10 Music, Our Take, ReviewsAugust 21, 2019<December 15, 2020 Our Take: Bomethius’ Pleasantly Unpleasant ‘Sweet Nothings’ Is a Folk Masterpiece Hiding in Plain Sight by Anthony Kozlowski
Features, Interviews, Music, PremieresAugust 20, 2019<August 20, 2019 Album Premiere: Corey Kilgannon’s ‘As Above, So Below’ Is an Intimate American Protest by Mitch Mosk
7.1 Debut, Music, Our Take, ReviewsAugust 19, 2019<December 15, 2020 Our Take: Five Months After ‘The Big Day’, Chance the Rapper Is Still a Joyful, Skillful Young Man by Josh Weiner
Features, Interviews, MusicAugust 16, 2019<August 16, 2019 Feature: Shura’s Love Lives Forever by Nicole Almeida
9 Debut, Music, Our Take, PremieresAugust 15, 2019<December 15, 2020 Album Premiere: The Hazy Warm Wash of Shikoswe’s Debut ‘Back in the Tall Grass’ by Mitch Mosk
8.1 Debut, Music, Our Take, ReviewsAugust 13, 2019<December 15, 2020 Our Take: Necking’s ‘Cut Your Teeth’ is Pure Blunt Bombast by Danny Vagnoni
Debut, Music, ReviewsAugust 12, 2019<January 12, 2023 Black Pumas’ Eponymous Debut Album Is a Sonic Box of Chocolates by Ilana Kalish
Features, Interviews, MusicAugust 9, 2019<August 9, 2019 Feature: Penny and Sparrow Explore Evolution in Masterpiece Sixth Album ‘Finch’ by Kelly McCafferty Dorogy
Debut, Music, ReviewsAugust 9, 2019<August 9, 2019 Review: Punk Goes Personal on Julia Shapiro’s Debut ‘Perfect Version’ by Christine Costello
Music, ReviewsAugust 7, 2019<August 7, 2019 Review: Summer Salt’s ‘Honeyweed’ EP Is a Sweet Summer Kiss by Mitch Mosk
7.1 Music, Our Take, ReviewsAugust 6, 2019<December 15, 2020 Our Take: Nas Salvages Solid Compilation from Formerly-Discarded Tracks in ‘The Lost Tapes 2’ by Josh Weiner
Debut, Music, ReviewsAugust 2, 2019<August 2, 2019 Album Review: Ritt Momney’s Triumphant Debut ‘Her and All of My Friends’ by Harper Beattie
Music, Our Take, ReviewsJuly 31, 2019<December 15, 2020 Review: Ian Ferguson’s ‘State of Gold’ Is Your New Summer Road Tunes Record by Oliver Crook
Debut, Music, Premieres, ReviewsJuly 31, 2019<July 31, 2019 Album Premiere: Female Energy Fuels So Sensitive’s Alluring Debut ‘Bedroom Drama’ by Mitch Mosk
Music, ReviewsJuly 29, 2019<July 29, 2019 Requiem for a Poor Mathô: A Review of MARINA’s ‘Love + Fear’ by Ben Niesen
For the Love of Music
For the Love of Music
