Columns, Music, This Just In, Today's SongFebruary 21, 2025<February 21, 2025 Today’s Song: Fontaines D.C. Confirm “It’s Amazing to Be Young” With an Uplifting, Nostalgia-Soaked Indie Rock Reverie by Brianna Corrine
Columns, Features, Music, Weekly RoundupFebruary 21, 2025<February 21, 2025 Atwood Magazine’s Weekly Roundup: February 21, 2025 by Atwood Magazine Staff
Music, Our Take, ReviewsFebruary 21, 2025<February 21, 2025 Our Take: Youth Lagoon Embraces Childlike Wonder in ‘Rarely Do I Dream’ by Noa Jamir
Debut, Features, InterviewsFebruary 21, 2025<February 21, 2025 “The light still breaks through each morning”: jasmine.4.t on the Hope, Healing, & Community Behind ‘You Are the Morning’ by Rachel Leong
Black History Month, Editorials, MusicFebruary 20, 2025<February 20, 2025 “A Miracle in Legacy – The Transformative Power of Black Artistry”: An Essay by Joshua Conyers for Black History Month by Guest Writer
Features, Music, Reviews, RoundtableFebruary 20, 2025<February 20, 2025 Roundtable Discussion: A Review of The Weeknd’s ‘Hurry Up Tomorrow’ by Atwood Magazine Staff
Columns, Music, Today's SongFebruary 20, 2025<February 20, 2025 Today’s Song: “Hope Is a Scary Thing” Offers a Run Through the Back of Carol Ades’ Mind by Bárbara Martínez Campuzano
Music, Reviews, This Just InFebruary 20, 2025<February 20, 2025 This Just In: On “High Fashion,” Addison Rae Chooses Hermes Over Hedonism by Brian Denney
Music, PremieresFebruary 19, 2025<February 19, 2025 Premiere: Discus Ache for the ‘Good Ol’ Days’ That Never Came in “O My Stars,” a Haunting Reflection on Fleeting Youth & Fading Futures by Mitch Mosk
Editorials, MusicFebruary 19, 2025<February 19, 2025 The Hidden Cost of Streaming: How Spotify Suppresses New Artists by Guest Writer
Columns, Music, Today's SongFebruary 19, 2025<February 19, 2025 “Light me up, I’m wasted in the dark”: Mumford & Sons Embrace Their Restless Hearts in “Rushmere,” a Folk Rock Fever Dream by Mitch Mosk
Columns, Music, Today's SongFebruary 18, 2025<February 17, 2025 Today’s Song: Selena Gomez & Benny Blanco Get Candid in “Scared of Loving You,” a Love Song With No Fear by Danielle Holian
Columns, Music, Today's SongFebruary 16, 2025<February 16, 2025 Today’s Song: Flyte’s “I’m Not There” Is an Intimate Reckoning With Trauma & Self-Acceptance by Noa Jamir
Features, Interviews, MusicFebruary 14, 2025<February 14, 2025 “Super Dark Times”: Bartees Strange on Turning Fear into Fuel in ‘Horror,’ a Record of Musical & Emotional Deconstruction by Mitch Mosk
Features, Interviews, MusicFebruary 14, 2025<February 14, 2025 Interview: Alessia Cara on ‘Love & Hyperbole,’ Feeling Big Feelings, and Learning to Choose Joy by Mitch Mosk