• Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services
Atwood Magazine - For the Love of Music For the Love of Music
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
Joey Valence & Brae © 2024
Features, Interviews, MusicOctober 23, 2024<October 23, 2024

“We Do Whatever We Want. We Are Independent… And We Just Don’t Care”: Fun, Energetic, & Unashamedly Themselves, Joey Valence & Brae Coast With ‘NO HANDS’

by Jake Fewx
Stevie Bill © Monique Penders
Features, Interviews, Music, Track-by-TrackOctober 22, 2024<October 22, 2024

“Pure, Honest, & Fun”: Stevie Bill Bares All on ‘I was a platinum blonde,’ a Record of Guts, Growth, and Hair

by Mitch Mosk
Bleachers © Alex Lockett
Concerts, Music, ReviewsOctober 22, 2024<October 22, 2024

Live Review: Bleachers Bring a Taste of the Garden State to the Hollywood Hills

by Guest Writer
Spencer Sutherland 'The Drama' © Lexi Alley
Features, Interviews, MusicOctober 22, 2024<October 22, 2024

Rock Operas, Shakespeare, & Graceland: Spencer Sutherland on the Sparkling, Immersive World of ‘The Drama’

by Rachel Leong
Atwood Magazine's Weekly Roundup | October 21, 2024
Columns, Features, Music, Weekly RoundupOctober 21, 2024<October 23, 2024

Atwood Magazine’s Weekly Roundup: October 21, 2024

by Atwood Magazine Staff
Kemi Ade © Azu
Artist to Watch, Columns, Music, Today's SongOctober 21, 2024<October 23, 2024

Interview: South London’s Kemi Ade Goes from Victim, to Villain, to Artist-to-Watch in “Gaslight”

by Mitch Mosk
Caleb Landry Jones, as seen in his Jean-Stéphane Sauvaire-directed “Spiders in the Trees” music video, surrounded by his illustrations featured in “The Moonkey Light.” © Aidan Moyer
Features, Interviews, MusicOctober 21, 2024<October 21, 2024

“At Times It Seems You’ve Been Known to Tell”: An Interview With Caleb Landry Jones

by Aidan Moyer
Genevieve Stokes © Robin Glass
Debut, Features, Interviews, MusicOctober 21, 2024<October 21, 2024

“I just assumed the people around me knew more”: Genevieve Stokes on Finally Coming into Her Own on Debut Album ‘With a Lightning Strike’

by Alexandra Jhamb Burns
Suki Waterhouse ‘Memoir of a Sparklemuffin’ album art
Music, ReviewsOctober 21, 2024<October 21, 2024

Review: Slip into a Euphoric Reverie with Suki Waterhouse’s ‘Memoir of a Sparklemuffin’

by Brianna Corrine
Chaparelle © Michael Hernandez
Concerts, Music, ReviewsOctober 21, 2024<October 21, 2024

Live Review: Twang and Tension Intertwine for Chaparelle

by Marissa DeLeon
Daisy the Great © Alistair Barrell
Columns, Music, Today's SongOctober 19, 2024<October 19, 2024

Daisy the Great Deliver for “All the People” in Dynamic & Dreamy ‘Spectacle: Daisy the Great vs. Tony Visconti’

by Mitch Mosk
Sydney Quiseng © 2024
Debut, Features, Interviews, MusicOctober 18, 2024<October 25, 2024

Introducing Sydney Quiseng: Echosmith’s Frontwoman on Her New Solo Career

by Emily Frances Algar
Nick Ward © Joe Brennan
Debut, Features, Interviews, Music, Track-by-TrackOctober 18, 2024<October 18, 2024

“Psychedelic Family Roadtrip”: Nick Ward Dives into Himself on Debut Album ‘House With the Blue Door’

by Mitch Mosk
Mon Rovia © Glenn Ross
Artist to Watch, Features, Interviews, MusicOctober 18, 2024<October 18, 2024

“The mission of my music is to heal with others”: A Conversation With Mon Rovîa

by Mitch Mosk
Audrey Nuna © Leeay
Features, Interviews, MusicOctober 18, 2024<October 18, 2024

“It’s about tenderness and toughness”: The Duality of Audrey Nuna’s Sophomore Album, ‘TRENCH’

by Christine Buckley
Posts pagination
1 … 94 95 96 97 98 … 736

Brand New

  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia”
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot
  • Atwood Magazine’s Weekly Roundup: May 29, 2026

:: discover something new ::

Recent Posts

  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia” May 31, 2026
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie May 30, 2026
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full May 29, 2026
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything May 29, 2026
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP May 29, 2026
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot May 29, 2026
  • Atwood Magazine’s Weekly Roundup: May 29, 2026 May 29, 2026
  • Finding the Way Back: Hudson Ingram on Nostalgia, Growth, and ‘The Long Way Home’ May 28, 2026
  • “Jazz Isn’t a Museum Piece”: Black Nile Cultivate a Bountiful ‘Indigo Garden’ Full of Fresh Jazzy Delights May 28, 2026
  • “When I Pull Your Body Close, It’s Like Ecstasy”: Wake the Wild Bring Dance-Floor Desire to Life in “Satisfaction,” a Sweat-Kissed Funk Reverie May 28, 2026
ABOUT US
PITCHING US
Privacy policy
GET INVOLVED!

Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
Back to top
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
  • Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services