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Bon Iver 'SABLE,' © 2024
Music, ReviewsOctober 28, 2024<October 28, 2024

Review: On ‘SABLE,’ Bon Iver Carves a Triptych of Truth

by Emma Schoors
Gordi and SOAK © Nicola O’Reilly
Columns, Music, Today's SongOctober 28, 2024<October 27, 2024

“Everything is fleeting except you and I”: Gordi & SOAK Craft a Sacred Space in “Lunch At Dune,” a Folktronic Breath of Love and True Connection

by Mitch Mosk
Mk.gee "ROCKMAN" © Will Shaw
Columns, Music, Today's SongOctober 27, 2024<October 27, 2024

“Honey, just shut up and ride”: Mk.gee’s Dreamy, Seductive, & Smoldering “ROCKMAN”

by Mitch Mosk
PATTERNS - Kelsea Ballerini 7.1
Music, Our Take, ReviewsOctober 25, 2024<October 25, 2024

Our Take: Kelsea Ballerini Breaks With Old Habits on Her Fifth Album, ‘PATTERNS’

by Emily Frances Algar
William Harries Graham © Col Elmore
Features, Interviews, Music, Track-by-TrackOctober 25, 2024<October 25, 2024

Track-by-Track: William Harries Graham Breaks Down His Narrative-Driven Album, ‘Annie’s House’

by Frankie Rose
Peach Pit 'Magpie' © Mackenzie Walker
Features, Interviews, MusicOctober 25, 2024<October 26, 2024

“The goal is to be able to do this as a career for the rest of my life with these guys”: Peach Pit Discuss Their Process, Success, Friendship, & New Album, ‘Magpie’

by Marc Maleri
Cecilia Castleman © Carly Butler
Artist to Watch, Columns, Music, Today's SongOctober 24, 2024<October 24, 2024

Today’s Song: Cecilia Castleman’s Wistful “Looking for June” Aches With the Sting of Growing Apart

by Mitch Mosk
Lola Young © Sophie Jones
Features, Interviews, MusicOctober 24, 2024<October 24, 2024

“Finding my voice has been a journey of resilience”: Lola Young Is Raw, Honest, Unapologetic, & Messy – and We Wouldn’t Have Her Any Other Way

by Mitch Mosk
The Lone Bellow circa 2022; based on press photo by Eric Ryan Anderson © Aidan Moyer
Features, Interviews, MusicOctober 24, 2024<October 24, 2024

Sing So Loud At the Top of Our Lungs: A Conversation With The Lone Bellow at World Cafe Live

by Aidan Moyer
Carmody and Tal Janes are Oh My Sun © Rebecca Zephyr Thomas
Debut, Music, PremieresOctober 24, 2024<October 24, 2024

Premiere: London Duo Oh My Sun Debut With “5 Pieces,” a Dreamy, Sweet, & Sun-Kissed Seduction

by Mitch Mosk
Tayla Parx 'Many Moons Many Suns' © Justin Ayers
Interviews, MusicOctober 24, 2024<November 2, 2024

“This album, for me, is a moment of fearlessness and boldness”: Tayla Parx Enters a New Phase With ‘Many Moons, Many Suns’

by Desire' Jackson-Crosby
ellipse © 2024
Debut, Interviews, MusicOctober 24, 2024<October 24, 2024

Interview: ellipse Debuts New Alias and Talks Transformation, Rebirth, & Sultry “Poison”

by Rachel Leong
Stavro © Adam Turner
Music, PremieresOctober 23, 2024<October 23, 2024

“You saw it coming, but it came too quick”: Stavro Premieres “Smoke Above the Interstate,” a Soul-Stirring Song for End Times

by Mitch Mosk
Painted Vein © Mila Nowhere
Debut, Music, Music Videos, PremieresOctober 23, 2024<October 23, 2024

Premiere: Seattle’s Painted Vein Dwells in Darkness & Hope on Grungy “My Well”

by Mitch Mosk
My Method Actor - Nilüfer Yanya
Features, Music, Reviews, RoundtableOctober 23, 2024<October 23, 2024

Roundtable Discussion: A Review of Nilüfer Yanya’s ‘My Method Actor’

by Atwood Magazine Staff
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Brand New

  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia”
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot
  • Atwood Magazine’s Weekly Roundup: May 29, 2026

:: discover something new ::

Recent Posts

  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia” May 31, 2026
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie May 30, 2026
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full May 29, 2026
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything May 29, 2026
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP May 29, 2026
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot May 29, 2026
  • Atwood Magazine’s Weekly Roundup: May 29, 2026 May 29, 2026
  • Finding the Way Back: Hudson Ingram on Nostalgia, Growth, and ‘The Long Way Home’ May 28, 2026
  • “Jazz Isn’t a Museum Piece”: Black Nile Cultivate a Bountiful ‘Indigo Garden’ Full of Fresh Jazzy Delights May 28, 2026
  • “When I Pull Your Body Close, It’s Like Ecstasy”: Wake the Wild Bring Dance-Floor Desire to Life in “Satisfaction,” a Sweat-Kissed Funk Reverie May 28, 2026
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