Editorials, MusicApril 17, 2018<April 17, 2018 The Art of Manic Poetry: Hobo Johnson & The LoveMakers by James Meadows
Debut, Features, Music, ReviewsApril 17, 2018<April 26, 2018 Roundtable Discussion: A Review of Cardi B’s Debut Album ‘Invasion of Privacy’ by Atwood Magazine Staff
Columns, Music, Today's SongMarch 20, 2018<August 5, 2021 Form Matches Function on Mick Jenkins’ Uncompromising “Earl Sweatshirt type beat” by Atwood Magazine Staff
Music, Our Take, ReviewsJanuary 8, 2018<January 8, 2018 Our Take: Eminem’s ‘Revival’ Is Low on Highlights, High on Dubious Decisions by Josh Weiner
Music, PremieresJanuary 5, 2018<January 5, 2018 Premiere: The Inspiring Ease of Gem Tree’s Free-“Floatin” New Year’s Single by Mitch Mosk
Music, Our Take, ReviewsJanuary 5, 2018<February 20, 2018 Our Take: BROCKHAMPTON’s ‘Saturation III’ Refines Their All-Caps Ethos of DIY Creativity by James Meadows
Features, Interviews, MusicDecember 11, 2017<December 11, 2017 Big City Inspired: A Conversation with Last Gasp Collective by Kelly Wynne
Columns, Music, Today's SongNovember 30, 2017<November 30, 2017 Today’s Song: Lil Xan’s “Betrayed” Is a Cautionary Ode to Hip-Hop’s Benzo-Binging Culture by Danny Dyer
Columns, Music, Reviews, Today's SongNovember 27, 2017<November 27, 2017 Today’s Song: Eminem and Beyoncé’s “Walk on Water” Is Not Miraculous, but Still a Heartfelt Effort by Josh Weiner
8 Music, Our Take, ReviewsNovember 2, 2017<September 5, 2023 Our Take: Wyclef Jean Displays Heart and Expertise on ‘Carnival III’ by Josh Weiner
Music, Today's SongSeptember 25, 2017<September 25, 2017 Today’s Song: Challenging Concepts of Love, Ambiguity and Gender Performance On Duckwrth’s “Boy” by Brandon Payano
Music, Today's SongSeptember 19, 2017<September 19, 2017 Today’s Song: Daz Rinko Talks About That “Black Boy Joy” by Baylee Less
Columns, Music, Today's SongJuly 5, 2017<July 5, 2017 Today’s Song: Bardo’s “Chiang Mai,” Viejo San Juan and the Northern Capital by Ethan Armbrust
Debut, Music, Our Take, ReviewsJune 23, 2017<June 23, 2017 Our Take: Healy’s ‘Subluxe’ Glows with Nostalgia and Introspection by Baylee Less
Music, Our Take, ReviewsJune 12, 2017<November 8, 2018 Our Take: ‘Everybody’ Is in for a Good Time on Logic’s Latest by Josh Weiner