Features, Interviews, Music, Reviews, Track-by-TrackNovember 19, 2020<November 20, 2020 “Songsmith, Meet Apocalypse”: Michael Flynn’s Enchanting & Dire 3rd Solo Record ‘Survive with Me’ by Mitch Mosk
Music, PremieresNovember 19, 2020<November 19, 2020 Premiere: Total Brutal Gives Us the Hope We Need with Third Single “Egypt” by Dimitra Gurduiala
Music, Reviews, Track-by-TrackNovember 18, 2020<December 5, 2020 “Existential Dread Orgasm”: Charleston’s Babe Club Ignite in Debut EP ‘Remember This Feeling’ by Mitch Mosk
Features, Interviews, Music, Reviews, Track-by-TrackNovember 18, 2020<November 18, 2020 Feature: Siiga’s Stunning ‘Gemini Rising’ Is a Wondrous, Warm Blanket of Sound by Mitch Mosk
Features, Interviews, MusicNovember 18, 2020<December 19, 2020 Interview: Josh Groban’s Latest Album ‘Harmony’ Abolishes the Lazy Haze of Complacency to Reveal Peace by Ilana Kalish
Features, Interviews, MusicNovember 18, 2020<November 18, 2020 Interview: Bahamas Is a ‘Sad Hunk’ and Loving It by Anthony Kozlowski
Features, Music, Reviews, Track-by-TrackNovember 17, 2020<December 22, 2020 “Ruminative, Lonely, & Forgiving”: Singer/Songwriter Donovan Woods on His Intimate 7th Album ‘Without People’ by Mitch Mosk
8 Music, Our Take, ReviewsNovember 17, 2020<December 15, 2020 Our Take: Clipping. Come Out Swinging & Unsettling on ‘Visions of Bodies Being Burned’ by Josh Weiner
Debut, Features, Music, Reviews, Track-by-TrackNovember 17, 2020<November 17, 2020 ‘Razzmatazz’ & Razzle-Dazzle: iDKHOW Go Track-by-Track Through Their Thrilling Debut Album by Mitch Mosk
Interviews, MusicNovember 17, 2020<November 17, 2020 Interview: Molly Moore Explains How She Embraced Her Weaknesses with “Voice On The Internet” by Dimitra Gurduiala
Features, Interviews, MusicNovember 16, 2020<November 16, 2020 “It is what it is”: Inside Rama Gu’s Intimate & Vulnerable Indie Folk Debut, ‘The Garden’ by Mitch Mosk
Debut, Music, Premieres, Track-by-TrackNovember 16, 2020<November 17, 2020 Album Premiere: New Zealand Avant-Folk Trio Ida Lune Weave Wonders on Self-Titled Debut by Mitch Mosk
7.1 Music, Our Take, ReviewsNovember 16, 2020<December 15, 2020 Review: Emma Ruth Rundle & Thou’s ‘May Our Chambers Be Full’ Seizes a Bleak Moment & Subsumes It by Danny Vagnoni
Features, Music, Reviews, Track-by-TrackNovember 13, 2020<November 13, 2020 “Grolsch, Ocean, API”: Yukon Blonde Soar Bold & True in 5th Album ‘Vindicator’ by Mitch Mosk
Features, Interviews, MusicNovember 13, 2020<December 22, 2020 Freedom in Limitations & Other People’s Stories: A Conversation with Marika Hackman by Nicole Almeida
For the Love of Music
For the Love of Music
