Music, Music Videos, PremieresFebruary 25, 2019<February 25, 2019 Premiere: Good Air’s Hazy, Intimate “Nap League” Embraces the Beauty in Simplicity by Mitch Mosk
Debut, Music, ReviewsFebruary 25, 2019<February 25, 2019 Review: J.S. Ondara Understands America Way Better Than We Do on Debut ‘Tales of America’ by Oliver Crook
Columns, Music, Today's SongFebruary 25, 2019<August 1, 2023 Today’s Song: Broken Social Scene Are Enchantingly Chaotic with Lovelorn Jam “Boyfriends” by Abby Jones
Features, Music, Reviews, RoundtableFebruary 22, 2019<June 29, 2024 Roundtable Discussion: A Review of Ariana Grande’s ‘thank u, next’ by Atwood Magazine Staff
Columns, Features, Music, Weekly RoundupFebruary 22, 2019<March 1, 2019 Atwood Magazine’s Weekly Roundup: February 22, 2019 by Atwood Magazine Staff
Columns, Music, Today's SongFebruary 22, 2019<February 22, 2019 Swindle & Kojey Radical’s “Coming Home” Is a Euphoric Triumph (and it Sounds Like One, Too) by Matthew Dunn
Music, Music Videos, PremieresFebruary 22, 2019<March 1, 2019 Premiere: Get It on with Josie Dunne’s Catchy Make Out Anthem “Mute” by Mitch Mosk
Music, Our Take, ReviewsFebruary 22, 2019<February 22, 2019 Our Take: Julia Jacklin’s ‘Crushing’ Is an Outstanding Example of Personal and Musical Growth by Adrian Vargas
Debut, Music, ReviewsFebruary 21, 2019<February 21, 2019 EP Review: The Raw Rock Punch of Buddie’s Debut ‘Change of Scenery’ by Mitch Mosk
Music, ReviewsFebruary 21, 2019<February 21, 2019 EP Review: The Dreamy, Dazzling Beauty of RKCB’s Intimate ‘Shores’ by Mitch Mosk
Music, PremieresFebruary 21, 2019<February 21, 2019 Premiere: The Joy and Trappings of Being “Famous” with Manatee Commune by Alex Killian
Music, PremieresFebruary 21, 2019<February 21, 2019 Premiere: Marina City’s Seductively Sweet “Addicted” by Mitch Mosk
Columns, Music, Today's SongFebruary 21, 2019<February 20, 2019 Today’s Song: Julia Michaels & Selena Gomez Open Up a Conversation About Mental Health with “Anxiety” by Alicia Bugallo
Debut, Music, PremieresFebruary 20, 2019<February 20, 2019 Premiere: Reverie, Rebirth & Reflection in A.U.R.A’s Enchanting “Immensely I” by Mitch Mosk
Features, Music, PremieresFebruary 20, 2019<February 20, 2019 Album Premiere: Bruiser & Bicycle’s Delightfully Alternative ‘Woods Come Find Me’ by Mitch Mosk
For the Love of Music
For the Love of Music
