7.1 Music, Our Take, ReviewsNovember 16, 2020<December 15, 2020 Review: Emma Ruth Rundle & Thou’s ‘May Our Chambers Be Full’ Seizes a Bleak Moment & Subsumes It by Danny Vagnoni
Features, Music, Reviews, Track-by-TrackNovember 13, 2020<November 13, 2020 “Grolsch, Ocean, API”: Yukon Blonde Soar Bold & True in 5th Album ‘Vindicator’ by Mitch Mosk
Features, Interviews, MusicNovember 13, 2020<December 22, 2020 Freedom in Limitations & Other People’s Stories: A Conversation with Marika Hackman by Nicole Almeida
Debut, Features, Interviews, MusicNovember 13, 2020<April 8, 2021 Interview: Latin Grammy Nominee Nathy Peluso Takes Us Through Debut Album ‘Calambre’ by Alicia Bugallo
Music, Reviews, RoundtableNovember 12, 2020<June 29, 2024 Roundtable Discussion: A Review of Ariana Grande’s ‘Positions’ by Atwood Magazine Staff
Features, Music, Premieres, Reviews, Track-by-TrackNovember 12, 2020<November 12, 2020 Album Premiere: The Brummies Find Artistic Evolution Through Familiar Sounds on Longing Sophomore LP ‘Automatic World’ by Jordan Catagnus
Debut, Features, Music, Premieres, Track-by-TrackNovember 11, 2020<November 11, 2020 Album Premiere: Aussie Duo Cry Club Redefine “Bubblegum Punk” in Standout Debut ‘God I’m Such a Mess’ by Mitch Mosk
Features, Interviews, MusicNovember 11, 2020<November 11, 2020 Interview: How Ólafur Arnalds Put His Soul into New Record ‘Some Kind of Peace’ by Dimitra Gurduiala
Music, ReviewsNovember 11, 2020<November 11, 2020 Review: Adrianne Lenker’s Stunning Double Album ‘songs’ & ‘instrumentals’ by Mariel Fechik
Features, Interviews, Music, PremieresNovember 10, 2020<November 10, 2020 Feature: Ember Knight Reveals the Man Behind the Curtain with Their Intimate Rock Opera ‘CHERYL’ by Sophie Prettyman-Beauchamp
MusicNovember 9, 2020<November 15, 2020 Feature: Novo Amor Dives into the Shimmering Depths of Breathtaking LP, ‘Cannot Be, Whatsoever’ by Mitch Mosk
Features, Interviews, MusicNovember 6, 2020<November 6, 2020 Anime, Trauma and Divorce: A Conversation with Open Mike Eagle by Mariel Fechik
Music, ReviewsNovember 5, 2020<November 5, 2020 Review: Gabriel Garzón-Montano’s Eclectic and Colorful Sophomore Effort, ‘Agüita’ by Mariel Fechik
Debut, Interviews, Music, PremieresNovember 5, 2020<November 5, 2020 Interview: Andrea Magee Unveils Debut Album ‘Only Love’ Bursting with Sentimental Sincerity by Mitch Mosk
7.5 Debut, Music, Our Take, ReviewsNovember 4, 2020<December 15, 2020 Our Take: BLACKPINK Are Sure to Please International Crowds & Do South Korea Proud with ‘THE ALBUM’ by Josh Weiner
For the Love of Music
For the Love of Music
