Editorials, Music, ReviewsMay 19, 2023<May 19, 2023 “She’s American” (And Other Metaphors By The 1975) by Julia Dzurillay
Columns, Features, Music, Weekly RoundupMay 12, 2023<May 15, 2023 Atwood Magazine’s Weekly Roundup: May 12, 2023 by Staff
Features, Music, PlaylistsFebruary 14, 2023<February 14, 2023 Our Favorite New Love Songs: A Valentine’s Day Music Celebration! by Staff
Features, Lists, MusicDecember 21, 2022<December 21, 2022 Atwood Magazine’s 2022 Albums of the Year by Staff
Features, Lists, MusicDecember 19, 2022<March 11, 2023 Atwood Magazine’s 2022 Songs of the Year by Staff
10 Music, Our Take, ReviewsOctober 24, 2022<October 24, 2022 The 1975’s ‘Being Funny in a Foreign Language’ Is a Softly Stunning Masterpiece by Mitch Mosk
Columns, Features, Music, Weekly RoundupOctober 14, 2022<October 14, 2022 Atwood Magazine’s Weekly Roundup: October 14, 2022 by Staff
Columns, Music, Today's SongSeptember 8, 2022<October 24, 2022 “Enough about me now…”: The 1975’s “Part of the Band” Is a Homecoming From an Ego Trip by Collin Leonard
Features, Music, Reviews, Track-by-TrackJune 30, 2021<June 30, 2021 “Energy, Nostalgia, & Pop”: Denver’s The BRKN Rise with Sparking & Spirited ‘Come Outside’ EP by Mitch Mosk
Features, Lists, MusicDecember 23, 2020<February 5, 2021 Atwood Magazine’s 2020 Albums of the Year by Staff
Features, Lists, MusicDecember 18, 2020<February 5, 2021 Atwood Magazine’s 2020 Songs of the Year by Staff
Features, Music, Weekly RoundupNovember 27, 2020<December 15, 2020 Atwood Magazine’s Weekly Roundup: November 27, 2020 by Staff
Columns, Editor's Picks, Features, MusicJune 17, 2020<August 23, 2020 Editor’s Picks 36: Yola, Don Bryant, Orion Sun, Sondre Lerche & More by Mitch Mosk
Features, Music, ReviewsJune 1, 2020<August 23, 2020 Roundtable Discussion: A Review of The 1975’s ‘Notes on a Conditional Form’ by Staff
9.7 Features, Music, Our Take, ReviewsMay 22, 2020<December 15, 2020 Our Take: The 1975’s Epic ‘Notes on a Conditional Form’ Is an Odyssey of Sound & Substance by Mitch Mosk