Music, PremieresAugust 1, 2019<October 22, 2019 Premiere: Opeongo’s Expansive Single “Less of Me” Gives Us More by Ilana Kalish
Music, PremieresAugust 1, 2019<August 1, 2019 Premiere: Rosier Reveal Their New Identity in “Vie Pénible” by Ditta Demeter
Columns, Music, Today's SongAugust 1, 2019<August 1, 2019 Today’s Song: The Reflective Rumination of Rhys Lewis’ “What If” by Luke Pettican
Festival, Music, ReviewsAugust 1, 2019<July 31, 2019 Review: Kew the Music Festival 2019 by Hermione Kellow
Debut, Music, Premieres, ReviewsJuly 31, 2019<July 31, 2019 Album Premiere: Female Energy Fuels So Sensitive’s Alluring Debut ‘Bedroom Drama’ by Mitch Mosk
Music, PremieresJuly 31, 2019<July 31, 2019 Premiere: Memory, Love, & Hope Permeate Carriers’ Heart-Rending “Heaven’s People” by Mitch Mosk
Columns, Music, Today's SongJuly 31, 2019<July 31, 2019 Today’s Song: The Sonder Bombs Break the BS on “I Don’t Have One Anymore” by James Crowley
Music, PremieresJuly 30, 2019<July 30, 2019 Premiere: Trenton’s Stirring “Answers” Makes Peace with Uncertainty by Mitch Mosk
Debut, Music, PremieresJuly 30, 2019<July 30, 2019 Premiere: Stella Emmett Basks in Euphoric Breakup Song “Done W U” by Mitch Mosk
Columns, Music, Today's SongJuly 30, 2019<July 25, 2019 Today’s Song: Adam Melchor’s Bittersweet Summer Joyride by Audrey Steeves
Music, Music Videos, PremieresJuly 29, 2019<July 29, 2019 Premiere: FENCES’ Stirring American Western “Same Blues” by Mitch Mosk
Features, Interviews, MusicJuly 29, 2019<July 29, 2019 Naked & Deep Pop: A Conversation with Temptress by Kelsey Fitzgerald
Music, ReviewsJuly 29, 2019<July 29, 2019 Requiem for a Poor Mathô: A Review of MARINA’s ‘Love + Fear’ by Ben Niesen
Columns, Music, Today's SongJuly 29, 2019<August 17, 2019 Taylor Swift’s “The Archer” Is an Emotionally Self-Reflective Preview for ‘Lover’ by Melanie Lustig
Columns, Features, Music, Weekly RoundupJuly 26, 2019<July 26, 2019 Atwood Magazine’s Weekly Roundup: July 26, 2019 by Atwood Magazine Staff
For the Love of Music
For the Love of Music
