Music, PremieresAugust 6, 2019<August 6, 2019 Premiere: Wild Rivers Reckon with Heartache in Dynamic “I Do” by Mitch Mosk
Music, Podcast, Tunes & TumblersAugust 6, 2019<April 30, 2023 Podcast: Tunes & Tumblers Dives into the K-Pop Hype with BTS’ ‘Map of the Soul: Persona’ by Anthony Kozlowski
Features, Music, PremieresAugust 6, 2019<August 6, 2019 EP Premiere: The Intimacy & Immediacy of FERGUS’ Pained ‘Three of Swords’ by Mitch Mosk
Columns, Features, Music, Weekly RoundupAugust 2, 2019<August 2, 2019 Atwood Magazine’s Weekly Roundup: August 2, 2019 by Atwood Magazine Staff
Debut, Music, ReviewsAugust 2, 2019<August 2, 2019 Album Review: Ritt Momney’s Triumphant Debut ‘Her and All of My Friends’ by Harper Beattie
Music, PremieresAugust 2, 2019<August 2, 2019 Premiere: Field Mouse Get Apocalyptic in Intimate New Song “Black Hole, Son” by Mitch Mosk
Music, PremieresAugust 2, 2019<August 2, 2019 Premiere: The Dreamy Folk-Rock Flow of Time for T’s “Screenshot” by Mitch Mosk
Music, Reviews, This Just InAugust 1, 2019<August 1, 2019 MisterWives’ Unapologetic “whywhywhy” Is a Dynamic Post-Breakup Reckoning by Mitch Mosk
Columns, Editor's Picks, Features, MusicAugust 1, 2019<November 14, 2023 Editor’s Picks: July 29, 2019 by Mitch Mosk
Interviews, Music, PremieresAugust 1, 2019<August 1, 2019 Premiere: Lily Kershaw Grapples with Past & Present in Her Latest Single “Now & Then” by Madison Vettorino
Music, PremieresAugust 1, 2019<October 22, 2019 Premiere: Opeongo’s Expansive Single “Less of Me” Gives Us More by Ilana Kalish
Music, PremieresAugust 1, 2019<August 1, 2019 Premiere: Rosier Reveal Their New Identity in “Vie Pénible” by Ditta Demeter
Columns, Music, Today's SongAugust 1, 2019<August 1, 2019 Today’s Song: The Reflective Rumination of Rhys Lewis’ “What If” by Luke Pettican
Festival, Music, ReviewsAugust 1, 2019<July 31, 2019 Review: Kew the Music Festival 2019 by Hermione Kellow
Debut, Music, Premieres, ReviewsJuly 31, 2019<July 31, 2019 Album Premiere: Female Energy Fuels So Sensitive’s Alluring Debut ‘Bedroom Drama’ by Mitch Mosk