, 2026<April 18, 2026

“It’s an Ugly Old Trick to View ‘Different’ as Dangerous”: Luke Beling Humanizes the Immigrant Experience on “Just Like Your Mama,” an Urgent Protest Song

by Mitch Mosk
Anthony Arya © Lola Daley
Columns, Music, Today's SongApril 18, 2026<April 18, 2026

Today’s Song: Anthony Arya’s Warm & Wistful “Sugar on Your Shades” Is an All Acoustic Folk Dream

by Lauren Hicks
Atwood Magazine's Weekly Roundup | April 17, 2026
Columns, Features, Music, Weekly RoundupApril 17, 2026<April 18, 2026

Atwood Magazine’s Weekly Roundup: April 17, 2026

by Atwood Magazine Staff
CASTLEBEAT © Sonia Gadhia
Interviews, Music, Today's SongApril 17, 2026<April 17, 2026

“I Hit the Floor and It’s Breaking My Heart”: CASTLEBEAT Drifts Through Distance & Longing on “My Love,” a Hypnotic Dream-Pop Spiral

by Mitch Mosk
LAPêCHE © Alex Newport
Features, Interviews, MusicApril 16, 2026<April 16, 2026

Interview: LAPêCHE Discuss Vulnerability, Distance, & Finding Meaning in the Process on ‘Autotelic,’ an Album Where Creation Was the Point

by Damien Joyce
Royel Otis "Sweet Hallelujah" © Isaac Brown
Music, Reviews, This Just InApril 16, 2026<April 16, 2026

“I Was Born a Clown, But Now I’m Known to Cry”: Royel Otis Stir the Heart with “Sweet Hallelujah,” an Achingly Beautiful Love Letter of Goodbye

by Mitch Mosk
Sophia Galaté © Annaliese Baker
Concerts, Music, ReviewsApril 16, 2026<April 16, 2026

Live Review: Sophia Galaté Is Meant to Perform

by Annaliese Baker
Father John Misty © Lexie Alley
Columns, Music, Music You Should KnowApril 16, 2026<April 16, 2026

Music You Should Know: Father John Misty Keeps It Together for His “Mental Health”

by Charlie Recksieck
Sublime "Until the Sun Explodes"
Columns, Music, Today's SongApril 16, 2026<April 16, 2026

“I Owe You My Life”: Sublime Pay Homage to Bradley Nowell with “Until the Sun Explodes,” a Stunning Tribute to Legacy and Loss

by Dusty Hayes
Ivory Layne "Skim" © Amie Akers
Interviews, Music, PremieresApril 16, 2026<April 16, 2026

“Swimming on the Surface”: Ivory Layne Faces the Fear of Falling on “Skim,” a Cinematic Surge of Desire and Self-Protection

by Mitch Mosk
Alemeda © Marika Rose Gold
Interviews, Music, Today's SongApril 15, 2026<April 15, 2026

“I Pride Myself on Healthily Hating”: Alemeda Asserts Her Worth on “Broken Record,” a Blistering Rejection of Cheap Love

by Mitch Mosk
Esme Rose © 2026
Music, ReviewsApril 15, 2026<April 15, 2026

Devil’s in the Details: Inside Esme Rose’s Bewitching ‘x3’ EP

by Danielle Holian
The Strokes "Going Shopping" cover art
Music, Reviews, This Just InApril 15, 2026<April 15, 2026

“I Wanna Be a 7-Foot Zombie”: The Strokes Chase the Overstimulation of Modern Life on “Going Shopping,” the Kinetic Lead Single Off Their 7th Album ‘Reality Awaits’

by Mitch Mosk
Fantastic Cat 'Cat Out of Hell' 9.4
Music, Our Take, ReviewsApril 14, 2026<April 14, 2026

“Life Is a Joke, and You Are the Punch”: Fantastic Cat Capture the Messy Beauty of Being Alive on ‘Cat Out of Hell,’ Deeply Human Folk Rock Triumph

by Mitch Mosk
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Brand New

  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around”
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’

:: discover something new ::

Recent Posts

  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around” June 4, 2026
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’ June 4, 2026
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release June 4, 2026
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return June 3, 2026
  • “A Beautiful, Terrifying Freedom”: Worthitpurchase Turn Precision into Poetry on “Postcard” June 3, 2026
  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age June 2, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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