Columns, Music, Today's SongFebruary 1, 2021<February 1, 2021 Today’s Song: D!XON Gives Us the Confidence Boost We Need to Love Freely in “Arms Around Me” by Joe Beer
Columns, Music, Today's SongJanuary 31, 2021<January 29, 2021 Today’s Song: BLACKSTARKIDS Present Upbeat Twist on Their Musical Lineage on Fun-Loving “BRITNEY BITCH” by Oliver Crook
Columns, Music, Today's SongJanuary 30, 2021<January 29, 2021 Today’s Song: Vagabon & Courtney Barnett Cover ‘Reason to Believe,” and It’s Enchanting by Aaron Scobie
Features, Interviews, Music, Reviews, Track-by-TrackJanuary 29, 2021<March 14, 2021 “You’re Your Family”: Lucero Dive into the Depths of Sweeping Tenth Album ‘When You Found Me’ by Mitch Mosk
Music, PremieresJanuary 29, 2021<January 29, 2021 Finding Peace After Discomfort in Isaac Stuart’s “Place for You in My Heart” by Nina Schaarschmidt
Columns, Music, Today's SongJanuary 29, 2021<January 29, 2021 Today’s Song: Rat Tally’s Raw “Shrug” Is a Tender, Fragile, & Intimate Upheaval by Mitch Mosk
Columns, Interviews, MusicJanuary 29, 2021<January 29, 2021 Interview: Calica & Daniel Loumpouridis Discuss Catchy Single “Don’t,” New EP ‘Lens,’ TikTok, and Their Road to Success by Chloe Robinson
Features, Interviews, MusicJanuary 29, 2021<January 29, 2021 Interview: Toronto’s Verzache Dwells in the Wavey, Hazey Depths of “All I Need” Off Forthcoming Debut ‘My Head Is a Moshpit’ by Mitch Mosk
Columns, Features, Weekly RoundupJanuary 29, 2021<January 29, 2021 Atwood Magazine’s Weekly Roundup: January 29, 2021 by Atwood Magazine Staff
Features, Interviews, MusicJanuary 29, 2021<February 5, 2021 Developing a Voice & Spreading Joy Amidst an Apocalypse: A Conversation with Baio by Francesca Rose
Artist to Watch, Music, ReviewsJanuary 28, 2021<January 28, 2021 Artist to Watch: Adam Melchor Stuns with Breathtakingly Beautiful Songs “Life on Earth?” & “The Last Song on Earth” by Mitch Mosk
Columns, Music, Today's SongJanuary 28, 2021<January 28, 2021 Today’s Song: Brooklyn’s Phantom Wave Dwell in Ethereal Shoegaze Depths on Overdriven Upheaval “Billows” by Mitch Mosk
Music, PremieresJanuary 28, 2021<January 28, 2021 Premiere: Doohickey Cubicle’s Hazey Song “Sign Here” Is a Cheeky & Intoxicating Celebration of Consumerism by Mitch Mosk
Music, ReviewsJanuary 28, 2021<January 28, 2021 California Duo JOYNER’s 2018 Debut “White Lights” Continues to Burn Bright by Mitch Mosk
Breaking the Record, Columns, MusicJanuary 28, 2021<January 28, 2021 Breaking the Record with Roan Yellowthorn, Part 48: Making Progress by Guest Writer