Debut, Music, ReviewsAugust 9, 2019<August 9, 2019 Review: Punk Goes Personal on Julia Shapiro’s Debut ‘Perfect Version’ by Christine Costello
Music, ReviewsAugust 7, 2019<August 7, 2019 Review: Summer Salt’s ‘Honeyweed’ EP Is a Sweet Summer Kiss by Mitch Mosk
7.1 Music, Our Take, ReviewsAugust 6, 2019<December 15, 2020 Our Take: Nas Salvages Solid Compilation from Formerly-Discarded Tracks in ‘The Lost Tapes 2’ by Josh Weiner
Debut, Music, ReviewsAugust 2, 2019<August 2, 2019 Album Review: Ritt Momney’s Triumphant Debut ‘Her and All of My Friends’ by Harper Beattie
Music, Our Take, ReviewsJuly 31, 2019<December 15, 2020 Review: Ian Ferguson’s ‘State of Gold’ Is Your New Summer Road Tunes Record by Oliver Crook
Debut, Music, Premieres, ReviewsJuly 31, 2019<July 31, 2019 Album Premiere: Female Energy Fuels So Sensitive’s Alluring Debut ‘Bedroom Drama’ by Mitch Mosk
Music, ReviewsJuly 29, 2019<July 29, 2019 Requiem for a Poor Mathô: A Review of MARINA’s ‘Love + Fear’ by Ben Niesen
Music, ReviewsJuly 22, 2019<July 22, 2019 Review: The Portland Ambience of Rose City Band’s Self-Titled Debut by Ben Niesen
Features, Music, Premieres, ReviewsJuly 17, 2019<July 17, 2019 Album Premiere: In ‘Rarest of Birds’, Grizfolk Fight Personal Struggles with Visions of the Sun by Frankie Rose
9.1 Music, Our Take, ReviewsJuly 12, 2019<December 15, 2020 Our Take: Flying Lotus’ Sprawling ‘Flamagra’ Embodies His Prolificacy and Variety by Danny Vagnoni
8.2 Music, Our Take, ReviewsJuly 9, 2019<December 15, 2020 Our Take: “Let’s Rock” Is a Comeback to Admire for Long-Dormant The Black Keys by Josh Weiner
Features, Music, Reviews, Track-by-TrackJuly 5, 2019<July 5, 2019 Memory, Pain, and Healing: Black Grapefruit Dive into Their Exquisite ‘Fade/Forget’ EP by Mitch Mosk
Features, Music, Reviews, RoundtableJuly 3, 2019<June 29, 2024 Roundtable Discussion: A Review of Vampire Weekend’s ‘Father of the Bride’ by Atwood Magazine Staff
Features, Music, News, ReviewsJune 28, 2019<July 3, 2019 Atwood Magazine’s Best Albums of 2019… Part 1 by Atwood Magazine Staff
Music, Our Take, ReviewsJune 27, 2019<December 15, 2020 Review: Two Door Cinema Club Reach New Heights on ‘False Alarm’ by Meredith Nardino
For the Love of Music
For the Love of Music
