Features, Music, Reviews, RoundtableJune 23, 2020<June 29, 2024 Roundtable Discussion: A Review of Hayley Williams’ ‘Petals for Armor’ by Atwood Magazine Staff
7.9 Music, Our Take, ReviewsJune 23, 2020<December 15, 2020 Our Take: Charli XCX Remains the Queen of Electropop Love Tunes on ‘How I’m Feeling Now’ by Josh Weiner
Debut, Music, ReviewsJune 19, 2020<June 19, 2020 Review: Emanuel’s Debut ‘Alt Therapy Session 1: Disillusion’ Is a Breathtaking R&B Experience by Mitch Mosk
9.3 Music, Our Take, ReviewsJune 19, 2020<December 15, 2020 Kill Your Masters: A Review of Run the Jewels’ ‘RTJ4’ by Danny Vagnoni
Debut, Music, ReviewsJune 18, 2020<June 17, 2020 Review: Pilkington’s Long-Awaited Debut Captures the Beauty & Pain of Growing Up by Oliver Crook
Features, Interviews, MusicJune 18, 2020<August 23, 2020 ‘Patience’, Space, & Beauty: Sondre Lerche Dives into His Breathtaking Ninth Album by Mitch Mosk
Music, Reviews, Track-by-TrackJune 16, 2020<June 15, 2020 Track-by-Track: Gizmo Varillas Leads Us ‘Out of the Darkness’ with His Brilliant, Radiant Third Album by Mitch Mosk
Features, Interviews, MusicJune 16, 2020<August 23, 2020 Love, Death & Dancing: An Interview with Jack Garratt by Mitch Mosk
Music, Our Take, Reviews, Track-by-TrackJune 15, 2020<June 11, 2020 Feature: UK’s Bryde Takes on the World with a Feverish Passion in ‘The Volume of Things’ by Mitch Mosk
Features, Interviews, MusicJune 4, 2020<August 23, 2020 Feature: The Timeless Beauty of Bruno Major’s Sophomore Album ‘To Let A Good Thing Die’ by Mitch Mosk
Features, Music, Reviews, RoundtableJune 1, 2020<June 29, 2024 Roundtable Discussion: A Review of The 1975’s ‘Notes on a Conditional Form’ by Atwood Magazine Staff
Debut, Interviews, MusicMay 29, 2020<March 2, 2023 Interview: Shawn Wasabi’s Vastly Vibrant World on Debut Album ‘MANGOTALE’ by Alex Killian
Features, Interviews, MusicMay 29, 2020<May 29, 2020 ‘Future Teenage Cave Artists’: An Interview with Deerhoof on the Merits of Fairytales in Post-Apocalyptica by Ben Niesen
Music, Reviews, Track-by-TrackMay 29, 2020<May 29, 2020 Track-by-Track: The Memories’ ‘Pickles & Pies’ Is a Delicious Indulgence by Mitch Mosk
10 Debut, Features, Music, Our Take, Reviews, Track-by-TrackMay 29, 2020<May 23, 2023 Our Take: The Shadowboxers’ Debut Album Is a Majestic Musical Masterpiece by Mitch Mosk