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Atwood Magazine's Weekly Roundup | September 9, 2024
Columns, Features, Music, Weekly RoundupSeptember 10, 2024<September 11, 2024

Atwood Magazine’s Weekly Roundup: September 9, 2024

by Atwood Magazine Staff
No Friends - Mensiing x siii3eyes
Music, ReviewsSeptember 10, 2024<September 10, 2024

Review: Mensing & siii3eyes Revel in Melancholy on ‘No Friends,’ a Colorful, Contemplative, & Resolute Masterclass In Lo-fi Hip-Hop

by Jake Fewx
Lunar Vacation © Alexa Viscius
Features, Interviews, MusicSeptember 10, 2024<September 10, 2024

“That is the job. I want other people to not feel alone”: Lunar Vacation Discuss Their Ruminative Album, ‘Everything Matters, Everything’s Fire’

by Marc Maleri
Don’t Delete My Number - daydreamers
Columns, Music, Today's SongSeptember 9, 2024<September 9, 2024

daydreamers Pair Melodic Ear Candy With Pleading Lyrics on “Don’t Delete My Number”

by Aaron Childree
Dayglow's Sloan Struble © Luke Rogers
Features, Interviews, MusicSeptember 9, 2024<September 21, 2024

“As human as possible”: Dayglow’s Sloan Struble on Making the Most ‘Dayglow’ Dayglow Album of His Career

by Lauren Turner
Devarrow © 2024
Features, Interviews, Music, Track-by-TrackSeptember 6, 2024<September 6, 2024

‘A Long & Distant Wave’: Devarrow Embraces Life’s Ebbs and Flows With Sweet, Seductive, Soul-Stirring Folk

by Mitch Mosk
Wax Owls © Nina Ripich
Debut, Features, Interviews, Music, Track-by-TrackSeptember 6, 2024<September 6, 2024

“Give a weight for hope”: LA’s Wax Owls Weave Reflective & Vulnerable Indie Folk Reveries on Debut EP ‘Cowboy Cologne’

by Mitch Mosk
Fontaines D.C. 'Romance' © Theo Cottle
Music, Reviews, Track-by-TrackSeptember 6, 2024<September 6, 2024

‘Romance’ Makes the World Go ‘Round: A Track-by-Track Look at Fontaines D.C.’s Fourth Studio Album

by Emma Rayder
TENDER © Jack Batchelor
Interviews, MusicSeptember 6, 2024<September 6, 2024

Interview: TENDER Showcase Musical Range and Intimate Lyrics on Mesmerizing New Album ‘FLUX’

by Aaron Childree
Trace Mountains © Alyx Soard
Columns, Music, Today's SongSeptember 5, 2024<September 5, 2024

“A burning desire”: Basking in the Sweet, Sweaty Heat of Trace Mountains’ 7-Minute Reverie, “In a Dream”

by Mitch Mosk
Joe George 'Folk Cinema' © Cory Dewald
Features, Interviews, Music, Track-by-TrackSeptember 5, 2024<September 5, 2024

Feature: The Sweet Seduction of Joe George’s Dreamy, Nostalgic & Dusty Third LP, ‘FOLK CINEMA’

by Mitch Mosk
Triple Seven - Wishy
Debut, Music, ReviewsSeptember 5, 2024<September 5, 2024

Quenching the Thirst of All Indie Rock Lovers, Wishy’s ‘Triple Seven’ Offers a Ten-Course Tasting Menu of Delicious Hooks & Scrumptious Bites

by Kevin Cost
Why Bonnie 'Wish on the Bone' © Julia Khoroshilov
Features, Interviews, MusicSeptember 5, 2024<September 6, 2024

God Bless This Mess: Blair Howerton on Why Bonnie’s Hopeful New Album, ‘Wish on the Bone’

by Will Yarbrough
Dhani Harrison and Mereki Beach trade vocals on their co-write “Ghost Garden” for the INNERSOUNDSTAGE live concert © Aidan Moyer
Concerts, Music, ReviewsSeptember 5, 2024<September 5, 2024

Wonderful Light, We Set the Scene: Dhani Harrison Takes the INNERSOUNDSTAGE

by Aidan Moyer
Oh Wonder, 10 Years On
Columns, Music, Today's SongSeptember 4, 2024<September 4, 2024

“Before you came ’round my heart would never beat much faster”: Oh Wonder Revisit Their Breathtaking Debut Single With “Body Gold (10 Years On)”

by Mitch Mosk
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Brand New

  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose
  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’
  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song”
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too)
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’
  • Joshua Quimby Is Redefining What It Means to Be Country
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld

:: discover something new ::

Recent Posts

  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose April 7, 2026
  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’ April 7, 2026
  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song” April 7, 2026
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too) April 6, 2026
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’ April 6, 2026
  • Joshua Quimby Is Redefining What It Means to Be Country April 6, 2026
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld April 6, 2026
  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’ April 6, 2026
  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning April 3, 2026
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem April 3, 2026
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